Author Archives: george

ALL #1 HITS ’80s

This compilation of Number One hits from the 1980s varies widely from a song from a movie like Ray Parker Jr.’s “Ghostbusters” to a “gimmick” song like the Bangles’s “Walk Like An Egyptian.” The hits display the tastes and buying habits of audiences from that era.

How many of these hits do you remember? Any favorite songs here? GRADE: B+

TRACK LIST:

1-1The J. Geils BandCenterfold
1-2Billy IdolMony Mony
1-3Huey Lewis & The NewsThe Power Of Love
1-4BlondieThe Tide Is High
1-5Kim CarnesBette Davis Eyes
1-6Duran DuranThe Reflex
1-7Paula AbdulStraight Up
1-8Simple MindsDon’t You (Forget About Me)
1-9Culture ClubKarma Chameleon
1-10John WaiteMissing You
1-11Sheena EastonMorning Train (Nine To Five)
1-12Poison (3)Every Rose Has Its Thorn
2-1Rick SpringfieldJessie’s Girl
2-2Bonnie TylerTotal Eclipse Of The Heart
2-3TotoAfrica
2-4Daryl Hall & John OatesManeater
2-5Mr. MisterBroken Wings
2-6Starship (2)We Built This City
2-7Bruce Hornsby And The RangeThe Way It Is
2-8Paul YoungEvery Time You Go Away
2-9BanglesWalk Like An Egyptian
2-10Cheap TrickThe Flame
2-11Bad EnglishWhen I See You Smile
2-12Rick AstleyNever Gonna Give You Up
2-13Lisa Lisa & Cult JamHead To Toe
2-14Ray Parker Jr.Ghostbusters
2-15ExposéSeasons Change
2-16Mr. MisterKyrie

WEDNESDAY’S SHORT STORIES #97: BLACK IS THE NIGHT: STORIES INSPIRED BY CORNELL WOOLRICH Edited by Maxim Jakubowski

I started reading Cornell Woolrich stories and novels in the 1970s. All in all, I preferred Woolrich’s short stories to his novels. He was a master of generating angst and suspense. Just sample some of the classic stories in Nightwebs by Cornell Woolrich  (Author), Francis M. Nevins Jr. (Editor).

The problem with Maxim Jakubowski’s Black Is the Night: Stories in Tribute to the Author Who Inspired Hitchcock’s Rear Window involves setting the bar for the stories at the Cornell Woolrich level. That’s really high! To me, the only two stories that reach Woolrich’s quality are Martin Edwards’s “The Woman Who Never Was” and Bill Pronzini’s “The Long Road Down.”

Edwards’s “The Woman Who Never Was” starts with two grifters who are squatting in an apartment in an abandoned building. The woman leaves, saying she’ll be back in 5 minutes. But, she disappears. Her lover searches for her and discovers a world shifting Reality. A very Cornell Woolrich-type story.

Bill Pronzini’s “The Long Road Down” amps up the stress and tension as a man with a dead body in the trunk of his vehicle is trying to reach the work site where he plans to bury the body. Of course, he’s stopped by a policeman despite all his caution. Woolrich would have loved this story!

However, there are more misses than hits in Black Is the Night. There was only one Cornell Woolrich. This tribute volume is proof that his style of storytelling is rare indeed. GRADE: B-

TABLE OF CONTENTS:

INTRODUCTION / Maxim Jakubowski — 1

Why cornell Woolrich matters / Neil Gaiman — 4

The black window / Joel Lane — 6

Missing sister / Joe R. Lansdale — 8

A thin slice of heaven / Vaseem Khan — 12

Two wrongs / Brandon Barrows —  29

The husband machine / Tara Moss — 38

Black window / Kim Newman — 45

The man in the sailor suit / Nick Mamatas — 51

People you may know / Mason Cross — 84

The woman who never was / Martin Edwards — 75

First you dream, then you die / Donna Moore — 82

Eyes without a face / James Grady — 102

The case of Baby X / Lavie Tidhar — 115

The phantom gentleman / Barry N. Malzberg — 130

Parkview / James Sallis — 133

The lake, the moon and the murder / A.K. Benedict — 139

The jacket / Warren Moore — 151

The woman at the late show / Max Décharné — 162

The bride hated champagne / Paul Di Filippo — 178

Institutional memory / M.W. Craven — 188

Sleep! Sleep! Beauty bright / Charles Ardai — 202

The invitation / Susi Holliday — 221

The long road down / Bill Pronzini — 234

Our opera singer / Kristine Kathbryn Rusch — 244

What happens after the end / Maxim Jakubowski — 262

A shade darker than gray / Joseph S. Walker — 274

Trophy wife / Samantha Lee Howe — 288

Blue moon over Burgundy / O’Neil de Noux — 298

Red / David Quantick — 309

Looking for you through the gray rain / Ana Teresa Pereira — 325

New York blues redux / William Boyle — 338

ABOUT THE EDITOR / 383

ABOUT THE CONTRIBUTORS / 386

MAGPIE MURDERS (PBS)

