Robert E. Howard is best known for his Conan tales, but he also wrote a number of stories to add to the Cthulhu Mythos. This volume collects Howard’s Cthulhu stories and shows the influence of H. P. Lovecraft on his writing. Paul Di Filippo’s informative Foreword puts the stories into the context of publishing at that time.

Howard’s stories are organized by chronology and the collects they first appeared in. If you’re a Robert E. Howard fan, you’ll love The Cthulhu Stories. Causal fans will enjoy these tales, too. Are you a Robert E. Howard fan? GRADE: A

TABLE OF CONTENTS:

FORWARD by Paul Di Filippo — vii

THE SHADOW KINGDOM

1. The King Comes Riding — 3
2. Thus Spake the Silent Halls of Valusia –9
3. They That Walk at Night — 16
4. Masks — 30

SKULL FACE

1. The Face in the Mist — 41
2. The Hashish Slave — 43
3. The Master of Doom — 47
4. The Spider and the Fly — 51
5. The Man on the Couch — 57
6. The Dream Girl — 61
7. The Man of the Skull — 64
8. Black Wisdom — 68
9. Kathulos of Egypt — 71
10. The Dark House — 78
11. Four Thirty-four — 86
12. The Stroke of Five — 89
13. The Blind Beggar Who Rode — 94
14. The Black Empire — 96
15. The Mark of Tulwar — 106
16. The Mummy Who Laughed — 111
17. The Dead Man From the Sea — 116
18. The Grip of the Scorpion — 124
19. Dark Fury — 133
20. Ancient Horror — 140
21. The Breaking of the Chains — 150
22. The Children of the Night — 157

THE GODS OF BAL-SAGOTH

1. The Steel in the Storms — 177
2. The Gods From the Abyss — 183
3. The Fall of the Gods — 204
4. Empire — 220

The Black Stone — 222

People of the Dark — 242

WORMS OF THE EARTH

1. Chapter One — 267
2. Chapter Two — 272
3. Chapter Three — 281
4. Chapter Four — 287
5. Chapter Five — 292
6. Chapter Six — 298

The Thing on the Roof — 306

The Haunter of the Ring — 317

THE CHALLENGE FROM BEYOND

1. [C. L. Moore] — 337
2. [A. Merritt] — 340
3. [H. P. Lovecraft] — 343
4. [Robert E. Howard & Frank Belknap Long] — 351
5. [Frank Belknap Long] — 355

The Fire of Asshurbanipal — 358

Dig Me No Grave — 385

About the Author — 401

If You Liked… — 405

Other WordFire Press Titles — 407

I first bought a Moody Blues album in 1967. It was Days of Future Passed, the blend of rock and symphonic music. Over the years, I continued to buy and listen to the Moody Blues.

Echoes is a 2-CD set that presents a variety of Moody Blues music although you’re going to notice many of their “hits” are NOT included. The most recognizable song is “Another Brick in the Wall (Part Two)” from The Wall. Over the years, the Moody Blues tried a number of musical experiments. Some worked, some didn’t. If you’re a Moody Blues fan, you probably already have Echoes. If you’re a causal fan, Echoes will present a spectrum of Moody Blues music, a cross-section of their oeuvre that you are unlikely to find elsewhere in their discography.  Are you a Moody Blues fan? GRADE: A

