I’ve read some of Brian Aldiss’s SF anthologies (you can read my review of Space Opera here and Galactic Empires here). The centerpiece of Evil Earths is Henry Kuttner’s “Time Trap,” a 100 page novella from 1939 with action and adventure. Kent Mason is an archaeologist hopelessly lost in the desert. When he stumbles into the ruins of the ancient city of Al Bekr, he unknowingly steps into a time portal and finds himself flung into into danger, excitement, and thrills.

Aldiss includes a number of classic SF stories like William Tenn’s “Down Among the Dead Men” where dead human soldiers are reconstituted to fight an alien insect race. “Later Than You Think” is one of Fritz Leiber’s best stories.

Philip K. Dick’s “The Golden Man” captures the essence of what Aldiss writes about in his introductions to these stories: that Earth is in trouble and action needs to be taken…NOW!

Do you remember these stories? GRADE: B+

TABLE OF CONTENTS:

• Evil Earths • (1976) • interior artwork by Frank R. Paul
• vii • Introduction (Evil Earths) • (1975) • essay by Brian W. Aldiss
• 3 • “What Is Wrong? What Is Right? Anyway, We’re Here…” • (1975) • essay by Brian W. Aldiss
• 5 • The Last Word • [Claude Adams] • (1955) • short story by Charles Beaumont and Chad Oliver
• 17 • Film of Death • (1948) • short story by John Scott Campbell [as by J. Scott Campbell]
• 32 • The Wound • (1970) • short story by Howard Fast
• 47 • Three Green Blades of Grass • (1975) • essay by Brian W. Aldiss
• 51 • The Golden Man • (1954) • novelette by Philip K. Dick
• 84 • Guest Expert • (1951) • short story by Allen Kim Lang [as by Allen K. Lang]
• 87 • The Valley • (1954) • short story by Richard Stockham
• 107 • Dark They Were and Golem-Eyed • (1975) • essay by Brian W. Aldiss
• 110 • Down Among the Dead Men • (1954) • novelette by William Tenn
• 136 • Among the Hairy Earthmen • (1966) • short story by R. A. Lafferty
• 149 • Later Than You Think • (1950) • short story by Fritz Leiber
• 159 • Yesterday, Tomorrow, and the Desert • (1975) • essay by Brian W. Aldiss
• 161 • The Time Trap • (1938) • novella by Henry Kuttner
• 271 • Towards the Fall of Night • (1975) • essay by Brian W. Aldiss
• 274 • The Men Return • (1957) • short story by Jack Vance
• 284 • Heresies of the Huge God • (1966) • short story by Brian W. Aldiss
• 296 • “If I Forget Thee, Oh Earth …” • (1951) • short story by Arthur C. Clarke
• 301 • Night • [Twilight • 2] • (1935) • short story by John W. Campbell, Jr.

I finally got around to watching Steven Spielberg’s version of West Side Story. And, I also listened to The Songs of West Side Story released in 1986 performed by a number of well known artists.

This is Steven Spielberg’s first musical, but one has to wonder why a remake of a film from 1961? Spielberg makes some interesting changes in West Side Story. In the original movie version, Natalie Wood played the Puerto Rican girl, Maria. The only Latina in that movie was Rita Moreno who played Anita. Spielberg cleverly cast Ms. Moreno in his West Side Story as Valentina (and has Moreno sing “Somewhere” instead of having Tony and Maria sing it as in the play and the original film).

Ariana DeBose earned her Oscar with a scintillating performance as Anita. I thought Rachel Zegler was an okay Maria. But Spielberg missed the boat casting Ansel Elgort as Tony. Elgort had ZERO chemistry with Maria.

