
I first hear Beth Orton’s Trailer Park (1996) near the end of the 20th Century. I heard Orton’s cover of The Ronettes‘ “I Wish I Never Saw the Sunshine” and that blew me away. I immediately bought a copy of Trailer Park and played it several times in a row. I loved the songs and the lush musical accompaniments. I’ve listened to all of Beth Orton’s CDs and the later ones are more acoustic and austere. I prefer the fuller sound of Trailer Park .
Sticking with fuller sounds, I just picked up a copy of Eldorado: A Symphony (1974) with the Wizard of Oz cover recently. Eldorado is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music. The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality. Lynne began to write the album in response to criticisms from his father, a classical music lover, who said that Electric Light Orchestra’s repertoire “had no tune”. The influence of The Beatles is prevalent, especially in the melody of the verse of “Mister Kingdom” which to some degree resembles the Beatles’ “Across the Universe.”
Eldorado marks the first album on which Jeff Lynne hired an orchestra; on previous albums, he would overdub the strings.[2] Louis Clark co-arranged, with Lynne (and keyboardist Richard Tandy), and conducted the strings. The group’s three resident string players continued to perform on recordings, however, and can be heard most prominently on the songs “Boy Blue” and “Laredo Tornado”. Mike de Albuquerque departed early on in the recording process, as touring made him feel separated from his family. Lynne plays most of, if not all, the bass tracks and backing vocals for the album, but de Albuquerque still featured on the final release as well as getting credited. Kelly Groucutt replaced him for the subsequent tour, when cellist Melvyn Gale also joined (replacing the departing Mike Edwards). “Eldorado Finale” is heavily orchestrated, much like “Eldorado Overture”. Jeff Lynne said of the song, “I like the heavy chords and the slightly daft ending, where you hear the double bass players packing up their basses, because they wouldn’t play another millisecond past the allotted moment.”
Are you a fan of Electric Light Orchestra or Beth Orton? GRADE: A (for both)
TRACKLIST:
All tracks written by Ted Barnes, Ali Friend, and Beth Orton except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | “She Cries Your Name“ | William OrbitOrton | 4:47 |
2. | “Tangent” | 7:29 | |
3. | “Don’t Need a Reason” | BarnesOrton | 5:04 |
4. | “Live as You Dream” | 2:59 | |
5. | “Sugar Boy” | 4:21 | |
6. | “Touch Me with Your Love“ | 7:27 | |
7. | “Whenever” | 3:53 | |
8. | “How Far” | 4:27 | |
9. | “Someone’s Daughter“ | 4:16 | |
10. | “I Wish I Never Saw the Sunshine” | Jeff BarryEllie GreenwichPhil Spector | 4:43 |
11. | “Galaxy of Emptiness” | 10:07 |

TRACK LIST:
All tracks are written by Jeff Lynne.
No. | Title | Length |
---|---|---|
1. | “Eldorado Overture” (instrumental) | 2:12 |
2. | “Can’t Get It Out of My Head“ | 4:21 |
3. | “Boy Blue“ | 5:18 |
4. | “Laredo Tornado” | 5:29 |
5. | “Poor Boy (The Greenwood)“ | 2:57 |
No. | Title | Length |
---|---|---|
6. | “Mister Kingdom“ | 5:50 |
7. | “Nobody’s Child” | 3:40 |
8. | “Illusions in G Major“ | 2:36 |
9. | “Eldorado“ | 5:20 |
10. | “Eldorado Finale” | 1:20 |
Total length: | 39:03 |
No. | Title | Length |
---|---|---|
11. | “Eldorado Instrumental Medley” | 7:56 |
12. | “Dark City” | 0:46 |