Lesley Manville plays book editor Susan Ryeland who gets drawn into a web of intrigue and murder when she receives Alan Conway’s unfinished manuscript of an Atticus Pünd mystery. Based on an Anthony Horowitz mystery novel of the same name, Magpie Murders is a PBS series that follows the death of best selling Alan Conway and the repercussions on Susan Ryeland and her publishing company. Horowitz wrote the scripts to the six episodes.

Ryeland’s publishing company is about to be acquired, but the deal hinges on Alan Conway’s last mystery novel, Magpie Murders, projected to be a best seller like his previous mysteries. Ryeland discovers her manuscript is lacking the final chapter. That could ruin her chances of being CEO of the publishing company and threaten her career as an editor. So Ryeland starts investigating Alan Conway’s death and decides it’s not a suicide as the police think it is. Ryeland thinks Conway–an arrogant, narcissistic prig–was murdered by one of the many people who hated him. And the missing final chapter may reveal who murdered Alan Conway.

Like the novel, Magpie Murders runs on two tracks: Susan Ryeland investigating Alan Conway’s death, and Conway’s fictional detective, Atticus Pund, investigating the beheading of Sir Pye. The story within a story format might annoy some viewers especially when Ryeland speaks to the fictional Pund. I’ve watched three of the six episodes and I’m enjoying what I’m seeing. Are you a fan of Anthony Horowitz and his mysteries? GRADE: B (so far)

GREEN BAY PACKERS VS. BUFALO BILLS

It’s hard to believe the 5-1 Buffalo Bills are 10 1/2 point favorites over the 3-4 Green Bay Packers. The Packers have lost three games in a row and look dispirited and inept. Aaron Rodgers has never been a double digit underdog since he arrived in the NFL. But, he is tonight. How will your favorite NFL team perform today?

ONCE UPON A HALLOWEEN By Richard Laymon

Jacket Illustration by Alan M. Clark

Richard Laymon’s wild Halloween novel, Once Upon a Halloween (2000), mixes the malevolence of a death cult with the trick-or-treat fun of families and little kids. The action starts at the old–some say haunted–Witherspoon house at the end of a dead-end street.

Laura and Shannon moved into the old Witherspoon house three years ago. They plan to dress up and celebrate Halloween with friends after giving out candy to the costumed kids who ring their doorbell.

A desperate young man named Hunter rushes into Laura and Shannon’s house and claims he’s being chased by robed cultists who intend to sacrifice him, and others, at midnight in the nearby graveyard.

As you can imagine, Laura and Shannon deal with Hunter’s story with vast skepticism…until the robed cultists–armed with swords, knives, and hatchets–show up.

If you’re in the mood for a wacky Halloween rampage, give Once Upon a Halloween at try!!! GRADE: B

FRIDAY’S FORGOTTEN BOOKS #716: THE BEST FROM FANTASY AND SCIENCE FICTION, 22nd SERIES Edited by Edward L. Ferman

Cover artwork by Patrick Woodroffe

Edward L. Ferman changed the format of The Best From Fantasy and Science Fiction with the 22nd volume. All the previous volumes consisted of short stories and novelettes. But in The Best From Fantasy and Science Fiction, 22nd Series Ferman includes other material that could be found in a typical issue of The Magazine of Fantasy and Science Fiction. Ferman includes a brilliant Algis Budrys book review/essay on the history of Science Fiction. Ferman also includes “Competition” samples from the many readers who participated (I could do without them). He includes Baird Searles’s movie review column and an essay, “Thinking About Thinking” by Isaac Asimov who wrote dozens of science essays for The Magazine of Fantasy and Science Fiction during those years.

