Philip K. Dick is a maddening writer. He can write great books like Dr. Bloodmoney and Martian Time-Slip but also write stinkers like VALIS and The Divine Invasion. However uneven Dick’s novels are his short stories hold up much better. Subterranean Books just published Upon the Dull Earth, Volume 3 of their wonderful ongoing project of reprinting all of Philip K. Dick’s short stories, novelettes, and novellas. Dick published some of his best short fiction in the 1950s. In general, I find the later Dick novels and short stories unreadable (meaning I couldn’t finish reading them) even though I tried. If you’re a Philip K. Dick fan, this is a must-buy. If you’ve always wanted to read Philip K. Dick, this is the perfect place to start.
Table of Contents
Fair Game
The Hanging Stranger
The Eyes Have It
The Golden Man
The Turning Wheel
The Last of the Masters
The Father-Thing
Strange Eden
Tony and the Beetles
Null-O
To Serve the Master
Exhibit Piece
The Crawlers
Sales Pitch
Shell Game
Upon the Dull Earth
Foster, You’re Dead
Pay for the Printer
War Veteran
The Chromium Fence
Misadjustment
A World of Talent
Psi-Man Heal my Child
Notes
I’ve been a big fan of Margaret Atwood’s work for years. Somehow this 2002 collection of Atwood’s speeches on writing slipped past my radar. Atwood believes “that not just some, but all writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear of and a fascination with mortality–by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead.” Atwood argues her case with wonderful examples from her writers: Borges, Connolly, Davies, Graham Green, Kafka, D. H. Lawrence, Alice Munro, George Orwell, Adrienne Rich, and Eudora Welty. If you’re in the mood for a personal survey of the creative process, I highly recommend Negotiating With the Dead. GRADE: A
Diane thought Hit & Run was silly fun. I thought it was just stupid. Dax Shepard plays a guy in the Witness Protection Program. He’s “protected” by Tom Arnold who plays a totally inept U.S. Marshall. Kristen Bell plays Dax’s girlfriend who doesn’t know his criminal past. Kristen Bell has a jealous ex-lover played by Michael Rosenbaum who is pretty much wasted in this film. Kristen Bell gets a job offer in Los Angeles so Dax decides to leave Witness Protection to drive her there. The rest of the movie revolves around how plot points can generate a car chase. Or, a dune buggy chase. Or…you get my drift. Hit & Run is being marketed as an “action comedy.” There’s plenty of phony “action” (the tedious car chases) and very little comedy. You’ve been warned. GRADE: C 




Bill Crider sat on a panel with Tanya Huff earlier this summer (Armadillocon, I think). As a “Get Well” present, Bill sent me this autographed copy of A Confederation of Valor, an omnibus edition of Tanya Huff’s excellent SF military novels, Valor’s Choice and The Better Part of Valor. If you haven’t read these action-packed novels, you’re missing out on some great adventures. Staff Sergent Kerr is a believable character. She doesn’t glamorize warfare, but she’s prepared to make the hard decisions to win an military engagement. Tanya Huff hasn’t received the attention she deserves for these entertaining, yet thought-provoking novels. Thanks again for this wonderful gift, Bill!