Author Archives: george

THE AMERICAN CLASSICS: A PERSONAL ESSAY BY Denis Donoghue

Denis Donoghue, one of my favorite literary critics, died recently (1928-2021) and I thought I would honor him by reading (or rereading) some of his books that gave me pleasure over the years. I thought I would start with The American Classics (2005) which Donoghue wrote after teaching a graduate course called FIVE IN AMERICAN LITERATURE at New York University. To Donoghue’s surprise, he found that most of his students had very little exposure to these “classics.”

“It turned out that none of the students had read all the books. Some of them had read one or two of them, but only in excerpts: two or three of the more agreeable chapters of Walden, the “Custom-House” introduction to The Scarlet Letter, a few anthology poems from Leaves of Grass. When I pressed the matter, I was allowed to think that Ayn Rand had a more palpable presence in their high schools than Whitman or Melville. The students did not dispute that the five books are somehow privileged in American culture, but so are the heads on Mount Rushmore; stared at rather than otherwise appreciated. I gathered from the students that the five books had little provenance in their own early education. To Kill a Mockingbird meant more to them.” (p. 2)

In High School English class, we read The Scarlet Letter. I didn’t like it (neither does Donoghue). We read selections from Walden and Leaves of Grass. We read The Adventures of Tom Sawyer but not The Adventures of Huckleberry Finn.

In the chapter on Whitman, Donoghue quotes the prickly critic Yvor Winters who wrote, “The doctrine of Emerson and Whitman, if really put into practice, should naturally lead to suicide.” It’s nuggets like this that made me want to read Denis Donoghue.

Have you read these American Classics? What do you think of them? GRADE: A

TABLE OF CONTENTS:

Introduction: After Emerson — 1
1. Emerson and “The American Scholar” — 23
2. Moby-Dick — 55
3. The Scarlet Letter — 101
4. Walden — 137
5. Leaves of Grass — 177
6. Adventures of Huckleberry Finn — 217
Afterword — 251
Notes — 263
Acknowledgment — 281
Index — 283

FRIDAY’S FORGOTTEN BOOKS #646: DOUBLE DOWN By Max Allan Collins

Hard Case Crime’s latest omnibus in their Nolan series includes Fly Paper (1981) the third novel in the Nolan series and Hush Money (1981) the fourth novel in the Nolan series. Max Allan Collins’s informative “Introduction” provides the backstory to these novels and their context in the Nolan series.

Fly Paper concerns the attempt by a desperate man to hijack a plane and hold it for ransom. The hijacker’s Bad Luck includes having Nolan, a professional thief and all-around hardass, on the plane. The hijacking scheme takes a surprising turn because of Nolan’s canny interference. GRADE: B

The second novel in Double Down is Hush Money. A Vietnam veteran returns from the war seeking vengeance on the local crime family who caused his father’s and mother’s death. The Chicago Family (aka, Mafia) approaches Nolan with a proposition: they would pay Nolan $100,000 to settle the dispute between the veteran assassin and the local crime family.

Nolan knows how to locate the assassin and has a bargaining chip to expedite the agreement. But the local crime family has other ideas in defiance of the Chicago Mob. Double-crosses abound!

Hush Money expands the character of Nolan. Yes, Nolan’s expertise as a thief helps his chances to avert more killings, but when the unexpected happens, Nolan knows how to deal with it. You can read my review of the first two Nolan novels here. If you’re a fan of caper novels and suspense, the Nolan series features action and surprising plots and plenty of thrills for your Summer enjoyment. GRADE: A-

THIS IS THE MOODY BLUES [2-CD Set]

I discovered the Moody Blues back in 1967 with Days of Future Passed, a fusion of rock and classical music. For the time, Days of Future Passed was ground-breaking. The Moody Blues’ most successful singles include “Go Now“, “Nights in White Satin“, “Tuesday Afternoon“, “Question“, “Gemini Dream“, “The Voice” and “Your Wildest Dreams“. The Moody Blues sold 70 million albums worldwide, which includes 18 platinum and gold LPs. They were inducted into the Rock and Roll Hall of Fame in 2018.