I listened to the original soundtrack of West Side Story a hundred times as a kid. Loved “America,” “Maria,” “Tonight,” “I Feel Pretty,” and “Somewhere.” Great songs! If you want to see a 60-year-old musical translated into the 20th Century, check out Spielberg’s West Side Story. GRADE: B+

TRACKLIST:

1	All 4 One*–	Something’s Coming Drums, Synthesizer – Oliver Lieber*Synthesizer, Synthesizer [Bass], Keyboards, Drums [Electric], Guitar – David PackDrums, Synthesizer – Oliver Lieber*Synthesizer, Synthesizer [Bass], Keyboards, Drums [Electric], Guitar – David Pack	4:41
2	Selena–	A Boy Like That Drums – Vinnie ColaiutaKeyboards – David Pack, Greg PhillinganesKeyboards [Additional] – John DicksonPercussion – Sheila E.Programmed By [S-760] – Alison (10), John LehmkuhlDrums – Vinnie ColaiutaKeyboards – David Pack, Greg PhillinganesKeyboards [Additional] – John DicksonPercussion – Sheila E.Programmed By [S-760] – Alison (10), John Lehmkuhl	5:53
3	Michael McDonald, James Ingram, David Pack–	Maria Arranged By [Keyboards] – David Benoit, Greg PhillinganesArranged By [Vocals] – Mervyn WarrenBass – Neil StubenhausDrums – John Robinson (2)Guitar [Classical] – Dean ParksKeyboards – George DukePercussion – Paulinho DaCosta*Programmed By [Atari] – Bob McChesneySoprano Saxophone – Vince DenhamStrings, Synthesizer – David BenoitArranged By [Keyboards] – David Benoit, Greg PhillinganesArranged By [Vocals] – Mervyn WarrenBass – Neil StubenhausDrums – John Robinson (2)Guitar [Classical] – Dean ParksKeyboards – George DukePercussion – Paulinho DaCosta*Programmed By [Atari] – Bob McChesneySoprano Saxophone – Vince DenhamStrings, Synthesizer – David Benoit	4:39
4	Brian Setzer With The Brian Setzer Orchestra–	Prologue / Jet Song Arranged By – Brian Setzer, Michael AcostaBacking Vocals – Brian Setzer, David Pack, Paul Marr, Tollack Olstad*Bass – Bob ParrDrums – Bernie Purdie*Guitar – Brian SetzerPiano – Roger BurnProgrammed By [Sound Effects] – John LehmkuhlSaxophone – Robert Sandman*, Don Roberts, George Shelby, Michael Acosta, Steven Fowler*Synthesizer, Grand Piano – Randy WaldmanTrombone – Andrew Martin*, George McMullen, Michael Vlatkovich, Robert Hioki*Trumpet – Daniel Fornero*, John Fumo, Sal Cracchiolo, Stan WatkinsVocals [Intro Voices] – Shem Schroeck, The Jerky BoysArranged By – Brian Setzer, Michael AcostaBacking Vocals – Brian Setzer, David Pack, Paul Marr, Tollack Olstad*Bass – Bob ParrDrums – Bernie Purdie*Guitar – Brian SetzerPiano – Roger BurnProgrammed By [Sound Effects] – John LehmkuhlSaxophone – Robert Sandman*, Don Roberts, George Shelby, Michael Acosta, Steven Fowler*Synthesizer, Grand Piano – Randy WaldmanTrombone – Andrew Martin*, George McMullen, Michael Vlatkovich, Robert Hioki*Trumpet – Daniel Fornero*, John Fumo, Sal Cracchiolo, Stan WatkinsVocals [Intro Voices] – Shem Schroeck, The Jerky Boys	4:02
5	Kenny Loggins & Wynonna–	Tonight Drums – Simon PhillipsGuitar – Grant GeissmanPercussion – Brian KilgorePiano – Greg PhillinganesProgrammed By [Computer] – Bob McChesneySynthesizer – Nathan East, Rich Ruttenberg*Synthesizer [Strings] – David BenoitDrums – Simon PhillipsGuitar – Grant GeissmanPercussion – Brian KilgorePiano – Greg PhillinganesProgrammed By [Computer] – Bob McChesneySynthesizer – Nathan East, Rich Ruttenberg*Synthesizer [Strings] – David Benoit	4:22