Tracklist

1-1		Astronomy DomineVocals – Richard Wright, Syd BarrettVocals – Richard Wright, Syd Barrett	4:10
1-2		See Emily PlayVocals – Syd BarrettVocals – Syd Barrett	2:47
1-3		The Happiest Days Of Our LivesVocals – Roger WatersVocals – Roger Waters	1:38
1-4		Another Brick In The Wall (Part 2)Vocals – David Gilmour, The Children Of Islington Green School*, Roger WatersVocals – David Gilmour, The Children Of Islington Green School*, Roger Waters	4:01
1-5		EchoesVocals – David Gilmour, Richard WrightVocals – David Gilmour, Richard Wright	16:30
1-6		Hey YouFretless Bass – David GilmourVocals – David Gilmour, Roger WatersFretless Bass – David GilmourVocals – David Gilmour, Roger Waters	4:39
1-7		MaroonedBass – Guy PrattKeyboards [Additional] – Jon CarinBass – Guy PrattKeyboards [Additional] – Jon Carin	2:02
1-8		The Great Gig In The SkyVocals – Clare TorryVocals – Clare Torry	4:40
1-9		Set The Controls For The Heart Of The SunVocals – Roger WatersVocals – Roger Waters	5:20
1-10		MoneySaxophone – Dick ParryVocals – David GilmourSaxophone – Dick ParryVocals – David Gilmour	6:29
1-11		Keep TalkingBacking Vocals – Carol Kenyon, Durga McBroom, Jackie Sheridan, Rebecca Leigh-White, Sam BrownBass – Guy PrattDrum Programming [Programmed Percussion] – Gary WallisKeyboards [Additional] – Jon CarinVocals – David GilmourVoice [Featuring The Voice Of], Featuring – Stephen HawkingBacking Vocals – Carol Kenyon, Durga McBroom, Jackie Sheridan, Rebecca Leigh-White, Sam BrownBass – Guy PrattDrum Programming [Programmed Percussion] – Gary WallisKeyboards [Additional] – Jon CarinVocals – David GilmourVoice [Featuring The Voice Of], Featuring – Stephen Hawking	5:57
1-12		SheepVocals – Roger WatersVocals – Roger Waters	9:46
1-13		SorrowBacking Vocals – Carmen Twillie, Darlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards [Additional] – Jon CarinVocals, Drum Programming – David GilmourBacking Vocals – Carmen Twillie, Darlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards [Additional] – Jon CarinVocals, Drum Programming – David Gilmour	8:45
2-1		Shine On You Crazy Diamond (Parts 1-7)Backing Vocals – Carlena Williams, Venetta FieldsSaxophone – Dick ParryVocals – Roger WatersBacking Vocals – Carlena Williams, Venetta FieldsSaxophone – Dick ParryVocals – Roger Waters	17:32
2-2		TimeBacking Vocals – Barry St. John, Doris Troy, Leslie Duncan*, Liza StrikeVocals – David Gilmour, Richard WrightBacking Vocals – Barry St. John, Doris Troy, Leslie Duncan*, Liza StrikeVocals – David Gilmour, Richard Wright	6:48
2-3		The Fletcher Memorial HomeArranged By [Orchestra], Conductor, Piano – Michael KamenProducer – James Guthrie, Michael KamenVocals – Roger WatersArranged By [Orchestra], Conductor, Piano – Michael KamenProducer – James Guthrie, Michael KamenVocals – Roger Waters	4:07
2-4		Comfortably NumbOrchestrated By – Bob Ezrin, Michael KamenVocals – David Gilmour, Roger WatersOrchestrated By – Bob Ezrin, Michael KamenVocals – David Gilmour, Roger Waters	6:53
2-5		When The Tigers Broke FreeArranged By [Orchestra], Conductor – Michael KamenConductor [The Pontardulais Male Voice Choir Led By] – Noel Davis*Producer – James Guthrie, Michael KamenVocals – Roger WatersArranged By [Orchestra], Conductor – Michael KamenConductor [The Pontardulais Male Voice Choir Led By] – Noel Davis*Producer – James Guthrie, Michael KamenVocals – Roger Waters	3:42
2-6		One Of These DaysBass [Double Tracked] – David Gilmour, Roger WatersVoice [Vocal Phrase] – Nick MasonBass [Double Tracked] – David Gilmour, Roger WatersVoice [Vocal Phrase] – Nick Mason	5:14
2-7		Us And ThemBacking Vocals – Barry St. John, Doris Troy, Leslie Duncan*, Liza StrikeSaxophone – Dick ParryVocals – David GilmourBacking Vocals – Barry St. John, Doris Troy, Leslie Duncan*, Liza StrikeSaxophone – Dick ParryVocals – David Gilmour	7:51
2-8		Learning To FlyBacking Vocals – Carmen Twillie, Darlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards – Jon CarinPercussion – Steve FormanVocals – David GilmourBacking Vocals – Carmen Twillie, Darlene Koldenhaven*, Donnie Gerrard*, Phyllis St. JamesBass – Tony LevinKeyboards – Jon CarinPercussion – Steve FormanVocals – David Gilmour	4:50
2-9		Arnold LayneProducer – Joe BoydVocals – Syd BarrettProducer – Joe BoydVocals – Syd Barrett	2:52
2-10		Wish You Were HereVocals – David GilmourVocals – David Gilmour	5:21
2-11		Jugband BluesVocals – Syd BarrettVocals – Syd Barrett	2:56
2-12		High HopesArranged By [Orchestra] – Edward Shearmur, Michael KamenPiano – Jon CarinVocals, Bass – David GilmourArranged By [Orchestra] – Edward Shearmur, Michael KamenPiano – Jon CarinVocals, Bass – David Gilmour	6:59
2-13		BikeVocals – Syd BarrettVocals – Syd Barrett	3:24