My favorite story in this volume is John Varley’s “In the Bowl” where a wayward geologist encounters a brilliant young girl on Venus and the pair embark on a search for valuable blast jewels. I also enjoyed Robert Bloch’s comic “A Case of the Stubborns” where Grandpa refuses to believe he’s dead. Richard Cowper’s “The Hertford Manuscript,” a time-travel tale to the Plague Years proves harrowing.

TABLE OF CONTENTS:

CLASSICS FROM THE CRYPT

TRACK LIST:

Bach, J S: Toccata & Fugue in D minor, BWV565 Work length 9:19

  • Philadelphia Orchestra
  • Eugene Ormandy

Saint-Saëns: Danse macabre, Op. 40 Work length 7:31

  • Philadelphia Orchestra
  • Eugene Ormandy

Gounod: Funeral March of a Marionette Work length 4:06

  • Boston Pops Orchestra
  • Arthur Fiedler

Mussorgsky: A Night on the Bare Mountain Work length 11:59

  • Philadelphia Orchestra
  • Eugene Ormandy

Berlioz: Symphonie fantastique, Op. 14 – Marche au supplice Work length 4:43

  • Boston Symphony Orchestra
  • Georges Prêtre

Grieg: Peer Gynt: In the Hall of the Mountain King Work length 2:48

  • Philadelphia Orchestra
  • Eugene Ormandy

Liszt: Mephisto Waltz No. 1 Work length 11:19

  • Chicago Symphony Orchestra
  • Fritz Reiner

Dukas: The Sorcerer’s Apprentice Work length 10:24

  • Philadelphia Orchestra
  • Eugene Ormandy

Berlioz: Symphonie Fantastique, Op. 14: Songe d’un nuit de sabbat Work length 9:32

  • Boston Symphony Orchestra
  • Georges Prêtre

WEDNESDAY’S SHORT STORIES #96: M IS FOR MAGIC By Neil Gaiman

“When I was a boy, Ray Bradbury picked stories from his books of short stories he thought younger readers might like, and he published them as R Is for Rocket and S Is for Space. Now I was doing the same sort of thing, and I asked Ray if he’d mind if I called this book M Is for Magic. (He didn’t.)” (p. xii)

I’m a big fan of Neil Gaiman’s work and for anyone who is looking for a place to sample Gaiman’s work, M Is for Magic (2007) would be a great place to start. The 11 stories in this collection range from science fiction to fantasy to suspense. I love “The Witch’s Headstone, ” a cunning story with a great ending. I’m also fond of “How to Sell the Ponti Bridge” where a group of con artists listen to a stunning variation on the old selling the Brooklyn Bridge scam. The Ponti Bridge is located on another planet and it consists of gems and diamonds and other precious stones held together by Magic.

M Is for Magic showcases stories with humor, wit, and occasional darkness. And, a great book to read around Halloween! GRADE: A

TABLE OF CONTENTS:

  • Introduction — ix
  • The case of the four and twenty blackbirds — 3
  • Troll bridge — 24
  • Don’t ask Jack — 44
  • How to sell the Ponti Bridge — 49
  • October in the chair — 75
  • Chivalry — 100
  • The price — 125
  • How to talk to girls at parties — 138
  • Sunbird — 164
  • The witch’s headstone — 205
  • Instructions — 256

TAR

Kyle Smith of the Wall Street Journal concludes his review of Tar with these words: ““Tár” is like listening to a slow, ominous roll on the timpani for two and a half hours.” Cate Blanchett brilliantly portrays a world class celebrity, named Lydia Tar, who currently is the Conductor of the Berlin Philharmonic. Her frenetic life bounces her from continent to continent, from major city to major city. She has a book coming out titled Tar On Tar, projected to be a Best Seller.

Todd Field wrote, produced, and directed Tar. Yes, he captures the sense of the classical music world with its politics and ambitions. Field suggests various complications to Tar’s life: maybe an illicit affair with a student. Maybe an insulting “lesson” with a Juilliard student that goes viral on YouTube (although heavily edited). Various legal entanglements. Various personal entanglements with Tar’s wife, child, and staff.

Tar baths in darkness from the music, the nightscapes in various cities, to Tar’s machinations with various characters. Field only lightens the mood in the final scene that had the sold-out audience at Coolidge Corners Theater in Boston laughing out loud.

For me, Tar gave me a sense of deja vu as Cate Blanchett spirals downward just as she did in Blue Jasmine, a film she made 10 years ago. Blanchett played a woman who had everything, and then lost it all. But that movie, although it covers the same ground as Fields’s film, was funny despite the tragic circumstances. GRADE: C