I’ve had some of Barbara Pym’s novels on my shelves for decades. My resolution to deal with books that have been patiently waiting for years for me to read them finally brought me to Barbara Pym’s Excellent Women (1952).
One of my favorite poets, Philip Larkin, was a huge fan of Barbara Pym and her novels which caused me to buy Pym’s books…and then not read them until now.
The New Yorker published an article on Barbara Pym that provided some context: “Pym published six novels between 1950 and 1961, before her work fell out of favor. Through the nineteen-sixties and most of the nineteen-seventies, she continued to write but was unanimously rejected by publishers; these were not years receptive to comedies of manners set around a parish or an anthropological society. ‘It seems as if nobody could ever like my kind of writing again,’ she wrote in a letter in 1970.”
“She was wrong. In 1977, the Times Literary Supplement asked a number of figures in the field to name the most underrated writers of the previous seventy-five years. Pym was the only living writer to appear on the list twice, chosen by the biographer Lord David Cecil and Philip Larkin, the latter praising her ‘unique eye and ear for the small poignancies and comedies of everyday life.’ Almost immediately, Macmillan agreed to publish her next book, Quartet in Autumn. It was shortlisted for the Booker Prize. The Sweet Dove Died followed, in 1978; Macmillan reissued all her previous novels. That same year, Dutton began bringing out her books in the United States. Pym died in 1980.”
Barbara Pym’s Excellent Women reminded me of the novels of Anthony Trollope who also could capture the life of characters involved in community and church activities like Pym’s lead character, Mildred Lathbury, a clergyman’s daughter and a mild-mannered spinster in 1950s England. Mildred is one of those “excellent women,” the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors—anthropologist Helena Napier and her handsome, dashing husband, Rocky, there’s the complication of Julian Malory, the vicar next door, who Mildred is ambivalent about.
Pym captures the arid life for women in Oxford in the 1950s. Mildred lives her quiet life…but is it much of a life? The reader will have to judge. GRADE: B+