Are you a fan of the Moody Blues? GRADE: A

Tracklist

A1QuestionWritten-By – Justin HaywardWritten-By – Justin Hayward5:39
A2The ActorWritten-By – Justin HaywardWritten-By – Justin Hayward4:11
A3The Word (Poem)Written-By – Graeme EdgeWritten-By – Graeme Edge0:51
A4Eyes Of A ChildWritten-By – John LodgeWritten-By – John Lodge2:34
A5Dear DiaryWritten-By – Ray ThomasWritten-By – Ray Thomas3:47
A6Legend Of A MindWritten-By – Ray ThomasWritten-By – Ray Thomas6:37
B1In The BeginningWritten-By – Graeme EdgeWritten-By – Graeme Edge2:06
B2Lovely To See YouWritten-By – Justin HaywardWritten-By – Justin Hayward2:35
B3Never Comes The DayWritten-By – Justin HaywardWritten-By – Justin Hayward4:39
B4Isn’t Life StrangeWritten-By – John LodgeWritten-By – John Lodge6:32
B5The Dream (Poem)Written-By – Graeme EdgeWritten-By – Graeme Edge0:52
B6Have You Heard? (Part One)Written-By – Mike PinderWritten-By – Mike Pinder1:23
B7The VoyageWritten-By – Mike PinderWritten-By – Mike Pinder4:08
B8Have You Heard? (Part Two)Written-By – Mike PinderWritten-By – Mike Pinder2:08
C1Ride My See SawWritten-By – John LodgeWritten-By – John Lodge3:32
C2Tuesday AfternoonWritten-By – Justin HaywardWritten-By – Justin Hayward4:04
C3And The Tide Rushes InWritten-By – Ray ThomasWritten-By – Ray Thomas2:54
C4New HorizonsWritten-By – Justin HaywardWritten-By – Justin Hayward5:06
C5A Simple GameWritten-By – Mike PinderWritten-By – Mike Pinder3:18
C6Watching And WaitingWritten-By – Justin HaywardWritten-By – Justin Hayward4:21
D1I’m Just A Singer (In A Rock And Roll Band)Written-By – John LodgeWritten-By – John Lodge4:11
D2For My LadyWritten-By – Ray ThomasWritten-By – Ray Thomas3:54
D3The Story In Your EyesWritten-By – Justin HaywardWritten-By – Justin Hayward2:45
D4Melancholy ManWritten-By – Mike PinderWritten-By – Mike Pinder5:05
D5Nights In White SatinArranged By – Peter Knight (5)Orchestra – The London Festival OrchestraWritten-By – Justin HaywardArranged By – Peter Knight (5)Orchestra – The London Festival OrchestraWritten-By – Justin Hayward4:33
D6Late LamentArranged By, Conductor – Peter Knight (5)Lyrics By – Graeme EdgeMusic By – Peter Knight (5)Orchestra – The London Festival OrchestraArranged By, Conductor – Peter Knight (5)Lyrics By – Graeme EdgeMusic By – Peter Knight (5)Orchestra – The London Festival Orchestra

WEDNESDAY’S SHORT STORIES #28: THE PRAGUE ORGY By Philip Roth

I finally got around to reading Philip Roth’s The Prague Orgy after it sat on my shelves for decades. Roth generates mixed feelings in some readers and he certain does in me. The Prague Orgy is the epilogue to his trilogy Zuckerman Bound. The story follows Roth’s alter ego, Nathan Zuckerman, on a journey to Communist Prague in 1976. Zuckerman seeks to acquire the unpublished manuscripts of a Yiddish writer but the manuscripts are held by the writer’s ex-wife who hates her former husband and refuses to release them. Zuckerman’s delicate negotiations with the ex-wife are both humorous and tragic.

The Prague Orgy presents a series of journal entries by Zuckerman. Many of the entries show the frustration and demoralization of writers in a Communist society. My major quibble about The Prague Orgy–and much of Roth’s writings for that matter–is Roth’s negative portrayal of women. It’s clear that Roth was a bitter man. What do you think of Philip Roth? GRADE: C

RAYA AND THE LAST DRAGON [Disney+]

Diane wanted to see Raya and The Last Dragon so we watched it on Disney+. A vaguely Southeast Asian country falls into chaos when the various tribes stop trusting each other and shatter the magic crystal that protects them from the Druun. The Druun look like swirling smoke and their touch turns humans (and dragons) into stone.

Raya is a warrior princess who searches for the Last Dragon (and the last hope of defeating the Druun). Another warrior princess, Namaari, seeks to stop Raya. So there are plenty of cartoon fights.

