Monthly Archives: August 2010

THE LAST OF HER KIND By Sigrid Nunez

“We had been living together for about a week when my roommate told me she had asked specifically to be paired up with a girl from a world as different as possible from her own.” That’s the opening line to Sigrid Nunez’s remarkable novel, The Last of Her Kind. Dooley Ann Drayton comes from the moneyed class, yet she devotes her life to the poor and oppressed. Her college roommate is Georgette George, born into hard-scrabble life with a violent mother and troubled siblings. One of these women will commit a murder. The Last of Her Kind is a social history. The two college students attend Barnard in the Sixties just as civil rights and the Vietnam War ignite student movements. Woodstock, Altamont, marijuana, LSD, speed, all become part of the story. Sigrid Nunez brings startling narrative effects to her story. Most of the book is narrated by Georgette, but when Georgette has an affair, she finds she can only relate it to us in the third person. And then there’s the shocking prison journal. I cannot praise this tour de force too much. It’s amazing! The Last of Her Kind is the best book I’ve read in 2010 so far. GRADE: A

(Thanks to the North Tonawanda Public Library for providing this book.)

BARGAIN OF THE WEEK: CUTTHROAT ISLAND [Blu-ray]


Back in 1995, when Cutthroat Island was released, the movie opened and closed here in a week. Somehow, an action movie about a lady pirate didn’t appeal to mass audiences back then. If you missed Cutthroat Island on the first go-round, you’re in luck! I found a Blu-ray version of Cutthroat Island at BJ’s Warehouse for $7.99. Remember when Blu-ray movies were going for $25-$30? As I predicted a few months ago, prices are falling for Blu-ray movies, many can be found under $10. Cutthroat Island is pure fun: sword fights, swashbuckling adventures, and some light romance. But the reason to watch this movie in the Blu-ray HDTV format is for the colorful island spectacle and the elaborate ship-to-ship battle scenes. If you want crackling action featuring the delightful Geena Davis, the cute Matthew Modine, and the sinister Frank Langella, Cutthroat Island delivers. GRADE: B+

MURDER IS MY BUSINESS By Brett Halliday

Charles Ardai, editor of HARD CASE CRIME books, sent this email message to readers:
Those of you who are tuned in to goings-on in the publishing industry may have seen the announcement last week from Dorchester Publishing that they’ve decided to get out of the business of publishing mass-market paperback novels (the main business they’ve been in for the past 40 years). Instead, they’ve announced they’re only going to publish ebooks and a limited number of larger trade paperbacks, using a ‘print on demand’ process.

What does this have to do with Hard Case Crime? Well, for the past six years, Dorchester has been the company that has printed and distributed our books. They’re a first-rate company run by good people, and I’m sorry to see them going through tough times. I’m also sorry to see them stop publishing books in our format. What does this mean for us? Well, either we’ll need to switch from the smaller “mass market” format to the larger “trade” format, or we’ll need to start working with another publisher, or both. (Most likely both, but we’ll see.)

I immediately went out and bought what is likely to be the last mass market format HARD CASE CRIME book: Murder is My Business with a great Robert McGinnis cover. Buy it fast! It’s the end of an era.

THE HELP By Kathryn Stockett

Diane, Patrick, and Katie all read Kathryn Stockett’s The Help so I thought I’m make it a complete family sweep by reading it too. This story begins in Jackson, Mississippi in 1962. Stockett introduces us to two black maids, Aibileen and Minny. We see and hear the racism of this time in the events Stockett includes: separate bathrooms for the maids, a near-murder of a worker who uses a “white” bathroom, and enormous cruelty by a bridge club of white women who rule the social scene in Jackson. Into this mix Stockett drops 22-year-old Skeeter with a degree from Ole Miss. Skeeter wants to be a writer and “change things.” With the encouragement of an editor at Harper & Row, Skeeter starts to secretly interview the maids about their views of their white employers. My chief quibble about this book is that Stockett alternates the narration of the chapters from Aibileen, to Minny, to Skeeter, all in the first person. I think a third-person narration would have been more effective. But, that being said, The Help presents an effective social history of those dark times. GRADE: B

(Thanks to the North Tonawanda Public Library for providing this book.)

THE KIDS ARE ALL RIGHT


The kids (Mia Wasikowsk and Josh Hutcherson) are all right, but the lesbian couple (Annette Bening and Julianne Moore) who raised them isn’t. The Kids Are All Right begins with the premise that kids born from sperm donor would want to contact their father. So far, so good. The kids contact their father (Mark Ruffalo), an owner of a restaurant, and after an awkward period, the kids and the father start to bond. It’s when the kids, their lesbian mothers, and the father meet over dinner that chaos enters their lives. All the relationships swirl around in the turmoil. This movie is being marketed as a comedy. It isn’t. Yes, there are comic moments, but the plot is serious…and conventional. With the strong cast and the novel situation, you would think the writer and director could have come up with a more innovative ending. But, no. This movie ends as most of the audience could have predicted. GRADE: B

