Slow Horses, Season 3 is based on Mick Herron’s Real Tigers from 2016. The series is based on a fictional group of disgraced spies–labeled “Slow Horses–exiled to Slough House. Jackson Lamb (Gary Oldman), once a legendary British spy during the Cold War, runs the asylum while the demoted spies are given paperwork to shuffle (but they all miss the action of MI5).

After an Alcoholics Anonymous meeting, one of Slow Horses, Catherine Standish (Saskia Reeves) is kidnapped. That triggers a series of events that threatens Slough House’s existence and sends MI5 into chaos and propels the Slow Horses into the fray.

I love the political machinations of Kristin Scott Thomas as Diana Taverner, the deputy director-general of MI5 and head of operations and designated “Second Desk”. Travener lusts for the top position at MI5 currently held by Sophie Okonedo as Ingrid Tearney, the Director-General of MI5, often referred to as “First Desk”. Travener’s conniving shows how twisted the spy world can be.

Jack Lowden as River Cartwright, an up-and-coming MI5 agent shunted aside to Slough House after a very public training-exercise mistake, is back to keep the action at critical levels. One of my favorite Slow Horses is Christopher Chung as Roddy Ho, an obnoxious computer expert and former hacktivist. In this Third Season, Ho tries to make a romantic move on his colleague, Louisa Guy (Rosalind Eleazar) which creates some comic relief from the relentless action of the main plot.

If you’re a fan of spy fiction, you’ll enjoy Mick Herron’s series. I like the way Apple TV+adapted the novels in the Slow Horses series. Recommended. GRADE: A

If you’re looking for a Holiday gift for a friend who loves mysteries, you might want to consider The Library of America’s collection: Crime Novels of the 1960s.

Volume One–Crime Novels: Five Classic Thrillers 1961-1964–includes Fredric Brown’s, The Murderers (1961), Dan J. Marlowe’s The Name of the Game Is Death (1962), Charles Williams’ Dead Calm (1963), and Dorothy B. Hughes’ The Expendable Man (1963), and The Score by Richard Stark (aka, Donald E. Westlake).

 Volume Two–Crime Novels: Four Classic Thrillers 1964-1969— includes Margaret Millar’s The Fiend (1964), Ed McBain’s Doll (1965), Chester Himes’ Run Man Run (1966) and Patricia Highsmith’s The Tremor of Forgery (1969).

You can quibble with these choices of being representative of “Best” of the Sixties, but I enjoyed all of these novels. I was especially happy that Dan J. Marlowe’s The Name of the Game Is Death–a very underrated novel–will find a new audience by being part of this project. Are you familiar with these novels and writers? Any favorites here? GRADE: A

Rock-N-Roll’s Greatest Hits Of All Time Late 60’s Volume 3 is part of a 5-volume series. I’ve never seen any of the other volumes. Volume 3–focused on the late 60s–delivers a mixed bag of songs. There’s the instrumental “Hawaii Five-o” rubbing shoulders with The Human Beinz’s “Nobody But Me.” Then there’s Jackie DeShannon’s “Put A Little Love in Your Heart” hit from 1969 along with Jay & The Americans’ “This Magic Moment.”

Many of the songs included in this set are One-Hit Wonders. Take The Royal Guardsmen’s “Snoopy Vs. The Red Baron,” Bob Lind’s “Elusive Butterfly,” and The Classics IV’s “Spooky.” I do like The Spencer Davis Group’s classic “Gimme Some Lovin'” and Canned Heat’s “On the Road Again.”

And what did they throw off the Tallahatchie Bridge? Do you remember these songs? Any favorites? GRADE: C+

TRACK LIST:

1-1	The Music Explosion–	Little Bit O’ Soul	2:19
1-2	Jackie DeShannon–	Put A Little Love In Your Heart	5:35
1-3	Dion (3)–	Abraham, Martin & John	3:18
1-4	Glen Campbell–	Wichita Lineman	3:06
1-5	Bobby Goldsboro–	Honey	3:57
1-6	Jay & The Americans–	This Magic Moment	3:03
1-7	Vikki Carr–	It Must Be Him	2:48
1-8	People (4)–	I Love You	4:33
1-9	Ian Whitcomb & Bluesville–	You Turn Me On (Turn On Song)	2:42
1-10	The Ventures–	Hawaii Five-o	1:51
2-1	The Human Beinz–	Nobody But Me	2:16
2-2	The Spencer Davis Group–	Gimme Some Lovin	2:52
2-3	The Outsiders (5)–	Time Won’t Let Me	3:01
2-4	Bob Lind–	Elusive Butterfly	2:46
2-5	Bobbie Gentry–	Ode To Billie Joe	4:15
2-6	The Classics IV–	Spooky	3:32
2-7	Canned Heat–	On The Road Again	3:22
2-8	The Hollies–	Bus Stop	2:54
2-9	Cher–	Bang Bang (My Baby Shot Me Down)	2:40
2-10	The Royal Guardsmen–	Snoopy Vs. The Red Baron	2:43

I’ve read dozens of Agatha Christie mysteries over the years. I have a small shelf of Christie mysteries that I’m slowly reading–a couple a year–trying to make them last (I’m doing the same thing with Anthony Trollop novels). I find it difficult to reread Christie classics like Then There Were None, Murder on the Orient Express, and Death on the Nile once I know Whodunit.