6	Patti Austin, Mervyn Warren & Bruce Hornsby–	Piano Arranged By – Greg PhillinganesArranged By [Horns] – Jerry HeyArranged By [Vocals] – Mark KibbleArranged By, Arranged By [Vocals] – Mervyn WarrenBass – Larry KimpelDrums – Simon PhillipsFlugelhorn, Trumpet – Gary GrantHorns – The Jerry Hey Horn SectionPercussion – Brian KilgorePiano – Bruce HornsbySoprano Saxophone – Branford MarsalisSynthesizer [Korg 01/w] – Greg PhillinganesTenor Saxophone, Baritone Saxophone – Daniel Higgins*Trombone [Tenor], Bass Trombone – William Reichenbach*Trumpet, Flugelhorn – Jerry HeyArranged By – Greg PhillinganesArranged By [Horns] – Jerry HeyArranged By [Vocals] – Mark KibbleArranged By, Arranged By [Vocals] – Mervyn WarrenBass – Larry KimpelDrums – Simon PhillipsFlugelhorn, Trumpet – Gary GrantHorns – The Jerry Hey Horn SectionPercussion – Brian KilgorePiano – Bruce HornsbySoprano Saxophone – Branford MarsalisSynthesizer [Korg 01/w] – Greg PhillinganesTenor Saxophone, Baritone Saxophone – Daniel Higgins*Trombone [Tenor], Bass Trombone – William Reichenbach*Trumpet, Flugelhorn – Jerry Hey	5:34
7	Aretha Franklin–	Somewhere Arranged By [Orchestra] – Marty PaichBacking Vocals – Natalie JacksonBass – John Pena*Concertmaster – James GetzoffConductor [Orchestra] – Marty PaichDrums – Vinnie ColaiutaKeyboards – Greg PhillinganesArranged By [Orchestra] – Marty PaichBacking Vocals – Natalie JacksonBass – John Pena*Concertmaster – James GetzoffConductor [Orchestra] – Marty PaichDrums – Vinnie ColaiutaKeyboards – Greg Phillinganes
8	Natalie Cole, Patti LaBelle & Sheila E.–	America Arranged By – Greg PhillinganesBacking Vocals – Joe Puerta, Jon Paul Joyce, Marlena Jeter, Maxi AndersonDrums – John Robinson (2)Guitar – Grant GeissmanHorns – The Jerry Hey Horn SectionPercussion [Latin], Timbales, Congas – Sheila E.Percussion, Timpani, Glockenspiel, Xylophone, Drums [Orchestra] – Joe PorcaroPiano, Synthesizer [Bass], Percussion [Electronic] – David PackArranged By – Greg PhillinganesBacking Vocals – Joe Puerta, Jon Paul Joyce, Marlena Jeter, Maxi AndersonDrums – John Robinson (2)Guitar – Grant GeissmanHorns – The Jerry Hey Horn SectionPercussion [Latin], Timbales, Congas – Sheila E.Percussion, Timpani, Glockenspiel, Xylophone, Drums [Orchestra] – Joe PorcaroPiano, Synthesizer [Bass], Percussion [Electronic] – David Pack	6:14
9	Little Richard–	I Feel Pretty Arranged By – Greg PhillinganesArranged By [Horns] – Jerry HeyArranged By [String Synthesizer] – David BenoitBass – Larry KimpelDrums – Vinnie ColaiutaGuitar, Slide Guitar – Tim PierceHorns – The Jerry Hey Horn SectionKeyboards – Greg PhillinganesOrgan – David FrankPercussion, Xylophone – Joe PorcaroViolin – Lili HaydnVocals – Marlena Jeter, Mortenette Jenkins*, Natalie JacksonArranged By – Greg PhillinganesArranged By [Horns] – Jerry HeyArranged By [String Synthesizer] – David BenoitBass – Larry KimpelDrums – Vinnie ColaiutaGuitar, Slide Guitar – Tim PierceHorns – The Jerry Hey Horn SectionKeyboards – Greg PhillinganesOrgan – David FrankPercussion, Xylophone – Joe PorcaroViolin – Lili HaydnVocals – Marlena Jeter, Mortenette Jenkins*, Natalie Jackson	4:00
