Nick Foster, an in-demand consultant to GOOGLE, Nokia, Sony, Dyson and many other Big Tech companies, is a “futurist” even though he doesn’t like that term. Foster’s new book, Could Should Might Don’t (2025), presents a model for thinking about the Future.

The Future business is littered with false promises: flying cars, cold fusion, women’s equality, etc. Foster explores why predictions go wrong…and how they come true.

The reason I’m recommending Nick Foster’s book is that unlike a lot of books I’ve read about the Future, Foster is willing to talk about the risks of predicting the Future. Trump should have read Could Should Might Don’t before he started the disastrous Iran War (or Excursion). “Unintended Consequences” are the bane of prediction.

If you want to think about the Future in a rational, more reliable, and serious way, give Could Should Might Don’t a try. What do you think about the Future? GRADE: B+

TABLE OF CONTENTS:

• Preface — vii
• Just imagine — 3
• The metronome quickens — 9
• A reluctant futurist — 29

Could

• Oh, wow — 47
• Science fiction — 53
• The roots of could futurism — 58
• Could futurism in public — 64
• Commercial could futurism — 78
• Heroic futures and background talent — 87

Should: The Futurism of Goals

Better — 103

Belief — 109

On Prediction — 117

Empirical Futures — 132

Numeric Fiction — 141

The Future is Accretive — 151

Might

1. Futures plural — 167
2. Think tanks — 176
3. Strategic foresight — 181
4. The limits of imagination — 193
5. Regurgitative futures — 203
6. Wagging the dog — 212

Don’t

1. Critique, caution, and fear — 231
2. Algorithmic adversity — 242
3. Toxic positivity and solutionism — 252
4. Dependencies, implications, and ends — 262
5. Extrapolatory futures — 280
6. And so… — 301
7. The future mundane — 305
8. There’s plenty of future left — 323
9. Thank you — 338

“Women’s History Month, celebrated annually in March, honors the contributions of women to American history, culture, and society. Originating from a local California celebration in 1978, it grew into a national observance in 1987, featuring notable figures like Harriet Tubman, Amelia Earhart, and Rosa Parks. The month includes International Women’s Day on March 8.”

To celebrate Women’s History Month, I read Nora O’Donnell and Kate Andersen Brower’s We the Women: The Hidden Heroes Who Shaped America (2026). I confess: I was unfamiliar with many of the important women listed in the early chapters of this book. Fascinating nonetheless!

I did know all the women in the last section of the book–recency bias perhaps. But my favorite chapter in We the Women was Chapter 24: Agnes Meyer Driscoll: The Code Breaker. What an amazing woman! She was born in 1889 and excelled at mathematics, music, and physics. She was proficient in five languages: German, French, Latin, Japanese, and English. Driscoll worked for the Director for Navel Communication in the Code an Signal Section in Washington, D.C. during World War I. She became one of the first Navel instructors in the field of cryptography.

During World War II, Driscoll worked on cracking the German and Nazi codes. “In 1959, just before her retirement at the age of seventy, Agnes received her final assignment: to decode a set of ‘unreadable’ messages that others in her section had found impossible to solve. Two weeks later, she figured it out. Of course she did!” (p. 202)

Norah O’Donnell honors the many women who have made the cause of Women’s Rights key to success and freedom in America. Although the battle continues, my allegiance is with the women and not the stupid men who run this country right now. GRADE: A

TABLE OF CONTENTS:

Introduction — 3

Part 1: The first fifty years : the women behind America’s fight for independence, 1776-1826

1. Mary Katherine Goddard: The Printer — 13
2. Phillis Wheatley: The Poet — 18
3. Mercy Otis Warren: The Intellectual — 25
4. Elizabeth Ellet: The Historian — 32
5. Elizabeth Freeman: The Freedom Seeker — 39
6. Deborah Sampson: The War Fighter — 46
7. Patience Lovell Wright: The Sculptor — 51

