Back in 1965, a new Science Fiction award, The Nebula, showed up to give the Hugo Award some competition. The stories that won the Nebula Award and some of the nominees were collected in an anthology each year. Nebula Award Stories Number Two (1967) includes an Introduction and Afterword that puts the year of publishing into perspective.

Back in the 1960s, there were NOT a dozen different categories for stories (and later media). Things were pretty simple. Nebulas for BEST NOVEL went to Flowers for Algernon by Daniel Keyes and Babel-17 by Samuel R. Delany. Yes, it was a tie!

The Nebula for BEST NOVELLA went to Jack Vance’s classic “The Last Castle.” The Nebula for BEST NOVELETTE went to “Call Him Lord” by Gordon R. Dickson. The Nebula for BEST SHORT STORY went to Richard McKenna’s “The Secret Place.”

That’s it. Sweet and simple. Today the Award environment is messy and convoluted. And, I would argue, less effective at celebrating great SF stories. If you can find early Nebula Award anthologies, maybe the first dozen or so, they hold plenty of great stories for your enjoyment. GRADE: A

TABLE OF CONTENTS:

• 7 • Introduction (Nebula Award Stories 2) • (1967) • essay by Brian W. Aldiss and Harry Harrison
• 9 • The Secret Place • (1966) • short story by Richard McKenna
• 24 • Light of Other Days • [Slow Glass] • (1966) • short story by Bob Shaw
• 33 • Who Needs Insurance? • (1966) • novelette by Robin Scott Wilson [as by Robin S. Scott]
• 67 • Among the Hairy Earthmen • (1966) • short story by R. A. Lafferty
• 79 • The Last Castle • (1966) • novella by Jack Vance
• 137 • Day Million • (1966) • short story by Frederik Pohl
• 143 • When I Was Miss Dow • (1966) • short story by Sonya Dorman
• 155 • Call Him Lord • (1966) • novelette by Gordon R. Dickson
• 177 • In the Imagicon • (1966) • short story by George H. Smith [as by George Henry Smith]
• 184 • We Can Remember It for You Wholesale • (1966) • novelette by Philip K. Dick
• 206 • Man in His Time • (1965) • short story by Brian W. Aldiss
• 232 • Afterword: The Year in SF • (1967) • essay by Brian W. Aldiss and Harry Harrison (variant of Afterword: The Year in Science Fiction)
• 236 • Nebula Awards 1966 and Roll of Honor • (1967) • essay by uncredited

Director Scott Derrickson and screenwriter Zach Dean have a complex premise at the heart of The Gorge so the setup takes about a half hour of movie time. Sure, The Gorge starts slowly but if you hang in there, there’s action and romance and scintillating stunts to entertain you.

Levi (Miles Teller) and Drasa (Anya Taylor-Joy) are elite snipers from different world powers who have been assigned to guard a secret location, a massive gorge in an undisclosed country. Sigourney Weaver hires Levi and the KGB hires Drasa. They are not supposed to communicate during their year stint at The Gorge.

The Gorge is referred to as the Door to Hell, and Levi and Drasca’s job is to keep watch over it, gunning down the creepy creatures known as “Hollow Men” that attempt to kill them. Despite the numerous weapons and bombs protecting the watchtowers from the Hollow Men assaults, Levi and Drasa learn they have to work together in order to survive.

If HALLMARK made a horror movie, it would be similar to The Gorge with romance, scary creatures, and a clever plot. I really liked the score from Atticus Ross and Trent Reznor. Check out the list of songs in The Gorge below. If you’re in the mood for horror, action, sci-fi, and romance mixed together, The Gorge delivers. GRADE: B+

So, here are all the songs in The Gorge.

• “Suite No. 1 in G Major, BMV 1007: Prelude” performed by Jeff Taylor
• “Suite No. 1 in G Major, BMV 1007: Prelude” performed by Martynas Levickis
• “Ilgiausių Metų (Traditional)”
• “Spitting Off the Edge of the World (ft. Perfume Genius)” by Yeah, Yeah, Yeahs
• “Blitzkrieg Bop” by Ramones
• “Silent Night (Traditional)” performed by Anya Taylor-Joy
• “(All Along The) Watchtower” performed by Devlin
• “O Come All Ye Faithful” performed by Twisted Sister
• “I Feel Love (Every Million Miles)” by The Dead Weather

Who is your favorite President?