10	Tevin Campbell–	One Hand, One Heart Acoustic Guitar, Soloist – Dean ParksCello – Missy Hasin*Keyboards, Bass, Drums [T3, S760] – David PackPercussion [Acoustic] – Brian KilgorePercussion [Electronic], Programmed By – John “Skippy” Lehmkuhl*Violin – Lili HaydnAcoustic Guitar, Soloist – Dean ParksCello – Missy Hasin*Keyboards, Bass, Drums [T3, S760] – David PackPercussion [Acoustic] – Brian KilgorePercussion [Electronic], Programmed By – John “Skippy” Lehmkuhl*Violin – Lili Haydn	4:29
11	Salt-N-Pepa*, Def Jef, Lisa “Left Eye” Lopes, The Jerky Boys : Johnny Brennan*, Kamal (3) & Paul Rodriguez (4)–	Gee, Officer Krupke Arranged By – Greg PhillinganesArranged By [Rhythm, Rap] – Def JefBacking Vocals – Burleigh Drummond, Chris North*, David Pack, Joe Puerta, Rich Rees, Shim Schroeck*, Tollack Olstad*Keyboards, Synthesizer [Bass] – Greg PhillinganesLyrics By [Rap] – Cheryl James (2), David Pack, Def Jef, Paul Rodriguez (4)Programmed By [Akai, Noises] – Def JefArranged By – Greg PhillinganesArranged By [Rhythm, Rap] – Def JefBacking Vocals – Burleigh Drummond, Chris North*, David Pack, Joe Puerta, Rich Rees, Shim Schroeck*, Tollack Olstad*Keyboards, Synthesizer [Bass] – Greg PhillinganesLyrics By [Rap] – Cheryl James (2), David Pack, Def Jef, Paul Rodriguez (4)Programmed By [Akai, Noises] – Def Jef	4:23
12	Trisha Yearwood–	I Have A Love Acoustic Guitar – Billy Joe Walker, Jr.*Arranged By – Pat CoilBacking Vocals – Pamela Sheyne*Bass – Dave PomeroyDrums – Steve BrewsterPercussion – Sam BaccoPiano – Pat CoilProducer [Trisha Yearwood Vocals] – Garth FundisSteel Guitar – Paul FranklinSynthesizer – Steve NathanAcoustic Guitar – Billy Joe Walker, Jr.*Arranged By – Pat CoilBacking Vocals – Pamela Sheyne*Bass – Dave PomeroyDrums – Steve BrewsterPercussion – Sam BaccoPiano – Pat CoilProducer [Trisha Yearwood Vocals] – Garth FundisSteel Guitar – Paul FranklinSynthesizer – Steve Nathan	3:43
13	Chick Corea–	Prelude To The Rumble Piano, Soloist – Chick CoreaPiano, Soloist – Chick Corea	2:21
14	Steve Vai’s Monsters & Chick Corea’s Elektric Band*–	The Rumble Arranged By – Chick Corea, David Pack, David Paich, John DicksonArranged By [Rhythm] – David Weckl*, Simon PhillipsBass – James Earl, Joe Pena*Drums – David Weckl*, Simon PhillipsElectric Piano [Rhodes], Synthesizer – Chick CoreaGuitar – Frank Gambale, Steve VaiPercussion – Joe Porcaro, Lenny CastroSaxophone – Eric MarienthalSynthesizer – David Paich, Greg PhillinganesArranged By – Chick Corea, David Pack, David Paich, John DicksonArranged By [Rhythm] – David Weckl*, Simon PhillipsBass – James Earl, Joe Pena*Drums – David Weckl*, Simon PhillipsElectric Piano [Rhodes], Synthesizer – Chick CoreaGuitar – Frank Gambale, Steve VaiPercussion – Joe Porcaro, Lenny CastroSaxophone – Eric MarienthalSynthesizer – David Paich, Greg Phillinganes	8:03
15	Orchestra*–	Prelude To Somewhere Conductor – Marty PaichConductor – Marty Paich	0:43
16	Phil Collins–	Somewhere Arranged By [Orchestra] – David BenoitBacking Vocals – Karla BonoffConductor – Marty PaichDrums – Vinnie Colaiuta