I had no trouble with the storyline, but the “theme” of this movie is you have to trust others. In my experience, trust needs to be earned. Not in Raya and The Last Dragon. Despite examples where trust is betrayed, the story insists on the characters trusting to Make Everything Better. Other than that quibble, I found Raya and The Last Dragon entertaining. Diane did, too. Are you a fan of Disney animated movies? Any favorites? GRADE: B

ROCK ME ON THE WATER: 1974-THE YEAR LOS ANGELES, TRANSFORMED MOVIES, MUSIC, TELEVISION, AND POLITICS By Ronald Brownstein

Ronald Brownstein makes his argument for 1974 being a pivotal year early in Rock Me On the Water: “In film, 1974 saw the release of Chinatown, The Godfather Part II, The Conversation, and the great Vietnam documentary Hearts and Minds; the filming of Nashville, Jaws, and Shampoo; and the completion of the first-draft screenplay for a space adventure called Star Wars. In television, the year brought together the transformative comedies All in the Family, M*A*S*H, and Mary Tyler Moore (along with the Bob Newhart and Carol Burnett shows) on a CBS Saturday schedule that has been called the greatest night in television history. That year, Joni Mitchell, the Eagles, Jackson Browne, and Linda Ronstadt all issued career-redefining albums on Geffen’s label, and Bob Dylan and the Band and Crosby, Stills, Nash and Young mounted record-setting concert tours with him.” (p. 3)

Brownstein captures the tenor of the time perfectly. As he moves through 1974 month by month, he alternates his analysis of what was happening in film, music, and television.

My favorite chapter of Rock Me On the Water is “November Breakthrough.” For years Linda Ronstadt struggled to move from small clubs to larger venues. And, Ronstadt wasn’t happy with the quality of her earlier albums (or their paltry sales). Brownstein asserts that the change that turned Ronstadt’s career around was her selection of Peter Asher as producer of her classic Heart Like a Wheel album. Brownstein shows how each song on the album was included to produce a unique effect.

If you’re interested in all the creative energy of the early Seventies, Rock Me On the Water shows how the artists, performers, and decision-makers produced the incredible movies, TV, and music of that era. What were you doing in 1974? GRADE: A

Table of Contents:

Prologue: Magic Hour in Los Angeles 1

1 January Hollywood’s Fall and Rise 11

2 February The Republic of Rock and Roll 40

3 March The Greatest Night in Television History 76

4 April Already Gone 100

5 May The Ballad of Tom and Jane 131

6 June From Chinatown to Jerry Brown 165

7 July Hollywood’s Generational Tipping Point 196

8 August The Icarus of Los Angeles 229

9 September Three Roads to Revolution 258

10 October The (White) Boys’ Club 291

11 November Breakthrough 325

12 December Transitions 352

Acknowledgments 391

Notes 397

Index 429

DOOM: THE POLITICS OF CATASTROPHE By Niall Ferguson

Niall Ferguson sees plenty of problems ahead. Sure the Covid-19 Pandemic killed millions over the globe and continues to raise havoc in Asia and Africa. But Ferguson sees more problems just as dire: climate change, global warming, cyber terrorism, political unrest, health concerns, and racial inequality.

I’m an optimistic guy, but it’s hard to come away from Doom: The Politics of Catastrophe without a sense of foreboding. When you start a book with Chapter One titled “The Meaning of Death” you know you’re in for a rough ride.

How do you feel about the Future? What do you think is the gravest problem that faces us? GRADE: B+

Table of Contents

List of Illustrations xvii

Introduction 1

Chapter 1 The Meaning of Death 19

Chapter 2 Cycles and Tragedies 43

Chapter 3 Gray Rhinos, Black Swans, and Dragon Kings 69

Chapter 4 Networld 105

Chapter 5 The Science Delusion 141

Chapter 6 The Psychology of Political Incompetence 175

Chapter 7 From the Boogie Woogie Flu to Ebola in Town 213

Chapter 8 The Fractal Geometry of Disaster 251

Chapter 9 The Plagues 285

Chapter 10 The Economic Consequences of the Plague 319

Chapter 11 The Three-Body Problem 345

Conclusion Future Shocks 379

Acknowledgments 397

Notes 399

Index 457

THE SIREN By Katherine St. John

Katherine St. John’s new novel, The Siren, is being marketed as a “Beach Book.” Fair enough. The plot revolves around a movie production in the Caribbean. When movie star Cole Power hires his ex-wife, Stella Rivers, to act in his son’s film, The Siren, Cole launches a series of events on the isolated island that will unearth long-buried secrets — and unravel years of lies.

