MOULIN ROUGE!: THE MUSICAL

MOULIN ROUGE!: THE MUSICAL features plenty of pop hits originally sung by Elton John, Lady Gaga, The Police, LaBelle, DeBarge, Madonna, Beyonce, Pink, Walk the Moon, Whitney Houston, Katy Perry, The Rolling Stones, The Beatles, Sony & Cher, Tina Turner, and a dozen other groups and performers. That’s 70 songs (or parts of songs) and 151 artists get paid royalties on those songs. The movie version Moulin Rouge! (2001) had a soundtrack that went Platinum. For this musical version, the producers went with a new set of songs and negotiated with the leverage of the success of the movie soundtrack. The Rolling Stones refused to allow any of their songs in the move version, but when they saw how much they lost in royalties, they agreed to allow their songs to be included in this new musical version.

I’m a fan of Juke Box Musicals like this one. The plot is sketchy: the Moulin Rouge club is in dire financial problems and nearing bankruptcy. However, a very wealthy noble man decides to buy the Moulin Rouge in order to “own” its star, the beautiful and talented Satine. But Satine is in love with a young American song writer named Christian. This triangle generates most of the action in the musical.

I enjoyed all the dancing, costumes, and special effects in this production. Usually, musicals only come to Buffalo for a week of performances, but MOULIN ROUGE!: THE MUSICAL has a two-week run. Our performance at Shea’s Performing Arts Center was sold out. If you enjoy the songs listed below, you’ll enjoy this touring company version. GRADE: B+

Act I
Track Song(s) included Performer(s)”Welcome to the Moulin Rouge!””Lady Marmalade“†”So Fresh, So Clean“”Rhythm of the Night“”Because We Can” Zidler, Nini, Monroth, La Chocolat, Arabia, Babydoll and Company”Bohemian Idea Part 1*”The Sound of Music†””I Don’t Want to Wait“”Every Breath You Take“”Never Gonna Give You Up“Christian” Bohemian Idea Part 2*”Royals“”Children of the Revolution†””We Are Young“Christian, Toulouse-Lautrec, Santiago and Company”Satine’s Entrance*”Diamonds Are Forever“”Diamonds Are a Girl’s Best Friend“†”Material Girl“†”Single Ladies (Put a Ring on It)“Satine, Nini, La Chocolat, Arabia and Babydoll”Dancing with the ‘Duke'”*”Shut Up and Dance“”Raise Your Glass“”I Wanna Dance with Somebody (Who Loves Me)“Satine, Christian, Toulouse-Lautrec, Santiago, Zidler and Company”Backstage at the Moulin Rouge* “Firework“Satine”In the Elephant* “Your Song“†Christian and Satine “The Pitch”*†”Milord (song)“, “La vie en Rose“, “Habanera (aria)“,”Can-can” (Ouverture) from “Orpheus in the Underworld” by Jacques Offenbach Zidler, Toulouse-Lautrec, Christian, Santiago, Satine and Monroth “Asking for Everything*”Sympathy for the Devil” “You Can’t Always Get What You Want” “Gimme Shelter “Monroth and Satine “Toulouse’s Story* “Nature Boy“†Toulouse-Lautrec and Christian “In the Elephant: Elephant Love Medley”*† “All You Need is Love“†”Just One Night“†”Pride (In the Name of Love)“†”Can’t Help Falling in Love“”Don’t Speak“”I Love You Always Forever“”It Ain’t Me Babe“”Love Hurts“”Love is a Battlefield“”Play the Game“”Such Great Heights“”Torn“”Take On Me“”Fidelity“”What’s Love Got to Do With It“”Everlasting Love“”Up Where We Belong“†“Heroes”†”Come What May (2001 song)“†”I Will Always Love You“Christian, Satine and Company
Act II
TrackSong(s) included Performer(s)”Rehearsal”*”Bad Romance“”Tainted Love“”Seven Nation Army“”Toxic“”Sweet Dreams (Are Made of This) “Santiago, Nini and Company”Toulouse’s Studio”* “Come What May” Christian and Satine”Monroth’s Proposal”*”Only Girl (In the World)“”Diamonds Are a Girl’s Best Friend“† “Material Girl” †Monroth, Satine and Company”Backstage at the Moulin Rouge”* “Shake It Out” Zidler, Satine, La Chocolat, Arabia, Babydoll and Company “The Green Fairy”* “Chandelier” Christian, Santiago, Toulouse-Lautrec and Company “Streets of Paris”* “Roxanne” Christian, Zidler and Company “Streets of Paris Part 2″* “Crazy” “Rolling in the Deep” Christian and Satine “The Show” “Your Song” (Reprise) Satine, Christian and Company “Finale”* “Come What May” (Reprise)Christian and Company”Bows”* “Lady Marmalade“† “Hey Ya!” “Minnie the Moocher” “Bad Romance” “What’s Love Got to Do with It” “Don’t You Want Me” “Crazy” “Galop Infernal“† “Shut Up and Dance” Company