In the year 2132, members of the Anthropologist’s Guild land on the planet Henderson’s IV, or L’Lal’lor as it is known to the native population, to study the Culture and to eventually initiate First Contact. Skilled in the nonintrusive study of alien cultures, the Anthropologists discover a society containing no love or laughter. The alien society centers around death—a world of aristocratic and common folk in which grieving is an art and the cornerstone of life.

As Goodreads notes: “But this alien civilization stands on the brink of astonishing change triggered by the discovery of Linni (aka, Gray Wanderer), a young woman from the countryside whose arrival has been foretold for centuries. And for Anthropologist First Class Aaron Spenser, L’Lal’lor is a place of destructive temptations, seducing him with its mysterious, sad beauty, and leading him into an unthinkable criminal act.”

My main quibble about Cards of Grief centers around Jane Yolen’s decision to tell her story in the form of “transcripts” from recordings the Anthropologists make. And Yolen doesn’t provide any surprises, either. GRADE: B-

It’s a Sin is a British television drama miniseries written and created by Russell T Davies (of Doctor Who fame). In the wake of the Coronavirus Pandemic, It’s a Sin presents another epidemic. The five-part series is set from 1981 to 1991 in London. It depicts the lives of a group of gay men and their friends who lived during the HIV/AIDS crisis in the United Kingdom (soon to spread to the U.S. and everywhere).

 It’s a Sin features a main cast consisting of Olly Alexander as Ritchie Tozer, Omari Douglas as Roscoe Babatunde and Callum Scott Howells as Colin Morris-Jones, who all move to London. Lydia West, Nathaniel Curtis and David Carlyle play the characters of Jill Baxter, Ash Mukherjee and Gregory Finch respectively. Together they form the ensemble which the show focuses on most. Other actors cast were Keeley Hawes, Shaun Dooley, Tracy Ann Oberman, Neil Patrick Harris and Stephen Fry. It premiered in the United Kingdom on Channel 4 on 22 January 2021. After a few weeks, It’s a Sin was viewed in its entirety more than 6.5 million times; making it the most binge-watched show to stream on the platform.

The story of HIV/AIDS in the UK was new to me although it followed the pattern of its spread in the U.S. We could have learned from the HIV/AIDS epidemic in ways that could have helped us when the Coronavirus hit…but we didn’t. GRADE: A

I consider myself a social liberal and a economic conservative. I believe in freedom of expression and democracy. I also believe in balanced budgets, low debts, and a relatively free market system (with monitoring to stop cheating and manipulation). As Edmund Fawcett points out in his excellent book on Liberalism: The Life of an Idea the path to a free and open society that stresses economic equality and equal rights tends to be a bumpy one.