The Siren slowly discloses a number of mysteries. Each character has “baggage” that they’re trying to hide. But each day of the movie shoot reveals more clues to past transgressions. The conclusion ends up stormy and full of suspense. I’ve you’re looking for a Summer novel with plenty of puzzles and thrills, give The Siren a try. GRADE: B

FRIDAY’S FORGOTTEN BOOKS #645: The CTHULHU STORIES OF ROBERT E. HOWARD

Robert E. Howard is best known for his Conan tales, but he also wrote a number of stories to add to the Cthulhu Mythos. This volume collects Howard’s Cthulhu stories and shows the influence of H. P. Lovecraft on his writing. Paul Di Filippo’s informative Foreword puts the stories into the context of publishing at that time.

Howard’s stories are organized by chronology and the collects they first appeared in. If you’re a Robert E. Howard fan, you’ll love The Cthulhu Stories. Causal fans will enjoy these tales, too. Are you a Robert E. Howard fan? GRADE: A

TABLE OF CONTENTS:

FORWARD by Paul Di Filippo — vii

THE SHADOW KINGDOM

  1. The King Comes Riding — 3
  2. Thus Spake the Silent Halls of Valusia –9
  3. They That Walk at Night — 16
  4. Masks — 30

SKULL FACE

  1. The Face in the Mist — 41
  2. The Hashish Slave — 43
  3. The Master of Doom — 47
  4. The Spider and the Fly — 51
  5. The Man on the Couch — 57
  6. The Dream Girl — 61
  7. The Man of the Skull — 64
  8. Black Wisdom — 68
  9. Kathulos of Egypt — 71
  10. The Dark House — 78
  11. Four Thirty-four — 86
  12. The Stroke of Five — 89
  13. The Blind Beggar Who Rode — 94
  14. The Black Empire — 96
  15. The Mark of Tulwar — 106
  16. The Mummy Who Laughed — 111
  17. The Dead Man From the Sea — 116
  18. The Grip of the Scorpion — 124
  19. Dark Fury — 133
  20. Ancient Horror — 140
  21. The Breaking of the Chains — 150
  22. The Children of the Night — 157

THE GODS OF BAL-SAGOTH

  1. The Steel in the Storms — 177
  2. The Gods From the Abyss — 183
  3. The Fall of the Gods — 204
  4. Empire — 220

The Black Stone — 222

People of the Dark — 242

WORMS OF THE EARTH

  1. Chapter One — 267
  2. Chapter Two — 272
  3. Chapter Three — 281
  4. Chapter Four — 287
  5. Chapter Five — 292
  6. Chapter Six — 298

The Thing on the Roof — 306

The Haunter of the Ring — 317

THE CHALLENGE FROM BEYOND

  1. [C. L. Moore] — 337
  2. [A. Merritt] — 340
  3. [H. P. Lovecraft] — 343
  4. [Robert E. Howard & Frank Belknap Long] — 351
  5. [Frank Belknap Long] — 355

The Fire of Asshurbanipal — 358

Dig Me No Grave — 385

About the Author — 401

If You Liked… — 405

Other WordFire Press Titles — 407

ECHOES: THE BEST OF PINK FLOYD

I first bought a Moody Blues album in 1967. It was Days of Future Passed, the blend of rock and symphonic music. Over the years, I continued to buy and listen to the Moody Blues.

Echoes is a 2-CD set that presents a variety of Moody Blues music although you’re going to notice many of their “hits” are NOT included. The most recognizable song is “Another Brick in the Wall (Part Two)” from The Wall. Over the years, the Moody Blues tried a number of musical experiments. Some worked, some didn’t. If you’re a Moody Blues fan, you probably already have Echoes. If you’re a causal fan, Echoes will present a spectrum of Moody Blues music, a cross-section of their oeuvre that you are unlikely to find elsewhere in their discography.  Are you a Moody Blues fan? GRADE: A