Neuroscientist David J. Levitin explores the latest research on aging and makes some useful suggestions to living a longer, healthier, and happy Life.

One of the first suggestions Levitin makes is to protect your brain. If you get a stroke or suffer mini-strokes, your chances of accelerating dementia increase substantially. The key factor behind strokes is uncontrolled blood pressure. You should be monitoring your blood pressure daily. There are plenty of medications available to help keep your blood pressure where it should be.

Another suggestion is to cut down on sodium to protect your heart. Our food tends to be over salted and that produces spikes in blood pressure. Levitin warns of the links between smoking and heart attacks/strokes. Over 1.6 million Americans die from heart disease in the U.S. each year–more than Covid-19 killed!

Levitin makes dietary suggestions. They are similar to Michael Pollan’s mantra:  “Eat food. Not too much. Mostly plants.” Like Pollan, Levitin points out the dangers of “fake” food with plenty of additives and chemical “enhancers.” And, the problems with eating meat laced with steroids and antibiotics increase.

Social factors, emotional factors, and pain management all contribute to a better quality of Life. If you want to improve the time you have left to live, Levitin provides a workable roadmap to successful aging. GRADE: A

Table of Contents

Introduction xi

Part 1 The Continually Developing Brain 1

1 Individual Differences and Personality 3

The search for the magic number

2 Memory and Your Sense of “You” 31

The myth of failing memory

2.5 Interlude 62

A brief biography of the brain

3 Perception 88

What our bodies tell us about the world

4 Intelligence 115

The problem-solving brain

5 From Emotions to Motivation 146

Snakes, rickety bridges, Mad Men, and stress

6 Social Factors 179

Life with people

7 Pain 205

It hurts when I do this

Part 2 The Choices We Make 233

8 The Internal Clock 235

It’s two A.M. Why am I hungry?

9 Diet 251

Brain food, probiotics, and free radicals

10 Exercise 280

Movement matters

11 Sleep 295

Memory consolidation, DNA repair, and sleepy hormones

Part 3 The New Longevity 311

12 Living Longer 313

Telomeres, tardigrades, insulin, and zombie cells

13 Living Smarter 344

Cognitive enhancement

14 Living Better 367

The greatest days of our lives

Appendix: Rejuvenating Your Brain 401

Notes 403

Acknowledgments 475

Art Credits 477

Index 479

I have no special knowledge who will win tonight, but here are my choices. Do you plan to watch the Oscars? Who do you think will win?

BEST PICTURE: The Power of the Dog

BEST DIRCTOR: Jane Campion

BEST ACTRESS: Jessica Chastain

BEST ACTOR: Will Smith

BEST SUPPORTING ACTRESS: Ariana DeBose

BEST SUPPORTING ACTOR: Troy Kotsur

American Rhapsody surprised me. I thought I was going to hear a tribute to George Gershwin. Instead, I saw a drama of two pianists. One is a classically trained pianist (Randall Kramer) who has been contracted to play Rhapsody in Blue with a local orchestra. The pianist struggles with the piece so he hires a local jazz pianist (Richard Satterwhite) to “teach” him how to play Rhapsody in Blue.

What the white pianist learns about Rhapsody in Blue from the Black pianist is that George Gershwin studied Blues, Ragtime, and Jazz to create his musical masterpiece. As the Black pianist plays the key songs (listed below) an “imaginary” group of singers appear to perform and sing the songs. Along with the classically trained pianist, the audience learns about the influences that produced Rhapsody in Blue.

The local theater group who put on American Rhapsody was terrific. The two pianists, who performed live on stage, were exceptional. If American Rhapsody shows up in your neighborhood, don’t miss it! GRADE: A

Back in the early 1970s when Men’s Action series like Don Pendleton’s EXECUTIONER and  Warren Murphy and Richard Sapir’s DESTROYER dominated the paperback spinner racks, I started reading the quirky THE LONE WOLF series written by Barry N. Malzberg under his “Mike Barry” pseudonym. At the time, I didn’t know “Mike Barry” was actually Barry N. Malzberg whose Science Fiction I was also reading.

Malzberg conjures up a character named Burt Wulff who is launched on his violent rampage against drug dealers after he finds his fiancé murdered. I knew back in 1973 when I read Night Raider that this book was different from the rest of the men’s action-adventure series when I saw the lines of Yeats’ poetry at the start of the book!

In addition to Night Raider and Bay Prowler this Stark House omnibus includes “Prologue: The Passage of the Light, “Some Notes on the Long Wolf,” and “The Ethic of Vigilantism” where Malzberg writes about how the Lone Wolf series came to be and what his strategy was for the series. Another bonus is a Bibliography of Barry N. Malzberg’s works.