I’ve been reading Agatha Christie’s short stories–about one or two a week. This 691 page collection brings together 39 of Christie’s short stories grouped by the character solving the crime: Parker Pyne, Harley Quin, Hercule Poirot, and Miss Marple.

With this doorstop volume, I’ve been jumping around. I’m not a big fan of Parker Pyne or Harley Quin but I’m dutifully reading their stories. I’d be hard-pressed to pick a favorite between Poirot and Marple. Sometimes “the little gray cells” annoy me. Miss Marple lives in the Murder Capital of the World: St. Mary Mead. I admire her ability to see what others don’t.

Are you an Agatha Christie fan? Do you prefer Pyne, Quin, Poirot, or Marple? GRADE: A

TABLE OF CONTENTS:

PART ONE: Parker Pyne — 1

Meeting Parker Pyne — by Agatha Christie –3

Case of the middle-aged wife — 5

Case of the discontented soldier — 18

Case of the distressed lady — 36

Case of the discontented husband — 47

Case of the city clerk — 60

Case of the rich woman — 75

Have you got everything you want? — 90

Gate of Baghdad — 104

House at Shiraz — 130

Pearl of price — 133

Death on the Nile — 145

Oracle at Delphi — 159

PART TWO: Harley Quin — 173

Presenting Mr. Harley Quin — by Agatha Christie — 175

Coming of Mr. Quin — 177

Shadow on the glass — 195

At the Bells and Motley — 217

Sign in the sky — 235

Soul of the croupier — 252

World’s end — 269

Voice in the dark — 289

Face of Helen — 307

Dead Harlequin — 325

Bird with the broken wing — 348

Man from the sea — 368

Harlequin’s Lane — 396

Love detectives — 419

PART THREE: Hercule Poirot –441

Third-floor flat — 443

Adventure of Johnnie Waverly — 461

Four and twenty blackbirds — 474

Double clue — 489

Double sin — 500

Wasps’ nest — 515

Theft of the royal ruby — 525

Second gong — 569

PART FOUR: Miss Jane Marple

Strange jest — 595

Tape-measure murder — 607

Case of the perfect maid — 621

Case of the caretaker — 634

Greenshaw’s folly — 648

Sanctuary — 672

I confess: I buy a lot of stuff from AMAZON. Mostly books. But also music CDs, Blu-rays, vitamins, and other essentials. Do you do business with AMAZON?

I grew up listening to The Ronettes, The Shirelles, The Supremes, and The Vandellas, and many more Girl Groups in the early 1960s. I loved songs like “Will You Love Me Tomorrow,” “Then He Kissed Me,” and “Be My Baby” and celebrated when those songs made it to Number One on the BILLBOARD charts.

As Laura Flam and Emily Sieu Liebowitz describe this musical era, the story of the Girl Group Sound was also a tale of race and power. The women singers, most of whom were Black and many of whom were only teenagers when their first songs were recorded, were cultivated, packaged, and marketed by a music industry that eventually cut them out of the lion’s share of their profits.

Although many of the Girl Groups would tour with Civil Rights leaders and performed at some of the earliest desegregated concerts, many of the singers found themselves cast aside by the record companies as trends shifted in favor of the largely white British Invasion bands of the mid to late ’60s.

While over Time the voices of the Girl Group Sound have become essential to the American musical canon, many of the singers remain all but anonymous to most listeners. Weaving together over 300 hours of interviews across more than 90 singers and music industry insiders, But Will You Love Me Tomorrow: An Oral History of the ’60s Girl Groups gives voice to the many women of the era who have long been consigned to silence.

But Will You Love Me Tomorrow captures a time when young girls found a brief moment in music history when artistic success was possible. The tales of their struggles and of the inequity faced by these women at that time make a compelling story. Do you have a favorite Girl Groups? GRADE: A

TABLE OF CONTENTS:

INTRODUCTION — xi

The beginnings of the girl group sound: the 1950s — 1

The sound on the street: 1960-1963 –73

Hitsville USA, 1960-1963 — 137

Topping the charts: 1963-1964 — 175

Motown becomes the sound of young America: 1964-1966 — 235

The end of an era: 1965-1970 — 261

Motown outgrows Detroit: 1967-present — 303

Coming back together and saying goodbye: 1970-present — 353

Acknowledgements — 415

Bibliography — 417

Index — 423

It’s crunch time for the Buffalo Bills . If they want to make the Playoffs, they’re going to have to beat some Good Teams…like the 9-1 Eagles. The Bills are 3 1/2 point underdogs. The Eagles are coming off a big win over the Kansas City Chiefs on Monday Night Football. Will the Eagles experience a Let Down? Bills fans can only hope. How will your favorite NFL team perform today?