Among the dozens of politicians, philosophers, and economists Fawcett deals with in his story of Liberalism, I was captivated by his approach to Milton Friedman. Friedman is considered to be one of the great economists of the 20th Century (along side John Maynard Keynes). Both Liberals and Conservatives claim Friedman for their side when in reality, Friedman is hard to categorize. Friedman “argued that political freedom required economic freedom. Markets were blind to people’s non-monetary differences. Markets encouraged mutual forbearance and acceptance. The more markets spread within a society the less room there was for intolerance, oppression, and harmful political factionalism” (p. 373).

“Governments, Friedman thought, should limit themselves to enforcing contracts, promoting competition, protecting ‘the irresponsible whether madman or child,’ and ensuring stable money.” Governments got into trouble if they overreached.

I enjoyed Fawcett’s treatments of Keynes, Hayek, Schumpeter, Adam Smith, Marshall, and other notable economists. If you’re looking for a book about where Liberalism when right and where it went wrong, Edmund Fawcett’s book does this brilliantly. Are you a Liberal? GRADE: A

Table of Contents

Preface to the Paperback Edition xi

Preface xvii

Acknowledgments xxiii

Introduction It’s About More Than Liberty 1

PART ONE The Confidence of Youth (1830-1880) 27

1 Historical Setting in the 1830s: Thrown into a World of Ceaseless Change 28

2 Guiding Thoughts from Founding Thinkers: Conflict, Resistance, Progress, and Respect 34

i. Humboldt and Constant: Releasing People’s Capacities and Respecting Their Privacy 34

ii. Guizot: Taming Conflict without Arbitrary Power 44

iii. Tocqueville and Schulze-Delitzsch: The Modern Powers of Mass Democracy and Mass Markets 57

iv. Chadwick and Cobden: Governments and Markets as Engines of Social Progress 65

v. Smiles and Channing: Personal Progress as Self-Reliance or Moral Uplift 74

vi. Spencer: Liberalism Mistaken for Biology 79

vii. J. S. Mill: Holding Liberalism’s Ideas Together 85

3 Liberalism in Practice: Four Exemplary Politicians 98

i. Lincoln: The Many Uses of “Liberty” in the Land of Liberty 98

ii. Laboulaye and Richter: Tests for Liberals in Semiliberal Regimes 106

iii. Gladstone: Liberalism’s Capaciousness and the Politicsof Balance 112

4 The Nineteenth-Century Legacy: Liberalism without Caricature 117

i. Respect, “the Individual,” and the Lessons of Toleration 117

ii. The Achievements That Gave Liberals Confidence 133

PART TWO Liberalism in Maturity and the Struggle with Democracy (1880-1945) 137

5 Historical Setting in the 1880s: The World Liberals Were Making 138

6 The Compromises That Gave Us Liberal Democracy 146

i. Political Democracy: Liberal Resistance to Suffrage Extension 146

ii. Economic Democracy: The “New Liberalism” and Novel Tasks for the State 159

iii. Ethical Democracy: Letting Go Ethically and the Persistence of Intolerance 167

7 The Economic Powers of the Modern State and Modern Market 173

i. Walras, Marshall, and the Business Press: Resisting the State on Behalf of Markets 173

ii. Hobhouse, Naumann, Croly, and Bourgeois: Resisting Markets on Behalf of Society 186

8 Damaged Ideals and Broken Dreams 198

i. Chamberlain and Bassermann: Liberal Imperialism 198

ii. Lloyd George, Clemenceau, and Wilson: Liberal Hawks of 1914-1918 214

iii. Alain, Baldwin, and Brandeis: Liberal Dissent and the Warfare State 227

iv. Stresemann: Liberal Democracy in Peril 237

v. Keynes, Fisher, and Hayek (i): Liberal Economists in the Slump 245

vi. Hoover and Roosevelt: Forgotten Liberal and Foremost Liberal 267

9 Thinking about Liberalism in the 1930s-1940s 275

i. Lippmann and Hayek (ii): Liberals as Antitotalitarians 275

ii. Popper: Liberalism as Openness and Experiment 279

PART THREE Second Chance and Success (1945-1989) 285

10 Historical Setting after 1945: Liberal Democracy’s New Start 286

11 New Foundations: Rights, a Democratic Rule of Law, and Welfare 290

i. Drafters of the 1948 Declaration of Human Rights: Liberal Democracy Goes Global 290

