Michala Petri has become the best known recorder performer in the world. This CD features selections Petri chose herself. I liked about half her choices: the Albinoni, the Mozart, and the Vivaldi. I didn’t care for Chen Yi’s “The Ancient Chinese Beauty” or Artem Vassiliev’s “Valere lubere,” but I’m not a fan of 20th Century classical music for the most part so be warned. Much more to my taste is Michala Petri’s Six Vivaldi Concertos. Completely enjoyable.

Barnes & Noble’s ALL BOOKS $3.98 table had the usual crap, but then I caught a glimpse of this treasure amid the dross. Mad for Decades is as thick as a brick and brimming with the wacky humor I read as a kid and, later, an adult kid. The material spans the 1950s to the 1990s. Great stuff, full of fun, and a bargain at this price. Check out your local Barnes & Noble and see if there are any copies left.

You could look at this CD as gem or a rip-off. The argument for this edition of Miles Davis’ Sketches of Spain is that it’s been completely remastered and sounds fabulous. So, if you have older copies on record or CD, this new edition will sound better. The argument that this edition is a rip-off is that all the bonus material included–alternate takes of the songs–have all been available on other recordings. It’s nice that it’s all here in one handy package, but the 2CD set will cost you $21 through AMAZON. Last year, the “Legacy Edition” of Kind of Blue was released with remastering and bonus features. You’ll see more and more of this recycling effort by the record companies to make money off their classic titles rather than make expensive investments in developing new talent. GRADE: A

David Mamet wrote and directed this quirky marital arts film. I’ve been a huge fan of Mamet’s work for decades so it’s hard for me to say this film sucks. Mamet is a tricky writer (check out the convoluted plot of The Spanish Prisoner) and there are plenty of twists and turns in Redbelt but the end result is a dud. Marital artist Mike Terry, played by Chiwetel Ejiofor, ends up in murky conspiracies with just about every character in this film. Mamet’s plot held my interest, but I kept feeling like things were spinning out of control. Just when I thought Mamet would resolve all the mysteries, he ends the film with a perplexing and corny flourish. Emily Mortimer plays a twitchy lawyer to perfection. Tim Allen, Joe Montegna, Ricky Jay, and the rest of the cast are excellent. But the final product is much less than all the high quality parts. GRADE: C

Maureen Corrigan, book reviewer for NPR’s Fresh Air with Terry Gross, gave the Moe Prager mystery series a rave review. I decided to give Reed Farrel Coleman’s work a try by reading the first book in the series, Walking the Perfect Square. Moe Prager is a former New York City policeman who has retired because of a knee injury. He’s asked by a friend to look into the case of a missing son of another cop. Moe conducts his investigation, gets his car torched, and makes a fatal mistake. My problem with the book is that it is incredibly talky. Too much blah, blah, blah. GRADE: C+

Trollope’s Phineas Finn explores two grand subjects: politics and love. Our hero, Phineas, is the son of an Irish doctor. He trains as a lawyer, but yearns for a life in politics. And, surprisingly, an opening makes itself available and Phineas finds himself in Parliament at the age of 25. Trollope, knowledgeable in the ways politics is played, gives Phineas plenty of action with the various political factions. Intertwined in the political narrative, is Phineas’ love-life. There are several beautiful, appealing women in Phineas’ life: Lady Laura, who loves Phineas but marries the wealthy, but stoic Mr. Kennedy. There’s flighty but rich Violet Effingham, who men fight duels over. Then, there’s the mysterious and cunning widow Madame Goesler with her fabulous fortune. Phineas makes youthful mistakes and nearly comes to ruination, but Trollope has several cards up his sleeve to keep the plot twisting and turning until the final page. This is the second of the Palliser novels. I reviewed the first book in the series, Can You Forgive Her? a few weeks ago. Both books are rich in detail and subtle in substance. I was sorry to see this 700 page book end.

This B-movie stars Dana Andrews as a con man, Linda Darnell as the “fallen angel” who never met a man she didn’t like, and Alice Faye as the “good girl” who is the straw that mixes this dark concoction. Charles Bickford plays a menacing investigator. Otto Preminger directed this capable cast. Within its limitations, this film is worth a look. GRADE: B

It’s funny how the Internet works. I had listened to Till Fellner’s wonderful Bach: Inventions & French Suite V (reviewed yesterday) and noticed that Fellner also recorded Bach’s The Well-Tempered Clavier, Book I. So I checked AMAZON and I found a number of postings saying the best version of Bach’s great work was done by Edward Aldwell. So, of course, I had to buy Aldwell’s set with the pouty cover. Only Book II was available since Nonesuch Records discontinued Aldwell’s Book I (which sells for $999 used on AMAZON!). After listening to Aldwell’s The Well-Tempered Clavier, Book II, I’d have to say it’s good, but something is missing. I can’t put my finger on it. It’s not radical like Gould or dry like Schiff or insouciant like Angela Hewitt. Maybe it’s a bit too distant for my taste. I’m going to try Fellner’s version some day soon, but not right away. Some of you must think this is becoming a Bach blog. I’ve just been in a Bach mood lately. But, fear not. I’ll be reviewing a book or DVD tomorrow. GRADE: B+

The NY TIMES raved about this CD so of course I bought it. Till Fellner takes some parts of these pieces at breakneck speed. But at all times, Fellner has things under control. This is the best recording I’ve heard of “Inventions” and “French Suite V.” The recorded sound is pristine. If you love Bach, you’ll love this CD. GRADE: A-