“Baldwin’s reputation as a novelist and essayist rests mainly on the work he did the decade before 1963, a decade in which he was passionately industrious.” (p. 97). Baldwin’s last original work was published in 1985. Baldwin died in 1987. Since then, Baldwin’s standing has risen and fallen. Novelist Colm Toibin analyzes James Baldwin’s work and its influences in On James Baldwin.

Although I’ve only read two of Baldwin’s books, I didn’t realize that Baldwin was profoundly influenced by Henry James. The book that most impacted Baldwin was James’s The Ambassadors. Baldwin spent time in Paris and James’s novel of love and deception in the City of Light coincides with many of Baldwin’s themes.

James Baldwin wrote about race and homosexuality which attracted controversy. “I don’t mean to compare myself to a couple of artists I unreservedly admire, Miles Davis and Ray Charles–but I would like to think that some of the people who liked my book responded to it in a way similar to the way they respond when Miles and Ray are blowing. These artists, in their very different ways, sing a kind of universal blues…they are telling us something of what it is like to be alive. I think I really helplessly model myself on jazz musicians and try to write the way they sound…I am aiming at what Henry James called ‘perception at the pitch of passion.'” (p. 4-5)

I enjoyed this survey of James Baldwin where Colm Toibin provides a guided tour of a writer who deserves a wider audience. Have you read James Baldwin? GRADE: B+

“One Way Ticket” by Langston Hughes (p. 29)

I pick up my life

And take it on the train

To Los Angeles, Bakersfield,

Seattle, Oakland, Salt Lake,

Any place that is

North and West —

And not South.

TABLE OF CONTENTS:

The Pitch of Passion — 1
Crying Holy — 37
Paris, Harlem — 55
The Private Life — 95
The Terror and the Surrender — 119
Acknowledgments — 141
Selected Bibliography — 143

OCTOBER 1, 1992 MARKED THE 10TH ANNIVERSARY OF THE WORLDWIDE INTRODUCTION OF THE COMPACT DISC. THIS STUNNING INNOVATION COMBINED DIGITAL AUDIO AND LASER OPTICAL TECHNOLOGY FOR THE MOST ASTONISHING ADVANCE IN THE HISTORY OF MODERN SOUND, RESULTING IN MUSICAL REPRODUCTION OF UNPRECEDENTED DEPTH AND CLARITY. THE ADVENT OF THE CD IS BEING COMMEMORATED BY SONY AND BILLBOARD WITH THIS ‘DECADE OF MUSIC’ COLLECTION. THIS LIMITED EDITION THREE CD SET SALUTES SOME OF THE BIGGEST HITS AND FINEST RECORDINGS FROM THIS EPOCH MAKING DIGITAL DECADE, AS COMPILED FROM THE CHARTS OF BILLBOARD MAGAZINE THE WORLD’S LEADING MUSIC PUBLICATION.

This 3-CD set from 1992 celebrates a decade of music CDs. Sadly, 30 years later, CDs are being outsold by vinyl and streaming services are the preferred mode for accessing music. These three discs do provide a window into what was considered the “Best” digital recordings of the decade with a mix of classical and pop. Having listened to these three CDs, I can safely say they sound great although the choice of music is…questionable. Do you remember this music? Any favorites here? Are you a fan of music CDs? GRADE: Sound: A; Musical choices…B

DECADE OF MUSIC VOLUME 1 TRACK LIST:

DECADE OF MUSIC VOLUME 2 TRACK LIST:

DECADE OF MUSIC VOLUME 3 TRACK LIST:

Diane loves romantic comedies and her favorite is When Harry Met Sally. When Harry Met Sally is 1989 film directed by Rob Reiner and written by Nora Ephron, starring Billy Crystal, Meg Ryan, Carrie Fisher, and Bruno Kirby. The movie follows Harry and Sally from the time they meet in Chicago and share a drive to New York City through twelve years of chance encounters in New York City.

When Harry Met Sally features a number of iconic scenes. The most famous is the outrageous restaurant scene where Sally enlightens Harry. The film contains several interspersed segments of older couples discussing how they met. The true stories, gathered by screenwriter Nora Ephron, are reenacted by actors. The final couple interviewed, before the closing credits, is Harry and Sally.

The key scene is a New Year’s Eve meeting between Harry and Sally that makes this movie a perfect choice for this time of year. Are you a fan of When Harry Met Sally? GRADE: A

Rob Sheffield, a writer for Rolling Stone, captures a lot of Taylor Swift in his short but pithy book. “Her Eras Tour is such a blockbuster it’s hard to place it into industry perspective–the revenue in 2023 was $1 billion, more than the next two biggest tours (Beyonce and Bruce Springsteen) put together. The Tortured Poets Department was not just the biggest-selling, most-streamed album, it outsold the rest of the year’s top ten combined. And five of the top ten were her albums.” (p. 3)

Take Taylor Swift’s Eras Tour for an example: Swift played 149 shows across five continents and 51 cities worldwide. The tour sold 10,168,008 tickets with an average of 68,241 tickets per show. The proceeds from those tickets were more than the 2024 GDPs of 18 small countries!

Taylor Swift economic effects can be staggering. Attendees to a Swift Concert spent over $10 million in the city that hosted the concert. “In 2017, the Washington Post ran a high-profile article with at the headline ‘The Death of the Electric Guitar.’ Gibson and Fender were both in debt, so was Guitar Center, to the tune of $1.6 billion…. ‘Starting in 2010,’ the Post reported, the industry witnessed a milestone that would have been unthinkable during the hair-metal era: Acoustic models began to outsell electric.'” (p. 64-65)

And who fueled this radical change? Taylor Swift. Suddenly millions of young girls started taking guitar lessons. “Andy Mooney, the CEO of Fender, called Swift ‘the most influential guitarist of recent years.’ ” (p. 65). While sales of acoustic guitars remained strong, electric guitar sales rebounded during the Pandemic.

As a former Business professor, I’m amazed that Taylor Swift–after being cheated by her first recording company–decided to take control of her music and her songs by RE-RECORDING them! Everyone in the recording industry thought Swift was crazy and the re-recorded albums would bomb. Instead, the albums–identified with Taylor’s Version in the title–sold millions of copies and outsold the original recordings. Taylor Swift is The Beatles of this generation! GRADE: A

TABLE OF CONTENTS:

• Once upon a time, a few mistakes ago : a very fast timeline — x
• Prelude: Our song is a slamming screen door — xv
• Planet Taylor : nice to meet you, where you been — 1
• I love you, it’s ruining my life — 13
• A portrait of the artist as a young, loud, and not-especially-great-at-calming-down woman — 20
• Early days : please picture me in the trees — 25
• Track five : the ballad of “all too well” — 31
• The fangirl — 42
• Fearless — 47
• Everybody loves petty; everybody loves cool –50
• The songs on her arms — 56
• “Enchanted” — 60
• Every guitar-string scar on her hand — 63
• “The Archer” — 67
• The bridge : thirteen songs from Taylor’s dreams — 72
• Red — 87
• There once was a girl known by everyone and no one : Taylor’s codes –90
• 1989 — 99
• The word “nice” — 105
• “New romantics” — 109
• The Villain Era — 116
• Reputation — 128
• Taylor’s Version (Taylor’s version) — 136
• “Cruel summer” — 144
• The lead single — 147
• I’m not asleep, my mind is a alive : Lover — 150
• Folklore — 154
• “Mirrorball” — 160
• “Marjorie” — 163
• “Right where you left me” — 167
• Midnights
• Finale: Forevermore — 174
• Acknowledgments — 181