I watched Saturday Night Lives premiere episode which was hosted by George Carlin on October 11, 1975, under the original title NBC’s Saturday Night.  Sure, I haven’t watched every episode of SNL, maybe 50%. When Patrick and Katie arrived in the 1980s, it was harder to stay up late to watch SNL.

During the 1990s, the cast was in flux. Chris Farley and Adam Sandler, Rob Schneider, Spade, and Chris Rock, would come to be known as the “Bad Boys of SNL” for their outrageous comedy style. Fearful of cast members leaving for film careers, Lorne Michaels increased the SNL cast (there are 27 cast members today!). This caused a rift between the veteran members and the new, younger talent. In addition, this new staffing increased competition for the show’s limited screen time, and an increasing reliance on “younger”, less subtle humor–also not funny.

One of the highlights of SNL in the 2000s was Tina Fey, who was a cast member and head writer from 1997 to 2006. Fey returned to the show during the 2008 presidential election for several critically acclaimed guest appearances as vice presidential candidate Sarah Palin.

SNL’s political sketches attracted me in 2016. The show frequently parodied Donald Trump’s first presidency. The ongoing impression by actor Alec Baldwin led to a significant increase in ratings and a “shot of relevance” for the show. Later, Maya Rudolph returned to play Vice President Kamala Harris.

Do you have a favorite moment from SNL?

I started watching Saturday Night Live from the beginning. And, a least at the start, the music featured on the show one one of its highlights. Included in this documentary, directed by Ahmir “Questlove” Thompson and Oz Rodriguezhere, are some of the key music moments:

An in-depth analysis into the show’s relationship with new wave bands (the B-52’s) as well as eclectic and experimental acts (Captain Beefheart)^[5]

Elvis Costello switching songs live on air in 1977, and his supposed “ban” from the show

The show’s hip-hop history, including the 1981 debut of Funky 4 + 1, the first rap act on national television

Fear‘s chaotic 1981 performance with a mosh pit

Debuts of acts like Nirvana and Dua Lipa

Sinéad O’Connor‘s 1992 appearance during which she controversially ripped up a photograph of Pope John Paul II

Rage Against the Machine‘s explosive 1996 spot, during which they attempted to hang upside-down American flags on their amps in protest of billionaire host Steve Forbes^[13]

The show’s first post-9/11 broadcast with Paul Simon and Rudy Giuliani

Ashlee Simpson‘s infamous 2004 appearance in which she lip synced

Kanye West‘s history on the show, both his impact on guests’ visual capabilities and many controversies, including a 2018 MAGA rant

The 3-hour documentary came about with Thompson’s commitment and quality control. Directing the feature required that Thompson view every episode of SNL—900 by the time of its creation—which was a daunting task. To prepare, Thompson watched between three and seven episodes daily. The result is a comprehensive and entertaining journey through 50 years of music. Don’t miss this! GRADE: A

To get you in the mood for Valentine’s Day here’s Valentine Musical Selections from 1997. These 16 songs are not the usual mix of love songs. Yes, there’s Curtis Mayfield’s “Oh So Beautiful” but I’m guessing most of you are not familiar with Holly Palmer’s “Come Lie With Me” or Nu Flavor’s “Heaven.

For Smooth Jazz fans there’s “Seduction” by Boney James and Hiroshima’s “Love How You Love Me.” If that music doesn’t get you the the mood for amour, nothing will. Do you have any plans for Valentine’s Day? GRADE: B+

TRACK LIST:

I’m not a big fan of romance fiction but I read the 12 stories full of amorous mystery with a dollop of fear in Murder Most Romantic (2001) in the run-up to Valentine’s Day. My favorite story is “Twelve Days” which involves an Elon Musk-type genius who has threatened to release a viral code that will incapacity nearly every computer in the world. A talented woman hacker goes into the virtual reality world where the culprit is hiding in the attempt to stop the disaster.