Part 2: Risk takers and rulebreakers : Seneca Falls and the Civil War, 1826-1876

8. The Grimke Sister: The Truth Tellers — 67

9. Charlotte Forten: The Abolitionist — 76

10. The Women of Seneca Falls: The Signers — 83

11. The Blackwell Sister: The Doctors — 95

12. Dr. Mary Edwards Walker: The Medal of Honor Recipient — 103

13. Susan and Susette La Flesche: The Advocates — 111

14. Anna Dickinson: The Orator — 118

15. Belva Lockwood: The Lawyer — 121

Part 3: Blood, sweat, and tears : the Gilded Age and the great demand : 1876-1926

16. Emily Warren Roebling: The Builder — 143

17. Katharine Wright: The Aviator — 151

18. Inez Milholland, The Suffragist — 157

19. Maggie Lena Walker: The Titan of Finance — 164

20. Mary Tape: The Determined Mother — 170

21. Zitkala-Sa: — The Writer — 175

22. The Hello Girls of World War I: The Operators — 182

23. The Ninetieth Amendment: The Vote — 190

24. Agnes Never Driscoll: The Codebreaker — 198

25. Margaret Sander and Katharine McCormick: The Birth Control Pioneers — 205

Part IV: Warriors, rebels, and visionaries : women at war at home and abroad, 1926-1976

26. Mary McLeod Bethune: The First Lady of the Struggle — 220

27. Eleanor Roosevelt: The Great “Agitator” — 232

28. Frances Perkins: The Cabinet Member — 245

29. The Six Triple Eight: The Soldiers — 252

30. The New Orleans Four: The Barrier Breakers —258

31. Romana Acosta Banuelos: The Treasurer — 267

32. Babe Didrikson: “The Greatest Athlete Who Ever Lived” — 273

33. Patsy Mink: The Mother of Title IX — 280

34. Pat Schroeder: The Legislator — 287

35. Constance Baker Motley: The Judge — 296

Part V:  My lifetime : women’s progress in America, 1976-today

Acknowledgements — 327

Photo Credits — 333

Notes — 337

Index — 397

I didn’t laugh once. Yes, this British version of Saturday Night Live has all the format features of the US version, but it just wasn’t funny. You would think that Tina Fey would inject some humor into the premier of this show…but no.

The musical group, Wet Leg, was awful. The female lead singer belted out lyrics like “People want to fuck me.”

Diane and I skip a lot of skits in Saturday Night Live US–we typically watch the opening, the host monologue, and Weekend Update. Most of the music groups are not to our taste. The Saturday Night Live UK Weekend Update was lame.

Saturday Night Live UK will be available on Peacock the day after the British broadcast. We won’t be watching. GRADE: C-

“A book like this has no start and no end. These are things we’ve been thinking about and will go on thinking about, they’re part of a conversation older than we are and that will carry on longer than we will.” (p. 352)

Jo Walton and Ada Palmer, two Award winning writers, share their years of conversations about Science Fiction and Fantasy. As Jo Walton puts it, Trace Elements (2026) “will join nonfiction works like Ursula K. Le Guin’s The Language of the Night, Samuel R. Delany’s The Jewel-Hinged Jaw, and Understanding Comics by Scott McCloud on the short shelf of titles essential to all readers of our genre.” I agree.

I’m a fan of Jo Walton’s solo volume, What Makes This Book Great (2014) (you can read my review here). If you’re a fan of Science Fiction and Fantasy, this is a must-read!