Rereading Night Raider and Bay Prowler after almost 50 years shows how canny Malzberg was in constructing this series to appear as an EXECUTIONER-like clone, but subverting the genre with a secret agenda. The Lone Wolf series features wholesale destruction and mayhem within a story arc that Malzberg cunningly devised from the beginning to explode in the series conclusion. Hang on for a wild ride through the dangerous darkness of America in the Seventies! GRADE: A

I decided to binge on three Rumer CDs that just arrived. I’ve been a fan of Rumer’s mellow voice for years. Her CDs follow no schedule. They’re released seemingly at random. Let’s start with RUMER: B-SIDES AND RARITIES (2015).

Randomness continues with Rumer singing familiar songs like “Arthur’s Theme” and “Sailing” and “It Might Be You.” I enjoyed “Alfie” and “Moon River.” These classic songs sound new with Rumer singing them. Volume 2 is due to be released next month so I’ll be reviewing that CD in a few weeks. Love the cover! GRADE: A

RUMER: B-SIDES AND RARITIES TRACKLIST:

		Arthur’s Theme (Best That You Can Do)	3:57
		Dangerous (Bossa Nova)	4:07
		Sailing	4:29
		Hasbrook Heights	3:24
		Come Saturday Morning	3:14
		It Might Be You (Theme From “Tootsie”)	3:20
		Moon River	2:33
		Separate Lives	3:49
		The Warmth Of The Sun	3:21
		Alfie	2:53
		Long Long Day	3:12
		Soul Rebel	3:33
		Here Comes The Sun	3:50
		Marie	2:41
		Frederick Douglass	5:29
		That’s All	3:12
		I Believe In You	3:05

RUMER: LOVE IS THE ANSWER is an EP from 2015. My favorite song on this EP is Rumer’s version of the Hall & Oates hit, “I Can’t Go For That.” GRADE: B+

RUMER: LOVE IS THE ANSWER TRACK LIST:

1		Love Is The AnswerWritten-By – John Wilcox, Kasim Sulton, Roger Powell, Todd RundgrenWritten-By – John Wilcox, Kasim Sulton, Roger Powell, Todd Rundgren	4:11
2		Being At War With Each OtherWritten-By – Carole KingWritten-By – Carole King	3:52
3		I Can’t Go For That (No Can Do)Featuring – Paul PescoWritten-By – Daryl Hall, John Oates, Sara AllenFeaturing – Paul PescoWritten-By – Daryl Hall, John Oates, Sara Allen	4:22
4		Be Thankful For What You GotWritten-By – William DeVaughnWritten-By – William DeVaughn	6:00

I’m not a big fan of live CDs, but somehow Rumer and her team managed to suppress any crowd noise and applause–one of things that annoy me about many live recordings.

On RUMER: LIVE AT LAFAYETTE (2021) Rumer sounds relaxed and comfortable singing her set of songs–some new some familiar. The band sounds great and the result is a concert CD that will go into heavy rotation on my CD player. If you’re in the mood for some enjoyable songs sung by a wonderful artist with a great voice, check out Rumer’s work. GRADE: A

RUMER: LIVE AT LAFAYETTE TRACK LIST:

The Fate Of Fireflies
		Come To Me High
		June It’s Gonna Happen
		Take Me As I Am
		Bristlecone Pine
		Oklahoma Stray
		Aretha
		Learning How To Love
		Play Your Guitar
		You Just Don’t Know People
		Pizza And Pinball
		Sara Smile
		Slow
		Love Is The Answer
		Better Place

The stories in Beyond the Veil deal with aging, death, dying, and ghosts.

My favorite story in Beyond the Veil is Stephen Gallagher’s “A Mystery for Julie Chu.” Julie Chu likes to shop at auctions, thrift stores, and  consignment stores. Chu has a talent at finding vintage items that are underpriced.

Chu finds an old toy called Mr. Disco. She buys it for a pittance. But Chu soon learns Mr. Disco allows the Dead to speak to the Living. I thought I knew where “A Mystery for Julie Chu” was going, but Stephen Gallagher had some clever tricks up his writer’s sleeve that surprised me.