Tracklist

1-1Astronomy DomineVocals – Richard WrightSyd BarrettVocals – Richard WrightSyd Barrett4:10
1-2See Emily PlayVocals – Syd BarrettVocals – Syd Barrett2:47
1-3The Happiest Days Of Our LivesVocals – Roger WatersVocals – Roger Waters1:38
1-4Another Brick In The Wall (Part 2)Vocals – David GilmourThe Children Of Islington Green School*, Roger WatersVocals – David GilmourThe Children Of Islington Green School*, Roger Waters4:01
1-5EchoesVocals – David GilmourRichard WrightVocals – David GilmourRichard Wright16:30
1-6Hey YouFretless Bass – David GilmourVocals – David GilmourRoger WatersFretless Bass – David GilmourVocals – David GilmourRoger Waters4:39
1-7MaroonedBass – Guy PrattKeyboards [Additional] – Jon CarinBass – Guy PrattKeyboards [Additional] – Jon Carin2:02
1-8The Great Gig In The SkyVocals – Clare TorryVocals – Clare Torry4:40
1-9Set The Controls For The Heart Of The SunVocals – Roger WatersVocals – Roger Waters5:20
1-10MoneySaxophone – Dick ParryVocals – David GilmourSaxophone – Dick ParryVocals – David Gilmour6:29
1-11Keep TalkingBacking Vocals – Carol KenyonDurga McBroomJackie SheridanRebecca Leigh-WhiteSam BrownBass – Guy PrattDrum Programming [Programmed Percussion] – Gary WallisKeyboards [Additional] – Jon CarinVocals – David GilmourVoice [Featuring The Voice Of], Featuring – Stephen HawkingBacking Vocals – Carol KenyonDurga McBroomJackie SheridanRebecca Leigh-WhiteSam BrownBass – Guy PrattDrum Programming [Programmed Percussion] – Gary WallisKeyboards [Additional] – Jon CarinVocals – David GilmourVoice [Featuring The Voice Of], Featuring – Stephen Hawking5:57
1-12SheepVocals – Roger WatersVocals – Roger Waters9:46
1-13SorrowBacking Vocals – Carmen TwillieDarlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards [Additional] – Jon CarinVocals, Drum Programming – David GilmourBacking Vocals – Carmen TwillieDarlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards [Additional] – Jon CarinVocals, Drum Programming – David Gilmour8:45
2-1Shine On You Crazy Diamond (Parts 1-7)Backing Vocals – Carlena WilliamsVenetta FieldsSaxophone – Dick ParryVocals – Roger WatersBacking Vocals – Carlena WilliamsVenetta FieldsSaxophone – Dick ParryVocals – Roger Waters17:32
2-2TimeBacking Vocals – Barry St. JohnDoris TroyLeslie Duncan*, Liza StrikeVocals – David GilmourRichard WrightBacking Vocals – Barry St. JohnDoris TroyLeslie Duncan*, Liza StrikeVocals – David GilmourRichard Wright6:48
2-3The Fletcher Memorial HomeArranged By [Orchestra], Conductor, Piano – Michael KamenProducer – James GuthrieMichael KamenVocals – Roger WatersArranged By [Orchestra], Conductor, Piano – Michael KamenProducer – James GuthrieMichael KamenVocals – Roger Waters4:07
2-4Comfortably NumbOrchestrated By – Bob EzrinMichael KamenVocals – David GilmourRoger WatersOrchestrated By – Bob EzrinMichael KamenVocals – David GilmourRoger Waters6:53
2-5When The Tigers Broke FreeArranged By [Orchestra], Conductor – Michael KamenConductor [The Pontardulais Male Voice Choir Led By] – Noel Davis*Producer – James GuthrieMichael KamenVocals – Roger WatersArranged By [Orchestra], Conductor – Michael KamenConductor [The Pontardulais Male Voice Choir Led By] – Noel Davis*Producer – James GuthrieMichael KamenVocals – Roger Waters3:42
2-6One Of These DaysBass [Double Tracked] – David GilmourRoger WatersVoice [Vocal Phrase] – Nick MasonBass [Double Tracked] – David GilmourRoger WatersVoice [Vocal Phrase] – Nick Mason5:14
2-7Us And ThemBacking Vocals – Barry St. JohnDoris TroyLeslie Duncan*, Liza StrikeSaxophone – Dick ParryVocals – David GilmourBacking Vocals – Barry St. JohnDoris TroyLeslie Duncan*, Liza StrikeSaxophone – Dick ParryVocals – David Gilmour7:51
2-8Learning To FlyBacking Vocals – Carmen TwillieDarlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards – Jon CarinPercussion – Steve FormanVocals – David GilmourBacking Vocals – Carmen TwillieDarlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards – Jon CarinPercussion – Steve FormanVocals – David Gilmour4:50
2-9Arnold LayneProducer – Joe BoydVocals – Syd BarrettProducer – Joe BoydVocals – Syd Barrett2:52
2-10Wish You Were HereVocals – David GilmourVocals – David Gilmour5:21
2-11Jugband BluesVocals – Syd BarrettVocals – Syd Barrett2:56
2-12High HopesArranged By [Orchestra] – Edward ShearmurMichael KamenPiano – Jon CarinVocals, Bass – David GilmourArranged By [Orchestra] – Edward ShearmurMichael KamenPiano – Jon CarinVocals, Bass – David Gilmour6:59
2-13BikeVocals – Syd BarrettVocals – Syd Barrett3:24