
Last week, Diane and I drove down to Pittsburgh to watch Patrick defend his dissertation at Carnegie-Mellon University. The defense was held in a large classroom. About 50 faculty members and students showed up to watch Patrick talk about the privacy issues he studied for the past six years. One of the requirements of the defense was putting up at least 10 posters announcing the event. If you want to see more and read more of Patrick’s work, click here.
Patrick delivered a 45-minute PowerPoint presentation. Then there were 20 minutes of questions from the audience. Then 30 more minutes of grilling by Patrick’s doctoral committee. Then we all had to empty the room except for the committee. After some deliberation, the committee told Patrick that he had successfully defended his dissertation. Patrick has to tweak his dissertation a bit before he submits it to the Graduate School, but for all intents and purposes, he has earned his dissertation. Patrick will be “hooded” at a graduation ceremony in May. Congratulations, Patrick! We’re very proud of you!

Philip K. Dick is a maddening writer. He can write great books like Dr. Bloodmoney and Martian Time-Slip but also write stinkers like VALIS and The Divine Invasion. However uneven Dick’s novels are his short stories hold up much better. Subterranean Books just published Upon the Dull Earth, Volume 3 of their wonderful ongoing project of reprinting all of Philip K. Dick’s short stories, novelettes, and novellas. Dick published some of his best short fiction in the 1950s. In general, I find the later Dick novels and short stories unreadable (meaning I couldn’t finish reading them) even though I tried. If you’re a Philip K. Dick fan, this is a must-buy. If you’ve always wanted to read Philip K. Dick, this is the perfect place to start.
I’ve been a big fan of Margaret Atwood’s work for years. Somehow this 2002 collection of Atwood’s speeches on writing slipped past my radar. Atwood believes “that not just some, but all writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear of and a fascination with mortality–by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead.” Atwood argues her case with wonderful examples from her writers: Borges, Connolly, Davies, Graham Green, Kafka, D. H. Lawrence, Alice Munro, George Orwell, Adrienne Rich, and Eudora Welty. If you’re in the mood for a personal survey of the creative process, I highly recommend Negotiating With the Dead. GRADE: A
Diane thought Hit & Run was silly fun. I thought it was just stupid. Dax Shepard plays a guy in the Witness Protection Program. He’s “protected” by Tom Arnold who plays a totally inept U.S. Marshall. Kristen Bell plays Dax’s girlfriend who doesn’t know his criminal past. Kristen Bell has a jealous ex-lover played by Michael Rosenbaum who is pretty much wasted in this film. Kristen Bell gets a job offer in Los Angeles so Dax decides to leave Witness Protection to drive her there. The rest of the movie revolves around how plot points can generate a car chase. Or, a dune buggy chase. Or…you get my drift. Hit & Run is being marketed as an “action comedy.” There’s plenty of phony “action” (the tedious car chases) and very little comedy. You’ve been warned. GRADE: C 