FORGOTTEN BOOKS #77: THE BEST OF KIM STANLEY ROBINSON

Kim Stanley Robinson is best known for his excellent science fiction novels like his Mars trilogy: Red Mars, Green Mars, and Blue Mars. Robinson also wrote the under-rated Three Californias Trilogy: The Wild Shore, The Gold Coast, Pacific Edge (but that’s a topic for another FORGOTTEN BOOKS Friday). Most readers head for the novels. Yet, Robinson also wrote some dazzling short stories. Thanks to Night Shade Books, we have the just published collection, The Best of Kim Stanley Robinson. The title is no misnomer. Some of Robinson’s best writing can be found in these pages. Many of these stories hard to find. Now, they’re in one convenient package. Robinson also threw in a new, original story. There are hours of reading pleasure to be found here.
Table of Contents:
Venice Drowned
Ridge Running
Before I Wake
Black Air (World Fantasy Award Winner)
The Lucky Strike
A Sensitive Dependence on Initial Conditions
Arthur Sternbach Brings The Curveball To Mars
The Blind Geometer (Nebula Award Winner)
Our Town
Escape from Kathmandu
Remaking History
The Translator
Glacier
The Lunatics
Zurich
Vinland the Dream
“A History of the Twentieth Century, with Illustrations”
Muir On Shasta
Sexual Dimorphism
Discovering Life
Prometheus Unbound, At Last
The Timpanist of the Berlin Philharmonic, 1942 (First Publication)
Afterword by Kim Stanley Robinson

(This completes the August 2010 portion of my Short Story Reading Challenge. I will read and review one short story collection per month in 2010. To find out more about the Short Story Reading Challenge, be sure to click: “http://theshortstorychallenge.blogspot.com/”>Short Story Reading Challenge.

THE WOMEN By Clare Booth Luce

Diane and I had so much fun going to the Shaw Festival with Patti and Phil to see An Ideal Husband that we decided to return and see The Women, a play about women and divorce. First presented on stage in 1936, The Women went on to have a couple of movie incarnations. This Shaw Festival version brought out plenty of laughter from the audience. The all female cast captured Clare Booth Luce’s wisdom and frivolity. If you get a chance to see a stage version of The Women, take it. This insightful play holds up. GRADE: A

HOW TO WRITE A DAMN GOOD THRILLER By James N. Frey

Last week I reviewed Thrillers: 100 Must Reads edited by David Morrell and Hank Wagner. Now, I’m reviewing James N. Frey’s How to Write a Damn Good Thriller: A Step-by-Step Guide for Novelists and Screenwriters. There’s plenty of overlap between the two books. The main difference comes down to the variety of opinions on thrillers in Morrell’s book vs. Frey’s focused analysis of how thrillers work and how to write them. Frey analyzes an impressive number of books and movies to show how the effects are achieved. My only quibble is that Frey sometimes tells you more than you want to know about works you may not have read or seen yet: too many spoilers! If I was Frey’s editor, I would have suggested WARNINGS to prevent readers from learning information that would spoil their reading or viewing experience. Other than that, I recommend Frey’s book if you’re a fan of thrillers. You’ll learn a lot! GRADE: B+

HOW DID YOU GET THIS NUMBER: ESSAYS By Sloane Crosley

DEDICATION: To my parents. For everything.* We’ll get back to that “dedication” in a few moments. Sloane Crosley is a thirty-something New Yorker with learning disabilities and a snarky personality. These personal essays explore Crosley’s trips to Paris and Portugal (disaster lurks!), her adventures with pets, her encounter with a grizzly cub in Alaska, and a romantic relationship that goes Wrong. I enjoyed Sloane Crosley’s first book of essays, I Was Told There’d Be Cake where we found out about Crosley’s tribulations at an all-girls summer camp. The world of women mystifies me so these reports from the Other Side enlighten me. Now, back to that “dedication”:

*Everything except the two-week period in 1995 directly following the time you went to Ohio for a wedding and I threw a party in the house, which is the most normal thing a teenager American can do, aside from lie about it, which I also did, and Mom eyed me suspiciously for days. morphing into a one-woman Scotland Yard, marching into my bedroom with a fistful of lint from the dryer to demonstrate that I had mysteriously washed all the towels, and then she waited until we were in a nice restaurant to scream, “Someone vomited on my couch, I know it!” and Dad took away my automotive privileges straight through college so that I spent the subsequent four years likening you both to Stasi foot soldiers, confined as I was to a campus-on-the-hill when I could have been learning how to play poker at the casinos down the road and making bad decisions at townie bars. I think we can all agree you overreacted.

For everything except that, I am profoundly grateful. I have only the greatest affection for you now. Also: I vomited on the couch.

LISTENING BOOTH: 1970 By Marc Cohn


Marc Cohn’s 1994 hit, “Walking in Memphis,” achieved classic status. Now, Cohn is back with a album of cover songs from one of his favorite years in music: 1970. Covering classic rock & roll songs and soul songs is a tricky business. Cohn’s strategy is to dial down the pacing. For example, on the classic Paul McCartney “Maybe I’m Amazed,” Cohn mellows the song out. It works. But on a couple of the songs on this CD, it doesn’t. The Boxtops had a hit with “The Letter” and later Joe Cocker turned it into a classic. Cohn’s quiet version lacks the intensity this song needs. But, that being said, I enjoyed almost all the songs on Cohn’s new CD. Give it a listen below! GRADE: B+
PLAY LIST:
1 Wild World 4:14
2 Look At Me 3:05
3 Maybe I’m Amazed 3:17
4 Make it With You 3:50
5 The Letter 2:42
6 The Only Living Boy in New York 4:26
7 After Midnight 2:50
8 The Tears of a Clown 3:47
9 No Matter What 3:41
10 New Speedway Boogie 4:40
11 Into the Mystic 3:13
12 Long As I Can See the Light 3:15
13 Close to You (Bonus Track on Barnes & Noble CDs only) 4:11