“Our greatest hope, of course, is that this book will be the middle of a conversation, as you who read these pieces chew on them, share them, debate them, harvest the terms and observations useful to your own ongoing thoughts about the interwoven world of stories we all love, and say new things.” (p. 553)

What more can you ask from a wonderful, nonfiction book on Science Fiction and Fantasy? GRADE: A

TABLE OF CONTENTS:

Section 1: Genre; or, The Modern Proteus — 1

Integral to the Plot: The Author-Reader Contract –3

The Science Fiction Conversation: Imprint SF — 22

Genre Pacing and Protocols, or What is Genre? — 35

Poem: By Their Spaceship Ye Shall Know Them — 54

History of Science Fiction Publishing — 55

Sheep’s Clothing Why SF and F might Be Disguised as Each Other — 93

Where Does Dystopia Fit as a Genre? — 114

Not Saving the World? How Does That Even Work? — 121

Mitfreude: The Joy of Sharing Friends Joy — 132

A Mitfreude of Manga and Anime (and Their Relationship with SF) — 134

A Mitfeude of Genre Romance — 167

History and Robots — 192

The Ghost Did What?! Translation Exposing Providentialist Thinking — 209

Section 2: Anyone Who Says Differently is Selling Something — 219

Chrome Pain Chronicle, in Prose and Verse — 221

Writing Realizing Disability + Power — 237

Not Deluded How I Sold My First Novel While on Vacation — 259

The Key to the Kingdom, or How I Sold Too Like the Lightning — 266

Author’s Note and Acknowledgements from Too Like the Lightning — 275

Section 3: Craft — 279

Spear Point Theory — 281

The Protagonist Problem — 284

What’s Reading For — 293

Expanding our Empathy Sphere Using SF & F, a History — 306

Poem: Translated from the Original — 316

Censorship and Genre Fiction–Let’s Broaden Our Broader Reality — 317

How to Encourage Space Exploration? — 325

Poem: On Praising Tech — 328

Poem: Old Question — 329

Meta, Irony, Narrative, Frames, and The Princess Bride — 330

Hopepunk, Optimism, Purity, and Futures at Hard Work — 337

Poem: Somebody Will — 347

Acknowledgements — 351

About the Author — 355

Some consider Judith (1975) Judy Collins’ best album. The Very Best of Judy Collins (2001) updates the songs since Judith and includes Judy Collins’ early hits. I love Judy Collins’ rendition of “The Moon is a Harsh Mistress.” “Send in the Clowns” is a classic. And so is “Both Sides Now.”

While I prefer Sandy Denny’s version of “Who Knows Where The Time Goes,” Judy Collins comes close to that perfection. “Amazing Grace” is heart-felt.

Despite her successes, Judy Collins has a sad history of addiction to alcohol and drugs. Collins entered a rehabilitation program in Pennsylvania in 1978 and has reportedly maintained her sobriety ever since. Are you a Judy Collins fan? Do you have a favorite song? GRADE: A (for both)

TRACKLIST:

A1		The Moon Is A Harsh Mistress Bass Flute – Romeo Penque English Horn, Flute – George MargeLute [Alto] – Bill Slapin*Piano – Judy CollinsViola – Emanuel VardiViolin – Gene Orloff Written-By – Jimmy Webb	2:59
A2		Angel, Spread Your Wings Bass – Tony LevinDrums – Stephen Gadd*Electric Piano – Ken Ascher Guitar – David Spinozza, Hugh McCracken, Steve Burgh Percussion – Ralph MacDonaldSynthesizer [Arp] – Ken Bichel Written-By – Danny O’Keefe	3:05
A3		Houses Written-By – Judy Collins	4:32
A4		The Lovin’ Of The Game Bass – Tony LevinDrums – Stephen Gadd*Guitar – Charlie Brown (7), David SpinozzaHarmonica – Don BrooksOrgan – Pat RebillotSteel Guitar, Resonator Guitar – Eric Weissberg Written-By – Pat Garvey (2)	3:03
A5		Song For Duke Bass – Tony Levine*Drums – Stephen Gadd*Electric Piano – Pat RebillotGuitar – David Spinozza, Hugh McCrackenHorns – Arthur Clarke, Frank Wess, Garnett Brown, Randy Brecker, Seldon Powell, Tony Studd Written-By, Piano – Judy Collins	3:33
A6		Send In The Clowns Written-By – Stephen Sondheim	3:57
B1		Salt Of The Earth Backing Vocals – Cissy Houston, Denver Collins, Eunice Peterson, Steve Goodman, Sylvia ShemwellBass – Tony LevinDrums – Stephen Gadd*Guitar – Eric Weissberg, Hugh McCrackenOrgan, Electric Piano – Paul Griffin Written-By – Mick Jagger, Keith Richards*	3:59
B2		Brother, Can You Spare A Dime Acoustic Guitar – Eric Weissberg, Hugh McCracken, Steve GoodmanBass – Tony LevinDrums – Stephen Gadd*Written-By – Jay Gorney	3:12
B3		City Of New Orleans Bass – Tony LevinDrums – Stephen Gadd*Guitar – Hugh McCracken, Judy Collins, Steve GoodmanHarmonica – Don BrooksSteel Guitar, Backing Vocals – Eric Weissberg Written-By, Backing Vocals – Steve Goodman	4:07
B4		I’ll Be Seeing You Written-By – Irving Kahal, Sammy Fain	3:44
B5		Pirate Ships Accordion – Dominic Cortes*Cello – George RicciFlute – Romeo PenqueHarp – Corky HaleRecorder – George Marge Written-By – Wendy Waldman	2:42
B6		Born To The Breed Bass – Tony LevinDrums – Stephen Gadd*Guitar – Charlie Brown (7), Eric WeissbergHarmonica – Don BrooksOrgan – Pat Rebillot Written-By, Piano – Judy Collins

TRACKLIST:

1		Turn! Turn! Turn!/To Everything There Is A Season Bass [Upright] – Bill TakasTwelve-String Guitar [Acoustic] – Jim McGuinn Written-By – Pete Seeger	3:41
2		So Early, Early In The Spring Acoustic Guitar [2Nd] – Eric Weissberg Written-By – Trad.*	3:12
3		Suzanne Written-By – Leonard Cohen	4:26
4		Just Like Tom Thumb’s Blues Written-By – Bob Dylan	5:08
5		Both Sides Now	3:16
6		Since You’ve Asked	2:36
7		Albatross	4:53
8		My Father Piano – Michael Melvoin*	5:02
9		Someday Soon Electric Bass – Stephen StillsElectric Guitar – James BurtonPiano – Van Dyke ParksSteel Guitar [Pedal] – Buddy Emmons Written-By – Ian Tyson	3:47
10		Who Knows Where The Time Goes Piano – Michael Sahl Written-By – Sandy Denny	4:47
11		Chelsea Morning Orchestrated By – Jimmie Haskell Producer – David Anderle	3:21
12		Farewell To Tarwathie	4:58
13		Song For Judith (Open The Door) Drums, Percussion – Susan Evans*Electric Bass – Gene Taylor Electric Guitar – Ry Cooder	4:07
14		Cook With Honey Acoustic Guitar – Bucky Pizzarelli, Steve MandellAcoustic Guitar, Bass [Upright] – Eric WeissbergArranged By [Recorders] – Richard Bell (4)Bass [Upright] – Bob DaughertyCongas, Bongos – Ray BarrettoElectric Bass – Don Payne, Russel George*Percussion – Allan Schwartzberg Written-By – Valerie Carter	3:31
15		Send In The Clowns Arranged By, Conductor – Jonathan TunickBass – John BealCello – Charles McCracken, Kermit MooreFrench Horn – Albert Richmond*, Larry WechslerGuitar – Cliff MorrisHarp – Abe RosenPercussion – Hank Jaramillo*Piano, Celesta – Thomas PearsonTrombone – Garnett Brown, Vinnie Fanuele*, Wayne AndreViola – George Brown (8), Julien BarberViolin – Al Miller (4), Alvin Rogers, Ann Barak, Bob Rozell, Cy Berger, Dan Reed (2), Guy Lumia, Harriet Reynolds, Harry Cykman, Julie Held, Larry Goldman, Marilyn Wright, Mathilde Pincus, Norman CarrWoodwind – Jerry Smith (17), Joel Kaye, Les Scott*, Bob Steen*, Sidney Weinberg Written-By – Stephen Sondheim	4:03
16		Amazing Grace