I’ve watched the previous four seasons of Fargo so I had a pretty good idea of what to expect: Weirdness and Violence. Noah Hawley writes a series of stories that follows the structure from the Coen Brothers’ classic movie, Fargo. Only Hawley amps up the weirdness and violence. For example, the first episode of Fargo, Season 5 (the first of 10 episodes) opens at a School Board meeting in a suburb of Minneapolis in 2019 that breaks into a riot. Dorothy “Dot” Lyon (Juno Temple who starred in Ted Lasso) gets arrested and that event triggers a violent home invasion.

Dot is hiding her past which involves a dictator-like Sheriff (played by Jon Hamm) and his psycho son, Gator (Joe Keery), and a kilt-clad mercenary, Ole Munch (Sam Spruell). The violence follows Dot as she tries to protect her loving husband, Wayne Lyon (David Rysdahl) and her daughter, Scotty Lyon (Sienna King).

Will Dot be able to defend herself and her family from the killers coming after her? Can she outwit her wealthy mother-in-law, Lorraine Lyon (Jennifer Jason Leigh) who despises Dot? I’ll be watching to find out! GRADE: INCOMPLETE (but treading towards an A)

David Geherin’s The American Private Eye: The Image in Fiction (Unger, 1985) delivers a quick and breezy history of Private Eye fiction in America. He takes a few unexpected turns that I appreciated. For example, I can’t remember many histories of Private Eye fiction that included Jo Gar, a hard-boiled detective whose cases in the Philippine Islands crackle with violence. Jo Gar, of Filipino-Spanish descent, stars in 24 stories that Raoul Whitfield wrote for the pulps. Whitfield, best known for his mysteries Green Ice and Death in a Bowl , produces his best work in his Jo Gar stories.

I also found Geherin’s analysis of Bill Pronzini perceptive. Like some of the other writers Geherin includes in this book like Frederick Nebel and Norbert Davis, Pronzini deserves more attention and readers.

Once again, Geherin neglects to include any female private eyes. But, for the range of this book, there’s plenty of information and analysis worth reading. If you’re a fan of Private Eye fiction, The American Private Eye is worth a look. Do you have a favorite Private Eye? GRADE: A-

TABLE OF CONTENTS:

Foreword: Galahad for hire — ix

1. Birth of a hero — 1

Race Williams (Carroll John Daly) — 8

The Continental Op (Dashiell Hammett) — 16

2. The pulpsters — 26

Jo Gar (Raoul Whitfield) — 30

Tough Dick Donohue (Frederick Nebel) — 36

Jack “Flashgun” Casey (George Harmon Coxe) — 42

Steve Midnight (John K. Butler) — 46

Max Latin (Norbert Davis) — 50

Dan Turner (Robert Leslie Bellem) — 56

3. Life beyond the pulps — 63

William Crane (Jonathan Latimer) — 64

Philip Marlowe (Raymond Chandler)

Rex McBride (Cleve F. Adams) — 78

Mike Shayne (Brett Halliday) — 84

4. Postwar P.I.s — 93

Paul Pine (Howard Browne) — 95

Max Thursday (Wade Miller) — 103

Carney Wilde (Bart Spicer) — 110

Shell Scott (Richard S. Prather) — 115

Mike Hammer (Mickey Spillane) — 120

5 . The compassionate eye — 132

Lew Archer (Ross Macdonald) — 133

Mac (Thomas B. Dewey) — 140

Brock Callahan (William Campbell Gault) — 147

Dan Fortune (Michael Collins) — 155

6. After Archer — 163

Spenser (Robert B. Parker) — 164

Nameless (Bill Pronzini) — 166

Albert Samson (Michael Z. Lewin) — 172

Dave Brandstetter (Joseph Hansen) — 176

Jacob Asch (Arthur Lyons) — 183

Matt Scudder (Lawrence Block) — 190

7. An enduring hero — 197

Notes — 203

Bibliography — 211

Index — 223

Happy Thanksgiving to you and your family! Patrick, Katie, and their friends prepared a wonderful Holiday feast: chicken, gravy, mashed potatoes, sweet potatoes, two different stuffings, pierogi, latkes, green beans, broccoli, pumpkin soup, homemade rolls, and cranberry jello salad.

Desserts: pecan pie, apple pie, banana cream pie (with a peanut butter crust and Carmel drizzle), homemake chocolate chip cookies, charcuterie board, and four different mini-cakes.

We had a great time on Thanksgiving and hope you did, too!