Other than “A Mystery for Julie Chu,” I didn’t find any other story that pleased me in this anthology. The constant dying and suffering wore me down. GRADE: C

Table of Contents

Introduction Mark Morris 1

The God Bag Christopher Golden 3

Caker’s Man Matthew Holness 21

The Beechfield Miracles Priya Sharma 44

Clockwork Dan Coxon 69

Soapstone Aliya Whiteley 79

The Dark Bit Toby Litt 93

Provenance Pond Josh Malerman 107

For All the Dead Angeline B. Adams Remco van Straten 119

The Girl in the Pool Bracken MacLeod 135

Nurse Varden Jeremy Dyson 144

If, Then Lisa L. Hannett 159

Aquarium Ward Karter Mycroft 173

A Mystery for Julie Chu Stephen Gallagher 185

Away Day Lisa Tuttle 205

Polaroid and Seaweed Peter Harness 213

Der Geisterbahnhof Lynda E. Rucker 231

Arnie’s Ashes John Everson 244

A Brief Tour of the Night Nathan Ballingrud 257

The Care and Feeding of Household Gods Frank J. Oreto 268

Yellowback Gemma Files 282

Biographies 307

I’m fond of Time Travel stories so you’d think I would be ecstatic over The Adam Project. But, you would be wrong.

Ryan Reynolds plays a pilot who travels from 2050 back to 2022 in an attempt to save his wife (Zoe Saldana). Reynolds’ character, called Adam, really wanted to arrive in 2018, but a mis-calibration by Adam’s craft lands him in the wrong year. Adult Adam then meets his 12-year-old self (brilliantly played by Walker Scobell) which does generate plenty of humor. But, murder squads from 2050 arrive to kill Adam (and even his younger self).

You would think that a movie with a cast that includes Ryan Reynolds; Mark Ruffalo; Jennifer Garner; Walker Scobell; Catherine Keener; and Zoe Saldaña would be fabulous. But, once again, you would wrong.

The Adam Project gets bogged down in family problems: an inattentive father, a surly son, and an unconfident mother. The action scenes are okay, but there are too few of them. There’s potential in The Adam Project but much of it is wasted. GRADE: B-

“In the spring of 1990, New Kids on the Block started the Magic Summer Tour, a summer that lasted 303 days and earned $57 million. The year’s highs grossing films was Ghost and the ghost of of Patrick Swayze was not CGI. David Lynch’s Twin Peaks debuted on ABC, but its hallucinatory Melo dram was disconnected from both lear time and the rest of the TV universe, where Cheers remained the most popular show.” (p. 33)

Chuck Closterman revisits the 1990s with insights into its music, movies, politics, TV shows, and famous people. Remember Operation Desert Storm? Remember the stock market zooming to new highs?

The Nineties will be famous for the introduction of the Internet and GOOGLE. And the culture changing TV programs like Seinfeld and Friends and The X-Files. The National Football League solidified its position as the dominant sport in America. People thought David Foster Wallace’s Infinite Jest–1,079 pages–was the best novel of the decade.

What do you remember best about the Nineties? GRADE: B+

TABLE OF CONTENTS:

Introduction p. 11 

Fighting the Battle of Who Could Care Less p. 5

[projections of the distortion] p. 29

The Structure of Feeling (Swingin’ on the Flippity-Flop) p. 33

[i see death around the corner] p. 49

Nineteen Percent p. 53

[casual determinism] p. 73

 The Edge, as Viewed from the Middle p. 77

[the slow cancellation of the future and the fast homogenization of the past] p. 103

The Movie Was about a Movie p. 107

[the power of myth] p. 123

 CTRL + ALT + DELETE p. 129

[alive in the superunknown] p. 165

 Three True Outcomes p. 169

[vodka on the chessboard] p. 185

 Yesterday’s Concepts of Tomorrow p. 189

[the importance of being earnest] p. 209

 Sauropods p. 213

[giving the people what they want, except that they don’t] p. 241

 A Two-Dimensional Fourth Dimension p. 245

[the spin doctors] p. 273

 I Feel the Pain of Everyone, Then I Feel Nothing p. 279

[just try it and see what happens] p. 305

 The End of the Decade, the End of Decades p. 311

Acknowledgments p. 339

Sources p. 341

Index p. 355