I’ve been reading W. C. Tuttle’s tales of Sheriff Henry Harrison Conroy for almost a decade now. Popular Publications (aka, Steeger Books (formerly Altus Press) has been reprinting Tuttle’s entertaining Western stories featuring a seemingly bumbling former actor who has been elected Sheriff of Tonto Arizona, a town with plenty of problems.

Blind Trails at Tonto is Volume 8 of this reprint series. The three stories included in this book also feature Sheriff Conroy’s loyal deputy, Judge Van Treece (a man with a serious drinking problem, but with an uncanny intelligence), and jailer, Oscar Johnson (a massive man with incredible strength). For comic relief, Frijole Bill and Slim Pickins are always around with their powerful prune whiskey laced with high octane alcohol.

“Henry the Silent” involves Frijole and Slim finding a dead body…and some money. Sheriff Conroy suspects the young woman who had just been hired at the Tonto saloon as a violinist, is connected to the case. Another murder and the disappearance of Mary McLean, the violinist, leads the Sheriff to a treacherous plot of counterfeiting and duplicity.

“Tracks in the Sand” begins with a plot to gain control of a mine outside of Tonto Arizona. The owner of the mine, Frank Travis, is found dead just outside of town. Yet, another man, claiming to be Frank Travis shows up to chase a beautiful woman named Nola Terry, who comes to Tonto to become its teacher. As the bodies pile up, Sheriff Conroy sets a trip for the gang who hopes to steal the mine.

“Blind Trails at Tonto” begins with the local newspaper Clarion, calling for the defeat of Sheriff Conroy at the next election. Conroy’s opponent is “Honest” Ed Henderson, owner of the Circle H spread who is backed monetarily by Jim Nelson. Nelson purchased the King’s Castle, the biggest saloon, gambling house, and honkatonk in the country. Conroy takes a lot of heat as the number of murders pile up. But once again, Conroy has a plan to reveal what is really going on.

I’ve enjoyed all the Sheriff Conroy stories–all 8 volumes!–and recommend them to readers who like their Westerns with humor and mysteries. GRADE: A

TABLE OF CONTENTS:

“Henry the Silent” — 1

“Tracks in the Sand” — 137

“Blind Trails at Tonto” — 223

Kimberly Akimbo is a highly acclaimed, Tony-winning Broadway musical (2023 Best Musical) praised for its unique blend of heartfelt drama and dark, quirky humor. The story involves a girl in High School who celebrates her 16th Birthday. However, she’s afflicted with a rare genetic disease (1 in 50 million) that accelerates her aging process. Although she’s 16, she went through menopause four years earlier. Yes, this is Benjamin Buttons in reverse.

The musical follows Kimberly as she deals with her dysfunctional family: a con-woman aunt, an alcoholic father, and a pregnant mother. Kimberly also has a high school crush. Within these problems, Kimberly grapples with with her shrinking lifespan and failing health.

This is one of those musicals that will make you laugh…then make you cry. GRADE: B

Musical numbers:

Act I “Skater Planet” – Aaron, Delia, Martin, Teresa, Seth, Kimberly “Hello, Darling” – Pattie “Make a Wish” – Kimberly “Skater Planet (reprise #1)” – Aaron, Delia, Martin, Teresa † “Anagram” – Seth, Kimberly, Company “Better” – Debra, Kimberly, Company “Hello, Darling (reprise)/Father Time” – Pattie “Happy For Her” – Buddy “Anagram (reprise)” – Kimberly † “This Time” – Company