FRIDAY’S FORGOTTEN BOOKS #766: WEIRD TALES: 100 YEARS OF WEIRD Edited By Jonathan Mabury

I started reading and collecting Science Fiction and Fantasy digest magazines–Amazing, Fantastic, Galaxy, If, etc.–around 1960. Once in a while, I’d run across a copy of Weird Tales but the condition was usually ragged and beat-up. I did read Weird Tales anthologies where I discovered H. P. Lovecraft, Robert Bloch, Robert E. Howard, C. L. Moore, Ray Bradbury, Richard Matheson, and many more terrific writers.

Weird Tales: 100 Years of Weird celebrates this ironic magazine by blending classic Weird Tales stories with some new stories written in the Weird Tales style. If you’re a fan of Weird Tales, this is a must-buy. If you’re a casual fan of Weird Tales, ask your Library to buy a copy and check it out. Are you a fan of Weird Tales? GRADE: A

TABLE OF CONTENTS:

The Third Guy – By Scott Sigler

A Century of Weird – By Lisa Morton

The Game – By Marge Simon

Disappear Donna – By R. L. Stine

Up From Slavery – By Victor LaValle

The Call of Cthulhu – By H.P. Lovecraft

The Circle: Shared Worlds – By Lisa Diane Kastner

Worms of The Earth – By Robert E. Howard

Swords and Sorcery: Weird Tales and Beyond – By Charles R. Rutledge

Cosmic Horror – By James A. Moore

Arched Bridges: Blackout Poetry – By Jessica McHugh

Black Gods Kiss – By C.L. Moore

Legal Rites – By Issac Asimov and Frederick Pohl

The Scythe – By Ray Bradbury

Who You Gonna Call? The Evolution of Occult Detective Fiction – By Henry Herz

Blood Moon – By Owl Goingback

The Vengeance of Nitocris – By Tennessee Williams

Dead Jack and The Case of the Bloody Fairy – By James Aquilone

Slaughter House – By Richard Matheson

The World Breaker – By Blake Northcott

Scratch-off Universe – By Hailey Piper

Church at the Bottom of the Sea – By Michael A. Arnzen

Prezzo – By Keith R. A. DeCandito

How To Make the Animal Perfect? – by Linda D. Addison

Jagganath – By Karin Tidbeck (Curated by former Weird Tales editor Ann VanderMeer)

Bait – By Dana Fredsti

The Damp Man – By Allison V. Harding

NecronomiCommedia: Dante, Doré, nad the Root of Lovecraftian Horror – By Jacopo della Quercia and Christopher Neumann

Lady Cataract Comes to the Mosque – By Usman T. Malik

Cupid is a Knavish Lad – By Laurell K. Hamilton

Vampire Chaser – by Anne Walsh Miller

JUDY COLLINS SINGS DYLAN…JUST LIKE A WOMAN

Judy Collins sings eleven Bob Dylan songs from the early 1960s to the 1990s. Collins sings some songs like “It’s All Over Now, Baby Blue” and “Dark Eyes” better than songs like “Bob Dylan’s Dream” or “Like a Rolling Stone.”

