
Stereophonic is a play with music. A group–rumored to be based on Fleetwood Mac–is in California recording an album. But the progress is slowed by the daily disagreements and friction among the five band members.
The play is set in 1976 and the set is basically a recording studio. “The drummer, Simon (Chris Stack), does not want to use a click track, but it’s been 36 takes and he’s still dragging. Diana (Sarah Pidgeon) sings beautifully and has songwriting chops that get stronger by the day, but she’s fragile and defensive and feels constantly under attack from her lead-guitarist boyfriend, Peter (Tom Pecinka), who’s brilliant, creatively domineering … and also fragile and defensive and convinced that he’s constantly under attack from, well, everyone. The wry, aloof vocalist-keyboardist, Holly (Juliana Canfield), has, for the moment, reached a détente with her philosophizing, self-pitying, cocaine-and–Jack Daniels–fueled husband, the bassist, Reg (Will Brill), but hostilities could resume at any moment. The engineers, Grover (Eli Gelb) and Charlie (Andrew R. Butler), just want Simon to use the fucking click track so that they can get the fucking take and everyone can go the fuck to sleep.” Vulture
I thought Stereophonic was a bit too long. How many spats between this group of dysfunctional people can an audience endure? But, if you’re interested in how an album got made in the Seventies, this is the play for you. GRADE: C+