Act II “How to Wash a Check” – Debra, Kimberly, Seth, Aaron, Delia, Martin, Teresa “Good Kid” – Seth “Hello, Baby” – Buddy “Skater Planet (reprise #2)” – Aaron, Delia, Martin, Teresa, Seth “Our Disease” – Kimberly, Seth, Aaron, Delia, Martin, Teresa “The Inevitable Turn” – Pattie, Buddy, Debra, Aaron, Delia, Martin, Teresa “Now” – Seth, Kimberly “How to Wash a Check (reprise)” – Debra, Aaron, Delia, Martin, Teresa “Before I Go” – Kimberly, Buddy, Pattie “Hello, Sister” – Kimberly, Seth † “Great Adventure” – Company

All of us have watched thousands of hours of television programming. Jon Burlingame’s Music for Prime Time is the most comprehensive book I’ve ever read that traces the origins of all the TV theme music for those TV programs.

I’m a big fan of Peter Gunn–both the TV show and the theme music created by Henry Mancini. Here’s an example of Burlingame’s approach:

“Mancini happened to be getting a haircut on the Universal lot when he ran into [Blake] Edwards, who as then planning Peter Gunn. Edwards casually asked if the out-of-work composer might be interested in writing the music. His positive response altered the direction of television scoring practically over night. Peter Gunn was an entirely jazz-based score. Reflecting later on the choice, Mancini said, “It was an idea that, I think, was obvious. Blake had set it in a jazz club. The minute that hit, the rest of it all fell into place.” (p. 34)

Even though Peter Gunn was a half hour program, there was often 15 minutes of music in those episodes. “By early 1959, The Music from Peter Gunn reached Number 1 on the Billboard popular album charts, spending 10 weeks at the top and 117 weeks on the chart overall.” (p. 37)

The level of detail Burlingame infuses into his survey of TV theme music is astonishing! And, as an unexpected bonus, AMAZON is offering Music for Prime Time–$37.00 everywhere else–for $17.00! What a bargain! I’ve ordered my copy, you should order yours before the price goes up!

Do you have a favorite TV theme song? GRADE: A

TABLE OF CONTENTS:

Acknowledgments — vii

Introduction — 1

1. “Hi-yo, Silver!”: The Birth of TV Music — 5
2. “Book ’em, Danno”: Cop and Detective Shows — 33
3. “Head ’em up! Move ’em out!” The Westerns — 84
4. “You are traveling through another dimension”: Fantasy and Science Fiction — 115
5. “Man, woman, birth, death, infinity”: Drama — 159
6. “Just sit right back and you’ll hear a tale”: Comedy — 187
7. “Your mission, should you decide to accept it”: Action-Adventure — 253
8. “You are there”: Documentaries, News and Information Programming — 282
9. “Flintstones! Meet the Flintstones!” Cartoons in Prime Time — 311
10. “My name is Kunta Kinte”: Made-for-TV Movies and Miniseries — 325
11. “Mrs. Peel, we’re needed”: British shows aired in the U.S. — 374
12. “I couldn’t possibly comment”: Music in contemporary television — 399

Afterword — 426
Photo Credits — 429

Bibliography/Sources — 431

Index — 447

PEAKY BLINDERS: The Immortal Man delivers everything you could want in a Peaky Blinders movie. If you’re looking for angst, violence, sex, suspense, explosions, and the unexpected, it’s all here. Cillian Murphy returns as Tommy Shelby which shows in part why he won the Best Actor Oscar back in 2023.

“Written by series creator Steven Knight, the film reunites Cillian Murphy with co-stars including Sophie Rundle (Ada Thorne), Packy Lee (Johnny Dogs), Ned Dennehy (Charlie Strong), and Stephen Graham (Hayden Stagg). New cast members include Barry Keoghan, Rebecca Ferguson, and Tim Roth.”

I will watch anything with Rebecca Ferguson in it! GRADE: A