ii. German Postwar Liberals: The 1949 Basic Law as Liberal Democracy’s Exemplary Charter 302

iii. Beveridge: Liberalism and Welfare 312

12 Liberal Thinking after 1945 316

i. Oakeshott and Berlin: Letting Politics Alone and “Negative” Liberty 317

ii. Hayek (iii): Political Antipolitics 327

iii. Orwell, Camus, and Sartre: Liberals in the Cold War 332

iv. Rawls: Justifying Liberalism 338

v. Nozick, Dworkin, and MacIntyre: Responses to Rawls, Rights, and Community 348

13 The Breadth of Liberal Politics in the 1950s-1980s 355

i. Mendès-France, Brandt, and Johnson: Left Liberalism in the 1950s-1960s 355

ii. Buchanan and Friedman: Liberal Economists Against the State 368

iii. Thatcher, Reagan, Mitterrand, and Kohl: Right Liberalism in the 1970s-1980s 378

PART FOUR After 1989 391

Coda Liberal Dreams in the Twenty-First Century 392

Works Consulted 409

Name Index 433

Subject Index 444

“The President’s attackers are a motley band, consisting primarily of perjuring partisan politicians, strumpets, hags, bitter old segregationists, hired guns for cigarette companies, felons, judges who traded favors for jobs, bitter, defeated, pathetic former political rivals, Hillary-hating misogynists, wacko billionaires, gay-bashers, hate radio hucksters, mother-subpoenaing prosecutors, and mother-suing nutcases, all feeding an endless line of lies and half-truths to jealous journalists, envious editorialists, curmudgeonly columnists, and cranky commentators more concerned with their own self-importance and trashing the good name of a great President than the truth.”

Those words were written by James Carville back in 1998 and it seems like little has changed. …And the Horse He Rode In On was Carville’s “defense” of Bill Clinton against the accusations and charges of Kenneth Starr’s investigation. Starr went on to have a checkered career.  On May 26, 2016, following an investigation into the mishandling by Starr of several sexual assaults at the school, Baylor University’s Board of Regents announced that Starr’s tenure as university President would end on May 31, 2016. It seems like Starr was just not a very good investigator.

If you’re in the mood for a blistering defense of Bill Clinton by a true political professional, James Carville’s classic little book still resonates in our divided country. GRADE: A

TABLE OF CONTENTS:

Introduction: I Meet the Independent Counsel — 9

He Crawled from the Deep: Ken Starr and Whitewater — 21

Follow the Money: Whitewater and the Right Wing Payola — 51

Follow the Money 2: Arkansas Troopers and Right-Wing Payola — 61

Starr Wars: The Independent Counsel’s Abuses of Power — 66

Just Following Orders: Ken Starr’s Underlings — 82

What’s the Frequency, Kenneth?: Ken Starr’s Chronic Media Leaks — 86

The Rabid Watchdog: What Happened to Our Media? — 109

The President’s Character — 113

Conclusion: The People v. Ken Starr — 123

Appendix A: Who Got Paid by Whom to Say and Do What — 128

Appendix B: More Opinions on Ken Starr — 134

Appendix C: Sixty Reasons Why I Don’t Trust Ken Starr’s Investigation — 143

Appendix D: Star Gets Both Feet in His Mouth — 148

Appendix E: Help Make Ken Starr’s Life Easier — 151

Appendix F: Questions for Ken Starr — 152

Appendix G: Where There’s Smoke There’s Smoke — 154

Afterward: The Starr Report — 156

And Finally…. — 165

Notes — 171

I thoroughly enjoy these volumes in the Isaac Asimov’s Wonderful Worlds of Science Fiction series. Tin Stars, the fifth book in the series, features stories of Future Crime. My favorite story in this anthology is Ron Goulart’s clever “Into the Shop,” a fable about what can happen if robots designed to enforce the Law malfunction. The most famous story in Tin Stars is “Brillo” by Ben Bova and Harlan Ellison. Ellison sued Paramount alleging their Future Cop series plagiarized “Brillo.” Henry Slesar’s classic “Examination Day” shows the power of control…and its dangers. If you’re looking for an entertaining SF collection, Tin Stars will surprise and delight you. GRADE: B+

TABLE OF CONTENTS:

• “Introduction” (Isaac Asimov) — 7
• “Into the Shop” (Ron Goulart) –11
• “Cloak of Anarchy” (Larry Niven) –22
• “The King’s Legions” (Christopher Anvil) –44
• “Finger of Fate” (Edward Wellen) — 98
• “Arm of the Law” (Harry Harrison) — 109
• “Voiceover” (Edward Wellen) — 126
• “The Fastest Draw” (Larry Eisenberg) — 154
• “Mirror Image” (Isaac Asimov) — 163
• “Brillo” (Ben Bova and Harlan Ellison) — 180
• “The Powers of Observation” (Harry Harrison) — 214
• “Faithfully Yours” (Lou Tabakow) — 230
• “Safe Harbor” (Donald Wismer) –249
• “Examination Day” (Henry Slesar) — 272
• “The Cruel Equations” (Robert Sheckley) — 277
• “Animal Lover” (Stephen R. Donaldson) — 291

Back in the Sixties, I fell in love with Dusty Springfield and her sultry voice. I bought her albums and played them until the grooves wore out. Dusty Springfield’s 1968 pop and soul album, Dusty in Memphis, one of Springfield’s best albums, included “Son-Of-A Preacher Man,” a song that holds a permanent place on my Playlist . In March 2020, the US Library of Congress added Dusty in Memphis to the National Recording Registry, which preserves audio recordings considered to be “culturally, historically or aesthetically significant”.

But once the Seventies rolled around, Dusty Springfield’s career in the U.S. slowly faded. No more hits. She issued only five more albums until her death in 1999. But in her prime, Dusty Springfield thrilled me and a million fans. Were you a Dusty Springfield fan? Do you remember these songs? GRADE: A

Tracklist:

1		Son-Of-A Preacher Man Written By – John Hurley & Ronnie WilkinsWritten-By – John Hurley, Ronnie WilkinsWritten By – John Hurley & Ronnie WilkinsWritten-By – John Hurley, Ronnie Wilkins	2:28
2		Just a Little Lovin’ (Early in the Morning) Written-By – Barry Mann & Cynthia Weil*Written-By – Barry Mann & Cynthia Weil*	2:19
3		Don’t Forget About Me Written-By – Gerry Goffin & Carole King*Written-By – Gerry Goffin & Carole King*	2:49
4		Breakfast In Bed Written By – Eddie Hinton & Donnie FrittsWritten-By – Donnie Fritts, Eddie HintonWritten By – Eddie Hinton & Donnie FrittsWritten-By – Donnie Fritts, Eddie Hinton	2:54
5		The Windmills of Your Mind Written By – Michel Legrand, Marilyn & Alan BergmanWritten-By – Alan Bergman, Marilyn Bergman, Michel LegrandWritten By – Michel Legrand, Marilyn & Alan BergmanWritten-By – Alan Bergman, Marilyn Bergman, Michel Legrand	3:48
6		I Don’t Want to Hear It Anymore Written-By – Randy NewmanWritten-By – Randy Newman	3:08
7		Willie and Laura Mae Jones Written-By – Tony Joe WhiteWritten-By – Tony Joe White	2:47
8		That Old Sweet Roll (Hi-De-Ho) Written-By – Gerry Goffin & Carole King*Written-By – Gerry Goffin & Carole King*	2:58
9		In The Land Of Make Believe Written-By – Burt Bacharach & Hal David*Written-By – Burt Bacharach & Hal David*	2:28
10		So Much Love Written-By – Gerry Goffin & Carole King*Written-By – Gerry Goffin & Carole King*	3:28
11		A Brand New Me Written By – Kenneth Gamble, Leon Huff & Jerry ButlerWritten-By – Jerry Butler, Kenneth Gamble, Leon HuffWritten By – Kenneth Gamble, Leon Huff & Jerry ButlerWritten-By – Jerry Butler, Kenneth Gamble, Leon Huff	2:30
12		Bad Case of the Blues Written By – Kenneth Gamble & Roland ChambersWritten-By – Kenneth Gamble, Roland ChambersWritten By – Kenneth Gamble & Roland ChambersWritten-By – Kenneth Gamble, Roland Chambers	2:02
13		Silly, Silly Fool Written-By – Kenneth Gamble & Leon Huff*Written-By – Kenneth Gamble & Leon Huff*	2:25
14		Joe Written By – Kenneth Gamble, Norman Harris & Allan FelderWritten-By – Allan Felder, Kenneth Gamble, Norman HarrisWritten By – Kenneth Gamble, Norman Harris & Allan FelderWritten-By – Allan Felder, Kenneth Gamble, Norman Harris	2:16
15		I Wanna Be a Free Girl Written By – Thom Bell, Linda Creed, Kenneth Gamble & Leon HuffWritten-By – Kenneth Gamble, Leon Huff, Linda Creed, Thom BellWritten By – Thom Bell, Linda Creed, Kenneth Gamble & Leon HuffWritten-By – Kenneth Gamble, Leon Huff, Linda Creed, Thom Bell	2:51
16		Let Me Get in Your Way Written By – Kenneth Gamble & Roland ChambersWritten-By – Kenneth Gamble, Roland ChambersWritten By – Kenneth Gamble & Roland ChambersWritten-By – Kenneth Gamble, Roland Chambers	2:41
17		Lost Written By – Kenneth Gamble, Leon Huff & Jerry ButlerWritten-By – Jerry Butler, Kenneth Gamble, Leon HuffWritten By – Kenneth Gamble, Leon Huff & Jerry ButlerWritten-By – Jerry Butler, Kenneth Gamble, Leon Huff	2:22
18		Never Love AgainWritten By – Kenneth Gamble, Leon Huff & Roland ChambersWritten-By – Kenneth Gamble, Leon Huff, Roland ChambersWritten By – Kenneth Gamble, Leon Huff & Roland ChambersWritten-By – Kenneth Gamble, Leon Huff, Roland Chambers	3:09
19		What Good Is I Love You Written By – Ellie Greenwich & Mike RashkowWritten-By – Ellie Greenwich, Mike RashkowWritten By – Ellie Greenwich & Mike RashkowWritten-By – Ellie Greenwich, Mike Rashkow	2:50
20		What Do You Do When Love Dies Written By – Mary Unobsky & Donna WeissWritten-By – Donna Weiss, Mary UnobskyWritten By – Mary Unobsky & Donna WeissWritten-By – Donna Weiss, Mary Unobsky	2:38
21		Haunted Written By – Jeff Barry & Bobby BloomWritten-By – Bobby Bloom, Jeff BarryWritten By – Jeff Barry & Bobby BloomWritten-By – Bobby Bloom, Jeff Barry	2:24
22		Nothing Is Forever Written By – Jeff Barry & Bobby BloomWritten-By – Bobby Bloom, Jeff BarryWritten By – Jeff Barry & Bobby BloomWritten-By – Bobby Bloom, Jeff Barry	2:30
23		I Believe In You Written-By – Jeff BarryWritten-By – Jeff Barry	3:09
24		Someone Who Cares Written-By – Alex Harvey (2)Written-By – Alex Harvey (2)	2:50

