Forty years ago, Sandra M. Gilbert and Susan Gubar rocked the academic world with their Madwoman in the Attic: The Woman Writer and the Ninteeth-Century Literary Imagination. Gilbert and Gubar ignited a conversation on why women writers were mostly ignored in English Departments.
In their latest disruptive book, Gilbert & Gubar bring their analysis to women writers of the 1950s to 2020. There’s plenty here about Sylvia Plath, Joan Didion, Adrienne Rich, Nina Simone, Margret Atwood, Susan Sontag, Toni Morrison, and Gloria Steinem.
My favorite chapter is Chapter 6: Speculative Poetry, Speculative Fiction with excellent profiles of Alice Sheldon/James Tiptree, Jr, Joanna Russ, and Ursula K. Le Guin.
Gilbert & Gubar cover a lot of ground in Still Mad. But for a one-volume history of major women writers in America from mid-20th Century until now, this would be my pick. Do you have a favorite woman writer from this era? GRADE: A
Table of Contents:
Introduction: The Possible and the Impossible 1
Glass Ceilings and Broken Glass 3
How the Seventies Changed Our Lives 7
The Schooling of Hillary Rodham and Her Generation 12
The Cultural Chaos We Face 19
Keeping Things Going 23
Section 1 Stirrings in the Fifties
1 Midcentury Separate Spheres 29
Sylvia Plath’s Paper Dolls 31
HIS AND HER Time 36
Anatomy and Destiny 41
2 Race, Rebellion, and Reaction 48
Diane di Prima as a Feminist Beatnik 49
Gwendolyn Brooks’s Bronzeville 51
The Stages of Lorraine Hansberry’s Militancy 54
Audre Lorde’s Lesbian Biomythography 62
Joan Didion’s Vogue versus Betty Friedan’s Problem That Has No Name 66
Section II Eruptions in the Sixties
3 Three Angry Voices 73
Plath Despairs While Ariel Takes Wing 76
Adrienne Rich as a Cultural Daughter-in-Law 85
Nina Simone, Diva 92
4 The Sexual Revolution and the Vietnam War 102
Sex in New York City: Gloria Steinem versus Helen Gurley Brown 103
Susan Sontag, Joan Didion, and San Francisco 110
Women Strike for Peace 119
Valerie Solanas and the Rise of the Second Wave 125
Section III Awakenings in the Seventies
5 Protesting Patriarchy 135
Kate Millett’s Touchstone Book 139
Susan Sontag as Feminist Philosopher 146
Best Sellers in the Womanhouse: From Toni Morrison to Marilyn French 152
Plath’s Electric Take on the Fifties 164
6 Speculative Poetry, Speculative Fiction 173
The Metamorphoses of Adrienne Rich 175
Dystopias and Utopias 187
Alice Sheldon/James Tiptree, Jr. 188
Joanna Russ’s Misandry 197
Ursula Le Guin’s Androgyny 199
7 Bonded and Bruised Sisters 204
Gloria Steinem and Alice Walker at Ms. 205
Audre Lorde Dismantles the Master’s House 215
Maxine Hong Kingston’s Ghosts and Warriors 220
The Dinner Party 227
Section IV Revisions in the Eighties and Nineties
8 Identity Politics 235
Andrea Dworkin and the Sex Wars 238
Gloria Anzaldúa’s Mestiza Consciousness 244
Adrienne Rich’s Judaism 249
The Intersectionality of Toni Morrison 256
9 Inside and Outside the Ivory Closet 265
The Culture Wars 267
The Queer Theories of Eve Kosofsky Sedgwick and Judith Butler 269
Anne Carson’s Poetics of Love and Loss 276
Postmodernism/Transsexualism 281
Who Owns Feminism? 285
Section V Recessions/Revivals in the Twenty-First Century
10 Older and Younger Generations 293
The New Millennium 293
Alison Bechdel’s Literary Genealogy 298
Are You My Mother? 304
Eve Ensler’s V-Days 308
Transgender Visibility: From Susan Stryker to Maggie Nelson 311
11 Resurgence 318
Claudia Rankine Makes Black Lives Matter 320
The Broken Earth of N. K. Jemisin 326
Patricia Lockwood Sends Up the Church and the Family Romance 329
Headlining Feminism: From Rebecca Solnit to Beyoncé 332
Keeping Things Stirring 335
Epilogue: White Suits, Shattered Glass 345
Acknowledgments 355
Notes 359
Credits 413
Index 417