I like Collins’s clear voice on songs like “Love Minus Zero / No Limit” and “A Simple Twist of Fate.” Not so much on songs like “With God On Our Side.” The choices of songs on this 1993 CD seem to attempt to provide a survey of Dylan’s music over three decades. Sometimes Judy Collins’s vocals work with some of these Dylan songs…sometimes they don’t. Are you a Judy Collins fan? GRADE: B

TRACK LIST:

1Like A Rolling Stone (Highway 61 Revisited)
2It’s All Over Now, Baby Blue (Bringing It All Back Home)
3Simple Twist Of Fate (Blood on the Tracks)
4Sweetheart Like You (Infidels)
5Gotta Serve Somebody (Slow Train Running)
6Dark Eyes (Empire Burlesque)
7Love Minus Zero / No Limit (Bringing It All Back Home)
8Just Like A Woman (Blood on the Tracks)
9I Believe In You (Slow Train Running)
10With God On Our Side (Times They Are A-Changing)
11Bob Dylan’s Dream (Freewheelin’ Bob Dylan)

WEDNESDAY’S SHORT STORIES #148: LEOPOLD’S WAY By Edward D. Hoch

In his informative Introduction, Francis M. Nevins traces the genesis of Captain Leopold, Homicide, from a solver of crimes to a detective who can see through deceptions and lies to discern the true puzzle hidden by the criminal. In “Circus,” the first Captain Leopold story, a 10-year-old boy is found dead, strangled by a rope. There’s pressure to solve the case quickly, but Leopold uses his unique method to discover the truth.

Nevins makes the point that Edward D. Hoch based Leopold on Simenon’s Maigret, a detective of insights. In fact, in a later story, readers find out that Captain Leopold’s first name is Jules–just like Maigret! This aspect comes into play in “A Place for Bleeding,” where a 15-year-old girl is kidnapped and her chauffeur is murdered. Only Captain Leopold figures out why there are TWO ransom notes.

I also enjoyed “Death in the Harbor” which is a homage to Agatha Christie. I’ve been reading a lot of Edward D. Hoch lately. His skill as a short story writer is on display in Leopold’s Way. Wonderful stories, such a delight to read! GRADE: A

Table of Contents:

Introduction — Francis M. Nevins
Circus,
Death in the Harbor,
A Place for Bleeding,
Reunion,
The House by the Ferris,
The Oblong Room,
The Vanishing of Velma,
The Rainy-Day Bandit,
The Athanasia League,
End of the Day,
Christmas Is for Cops,
The Jersey Devil,
The Leopold Locked Room,
A Melee of Diamonds,
Captain Leopold Plays a Hunch,
Captain Leopold and the Ghost-Killer,
Captain Leopold Goes Home,
No Crime for Captain Leopold,
The Most Dangerous Man Alive,
A Captain Leopold Checklist Francis M. Nevins, Jr.,

BLACK MAGIC WOMAN By Justin Gustainis

Black Magic Woman is the first book in the Quincy Morris Supernatural Investigation series. The book opens with a violent confrontation with a group of vampires. Then, Quincy Morris is hired by a family whose house is under Black Magic attack in Madison, Wisconsin.

Morris and his partner, White Witch Libby Chastain, manage to ward the house against the attacks. But to stop the evil happenings, Morris and Chastain need to track down the person who unleashed the deadly curse on the family.

The investigation leads Morris and Chastain to Boston, San Francisco, New Orleans, and New York. A bigger plot with sinister implications changes the whole focus of the mission. I’m also fond of the cover artwork on these books by Chris McGrath. If you’re a fan of Urban Fantasy, Black Magic Woman will entertain you. GRADE: B-

QUINCY MORRIS & LIBBY CHASTAIN INVESTIGATIONS:


   1. Black Magic Woman (2008)
   2. Evil Ways (2008)
   3. Sympathy for the Devil (2009)
   4. Play With Fire (2012)
   5. Midnight At The Oasis (2013)
   6. Strange Magic (2015)
   Play with Fire / Midnight at the Oasis (2013)

GHOST STORIES By Coldplay

With Halloween around the corner, I thought a moody, ambient CD like Coldplay’s Ghost Stories would fit with the season.