Final Stage presents another example of a book I’ve had on my shelves–in this case since 1974 when it was first published–and have only gotten around to reading it recently. Ferman and Malzberg try to touch all the bases: First Contact, Immortality, Robots and Androids, Strange Children, Future Sex, Space Opera, Alternate Universes, Time Travel, etc. Dean R. Koontz is best known for his horror fiction, but he shows up in this anthology with a chilling SF story of Kids with Powers. You won’t soon forget Koontz’s “We Three.” Frederik Pohl’s dark tale of the interaction of humans and aliens, “We Purchased People,” reveals a different side to slavery. Robert Silverberg’s “Trips” shows what can happen if you can visit other dimensions and time-lines.

Ferman and Malzberg provide informative introductions to each story and the authors’s Afterwords reveal more about how the story came to be written. If you’re looking at a top-flight SF anthology, I highly recommend Final Stage. GRADE: A

TABLE OF CONTENTS:

• ix • Introduction (Final Stage) • (1974) • essay by Edward L. Ferman and Barry N. Malzberg
• 1 • We Purchased People • (1974) • short story by Frederik Pohl
• 18 • Afterword (We Purchased People) • (1974) • essay by Frederik Pohl
• 20 • The Voortrekkers • (1974) • novelette by Poul Anderson
• 44 • Afterword (The Voortrekkers) • (1974) • essay by Poul Anderson
• 47 • Great Escape Tours, Inc. • (1974) • short story by Kit Reed
• 60 • Afterword (Great Escape Tours, Inc.) • (1974) • essay by Kit Reed
• 62 • The Girl in the Tau-Dream • [Diagrams For Three (Enigmatic) Stories • 1] • (1974) • short story by Brian W. Aldiss
• 70 • The Immobility Crew • [Diagrams For Three (Enigmatic) Stories • 2] • (1974) • short story by Brian W. Aldiss
• 78 • A Cultural Side-Effect • [Diagrams For Three (Enigmatic) Stories • 3] • (1974) • short story by Brian W. Aldiss
• 87 • Afterword (Diagrams for Three Enigmatic Stories) • (1974) • essay by Brian W. Aldiss
• 89 • That Thou Art Mindful of Him! • (1974) • novelette by Isaac Asimov (variant of —That Thou Art Mindful of Him!)
• 117 • Afterword (That Thou Art Mindful of Him!) • (1974) • essay by Isaac Asimov
• 120 • We Three • (1974) • short story by Dean R. Koontz
• 128 • Afterword (We Three) • (1974) • essay by Dean R. Koontz
• 130 • An Old-Fashioned Girl • (1974) • short story by Joanna Russ
• 136 • Afterword (An Old-Fashioned Girl) • (1974) • essay by Joanna Russ
• 140 • Catman • (1974) • novelette by Harlan Ellison
• 179 • Afterword (Catman) • (1974) • essay by Harlan Ellison
• 186 • Space Rats of the CCC • (1974) • short story by Harry Harrison
• 201 • Afterword (Space Rats of the CCC) • (1974) • essay by Harry Harrison
• 204 • Trips • (1974) • novelette by Robert Silverberg
• 239 • Afterword (Trips) • (1974) • essay by Robert Silverberg
• 241 • The Wonderful, All-Purpose Transmogrifier • (1974) • short story by Barry N. Malzberg
• 251 • Afterword (The Wonderful, All-Purpose Transmogrifier) • (1974) • essay by Barry N. Malzberg
• 253 • Her Smoke Rose Up Forever • (1974) • short story by James Tiptree, Jr.
• 275 • Afterword (Her Smoke Rose Up Forever) • (1974) • essay by James Tiptree, Jr.
• 279 • A Little Something for Us Tempunauts • (1974) • novelette by Philip K. Dick
• 306 • Afterword (A Little Something for Us Tempunauts) • (1974) • essay by Philip K. Dick