Some of the stories feature stalkers. Other stories mix charm with deadly intensions. If you enjoy romance stories mixed with suspense, you’ll like this anthology of passion and menace. GRADE: C+

TABLE OF CONTENTS:

Introduction / Denise Little — 7

Homicidal honeymoon / Laura Resnick — 9

Scottish ploy / P. N. Elrod — 29

www.gonnahavekelly.com / Diane A. S. Stuckart — 47

Perfect man / Kristine Kathryn Rushch — 71

Celtic cross / Yvonne Jocks — 107

Hostage to love / Mary Watson — 123

Dizzy and the biker / Susan Sizemore — 145

Night hawks / Jody Lynn Nye — 169

Keeper of the well / Deb Stover — 181

Dearly beloved / D. R. Meredith — 201

Show must go on / Nessa Hart — 217

Twelve days / Laura Hayden — 235

Authors’ Biographies — 255

Copyrights & Permissions — 271

I’ve been a fan of Matthew Hughes since Fools Errant and Fool Me Twice were published by Warner Books in 2001. Hughes has mastered the tone and worlds of the great Jack Vance. Hughes’s pastiches of Vance’s Dying Earth and the Gaean Reach space operas ring true and capture the richness of a unique Science Fiction universe.

In Hughe’s latest novel, Henchmen (2025), two characters meet and find themselves embroiled in the machinations of the Vanderoy Wizards’ Guild. Vunt is a gambler with greater expectations.  Oldo is has left his family’s farm in search of adventure. 

The two young men meet when they both seek work at a riverside warehouse that handles goods being shipped up-stream and down-stream.  The operation reeks of illicit activities, but Vunt and Oldo accept the lucrative pay while they investigate their boss’s shifty schemes.

The schemes involve magical items of great power. The Wizards’ Guild offer Vunt and Oldo jobs as henchmen and send them on a dangerous trip to discover who desires the magical objects and what plot is brewing to invoke ancient powers by power-mad thaumaturges.

Fans of Matthew Hughes will enjoy the episodic style of Henchmen, the battles of spell-slingers, and the dreaded terrors of the Underworld. Vunt and Oldo, minor characters in Hughes’s Baldemar stories, get to take center stage in their own novel of wizardry, menace, and danger. GRADE: B+

I’m reviewing Stephen Spotswood’s faux-Nero Wolfe/Archie Goodwin novels, Murder Crossed Her Mind (2023) and Dead in the Frame (2025) because (MINOR SPOILER: Spotswood ends Murder Crossed Her Mind with a cliffhanger).

Defense Attorney Forest Whitsun, hires Pentecost and Parker to find his former associate, Vera Bodine, who worked as a secretary for a law firm. Vera Bodine had a photographic memory that made her invaluable to the lawyers in the law firm where Witsun once worked. Whitsun and Bodine became friends and when Bodine retired, Whitsun would visit her and bring her food. Later, Bodine was approached by the FBI to help them find Nazis in the New York City area during World War II.

Whitsun discovered that Vera Bodine–who rarely left her apartment–was missing. He doesn’t have time to search for her with his heavy work schedule so he hires Pentecost and Parker.

Things get complicated fast. Will Parker is ambushed under the boardwalk. Pentecost is threatened by the psychopathic millionaire, Jessup Quincannon. Some issues get solutions, some don’t. GRADE: B+

Just published Dead in the Frame picks up where Murder Crossed Her Mind ended: with the arrest of Lillian Pentecost. Pentecost is sent to the New York Women’s House of Detention–a brutal prison–while Will Parker tries to make sense of the framing of her boss.

Having read all five books in the Pentecost/Parker series, I would award MOST COMPLICATED PLOT to Dead in the Frame. There is the key murder that has put Pentecost behind bars, but then there are peripheral deaths that are part of the twisty scheme to have Lillian Pentecost convicted of murder.

Will Parker narrates much of the book, but every so often, Spotswood provides a chapter of Pentecost’s prison journal with its dismal aspects of vengeful prison guards, terrible food, and rats.

I must confess, I did not have Dead in the Frame figured out. I unravelled some of the tangled plot, but the big Reveal came as a surprise. The Pentecost/Parker mysteries have been the highlight of my 2025 reading. Don’t miss this series! GRADE: A