Ghost Stories is the sixth studio album by British rock band Coldplay. Co-produced by the band with Paul Epworth along with returning Mylo Xyloto producers Dan Green and Rik Simpson, it was released by Parlophone on May 2014. The album was recorded by the band throughout 2013 and 2014 at the band’s purpose-built home studios in London, England, and in Los Angeles. It features guest producers AviciiTimbaland and Madeon, and the band’s frequent collaborator Jon Hopkins. The album was nominated for Best Pop Vocal Album at the 57th Grammy Awards and named Top Rock Album at the 2015 Billboard Music Awards.

Several media outlets claimed that Chris Martin had said that Ghost Stories was inspired by his split with his wife, Gwyneth Paltrow, in 2014. Are you a fan of Coldplay’s music? Are you fan of ghosts? GRADE: B+

TRACK LIST:

Ghost Stories CD
CD-1Always In My Head3:37
CD-2Magic4:45
CD-3Ink3:48
CD-4True Love Arranged By [Individual Arrangement], Strings – Davide RossiDrums [Extra] – Timbaland4:06
CD-5Midnight Co-producer – Jon Hopkins4:55
CD-6Another’s Arms3:54
CD-7Oceans Mixed By – Daniel Green*, Rik Simpson5:22
CD-8A Sky Full Of Stars Written-By, Co-producer – Tim Bergling4:28

FRIDAY’S FORGOTTEN BOOKS #765: MURDER FOR HALLOWEEN Edited by Michele Slung & Roland Hartman

My favorite story in Murder for Halloween (1994) is Edward D. Hoch’s clever Nick Velvet heist, “The Theft of the Halloween Pumpkin.” Nick Velvet only steals worthless items so when a woman wants to hire him to steal a Halloween pumpkin, Velvet accepts. Only later does Velvet learn that sometimes a Halloween pumpkin can be more than a pumpkin.

I also enjoyed Ellery Queen’s “The Adventure of the Dead Cat” where a game at a Halloween Party turns deadly. Steven Saylor, who specializes in crime-solving in the Roman Empire, delivers “The Lemures,” a story about lemures (aka, the unquiet dead) and murderous deception.

It was fun to reread Robert Bloch’s “The Cloak,” a story he wrote back in 1939. Vampires are involved. Gahan Wilson, best known for his cartoons, made me laugh with “Yesterday’s Witch,” with a witch named Miss Marbles (a sly nod to Agatha Christie’s Miss Marple).

Murder for Halloween offers a variety of stories with various settings and characters. If you’re in the mood for Halloween stories with an edge, Murder for Halloween certainly provides some memorial tales! GRADE: B+

TABLE OF CONTENTS:

PREFACE — xiii

Monsters / Ed McBain — 1

The lemures / Steven Saylor — 9

The adventure of the dead cat / Ellery Queen — 43

The odstock curse / Peter Lovesey — 65

The theft of the Halloween pumpkin / Edward D. Hoch — 81

Hallowe’en for Mr. Faulkner / August Derleth — 99

Deceptions / Marcia Muller — 111

The black cat / Edgar Allan Poe — 135

Omjagod / James Grady — 147

The cloak / Robert Bloch — 173

What a woman wants / Michael Z. Lewin — 191

Yesterday’s witch / Gahan Wilson — 211

Walpurgis night / Bram Stoker — 221

Trick or treat / Judith Garner — 237

One night at a time / Dorothy Cannell — 243

Night of the goblin / Talmage Powell — 267

Trick-or-treat / Anthony Boucher — 279

Pork pie hat / Peter Straub — 297

ABOUT THE EDITORS — 363