
John Lingan provides a guided tour to the best drummers in Rock ‘n Roll. Hal Blaine played drums for the legendary Phil Spector. “Spector loved ear-bleeding volume, but he also wanted his songs to sound perfect on a tinny transistor speaker… The “Be My Baby” beat became instantly recognizable and endless borrowed… His collaborations with Spector made Hal Blaine a new kind of studio-bound celebrity.” (p. 26-27)
“As the go-to drummer for Stax in its glory era, Al Jackson, Jr. similarly played on one soul triumph after another– “Soul Man,” “In the Midnight Hour,” “Walking’ the Dog,” “Born Under a Bad Sign”–and his approach helped distinguish Memphis’s sonic identity from Detroit’s. (p. 41)
I was surprised to learn Ringo Starr was a left-handed drummer, which explains some of the unique drumming that helped The Beatles to craft their sound. “Tumbling Dice,” for example, begins with a quick guitar lick, then Charlie Watts nails two rifle-shot snare hits and the full band slams into a soft, strutting groove.” (p. 72). Charlie Watts is my favorite rock drummer and you only have to hear his impact on “Tumbling Dice”–my favorite Rolling Stones song–to appreciate his talent.
“Bernard “Pretty” Purdie nearly played the entirety of 1976’s The Royal Scam, was was also Steely Dan’s most stylistically diverse record, encompassing disco (“The Fez”), reggae (“Haitian Divorce”), and long multipart ballads like the title track.” (p.169)
John Lingan’s tour through the works of the greatest drummers, made me want to re-listen to many of the great songs I grew up with and focus on the drumming. I suspect this might also be your reaction to this wonderful book! And if you want to listen to those great songs of the 1950s, 1960s, and 1970s, take a listen to the Max Weinberg (the drummer of The E-Street Band) set of CDs that capture the great drumming of three decades! Do you have a favorite drummer? GRADE: A (for everything!)
TABLE OF CONTENTS:
Glossary — xi
Introduction: We are a part of the Rhythm Nation — xv
Sam Lay: integrating the blues — 1
Hal Blaine: the sound of California — 19
Al Jackson Jr.: from Memphis to the Love Crowd — 35
Ringo Starr: the biggest fool that ever hit the big time — 53
Charlie Watts: let it loose — 71
Kenny Buttrey: beyond the Nashville sound — 83
Moe Tucker: louder than anything — 97
Clyde Stubblefield: don’t turn it loose — 113
John Bonham: power and presence — 131
Bernard “Pretty” Purdie: the sweetener — 149
Earl Hudson: this is hardcore — 165
Tony Thompson: the biggest beat — 179
Dave Lombardo: going to extremes — 193
Dave Grohl: one big rip-off! — 209
Questlove: man vs. machine — 225
Acknowledgements –– 241
Notes — 243
Sources — 251
Index — 259
Max Weinberg Presents: Let There Be Drums! Vol. 1: The ’50s

TRACK LIST:
| Sandy Nelson– | Let There Be Drums | 2:23 | |
| Bill Haley And His Comets– | (We’re Gonna) Rock Around The Clock | 2:11 | |
| Bo Diddley– | Bo Diddley | 2:29 | |
| Little Richard– | Long Tall Sally | 2:09 | |
| Preston Epps– | Bongo Rock | 2:07 | |
| Gene Vincent & His Blue Caps– | Be-Bop-A-Lula | 2:36 | |
| Fats Domino– | I’m Walkin’ | 2:10 | |
| Buddy Holly– | Peggy Sue | 2:30 | |
| Chuck Berry– | Rock & Roll Music | 2:32 | |
| Cozy Cole– | Topsy II | 3:36 | |
| Jerry Lee Lewis– | High School Confidential | 2:29 | |
| Johnny And The Hurricanes– | Red River Rock | 2:10 | |
| The Coasters– | Yakety Yak | 1:52 | |
| Johnny Horton– | The Battle Of New Orleans | 2:32 | |
| Dion (3)– | The Wanderer | 2:48 | |
| Fats Domino– | The Fat Man | 2:37 | |
| Ray Charles– | What’d I Say (Part I) | 3:11 | |
| Sandy Nelson– | Teen Beat | 2:23 |
Max Weinberg Presents: Let There Be Drums! Vol. 2: The ’60s
TRACK LIST:
Max Weinberg Presents: Let There Be Drums! Vol. 3: The ’70s
TRACK LIST:
| The Rolling Stones– | Rocks Off | ||
| Aretha Franklin– | Rock Steady | ||
| Raspberries– | Overnight Sensation (Hit Record) | ||
| Rufus– | Tell Me Something Good | ||
| Gary Wright– | Dream Weaver | ||
| The Edgar Winter Group– | Franksenstein | ||
| The Staple Singers– | I’ll Take You There | ||
| Ringo Starr– | Drumming Is My Madness | ||
| George McCrae– | Rock Your Baby | ||
| Yes– | The Fish (Schindleria Praematurus) | ||
| Sly & The Family Stone– | In Time | ||
| Meat Loaf– | Paradise By The Bashboard Light | ||
| MFSB– | TSOP (The Sound Of Philadelphia) | ||
| James Taylor (2)– | Fire And Rain | ||
| Herbie Mann– | Hijack | ||
| The Grateful Dead– | Terrapin Flyer (Excerpt) | ||
| Daryl Hall & John Oates– | She’s Gone | ||
| Bruce Springsteen– | Candy’s Room |
I have a soft spot for the late Dino Danelli of the Rascals. He has a long form drum improv called “Boom” on the “Once Upon A Dream” album: iirc, it’s about 18 minutes long (although I could be getting the length confused with “In-A-Gadda-Da-Vita” lol).
Deb, I have a RASCALS Greatest Hits CD around here somewhere. I need to find it and listen to Dina Danelli!
Well, it’s actually 13+ minutes:
https://m.youtube.com/watch?v=xYzBZlxKzr4&list=RDxYzBZlxKzr4&start_radio=1&pp=ygUQYm9vbSB0aGUgcmFzY2Fsc6AHAQ%3D%3D
There are podcasts that look at the history of music, which are good for me because they play the pieces as they discuss them. I remember very little without the music.
Patti, I’ve been listening to HISTORY OF ROCK AND ROLL podcasts, too. Those songs bring back a lot of memories!
This is a subject I haven’t given much thought to. I do remember Ringo being left handed, but wasn’t aware it made the sound different.
Maggie, John Lingan analyzes all the great drummers in this book and explains what makes each one unique…and great!
Not really, though I love a good drum riff. I remember my brother going on about Ginger Baker in the Cream days. Hal Blaine with The Wrecking Crew did way more than Phil Spector’s records. Benny Benjamin and the Funk Brothers had a smooth sound at Motown.
Jeff, I heard Ginger Baker do a 10-minute drum solo during a Cream performance in Milwaukee in May 1968. The drum solo was electric!!!
I was a teen when I heard of Sandy Nelson’s LET THERE BE DRUMS! It’s a good title and a paean to drummers is a fine idea! Credit the drummers for the Bandstand kids saying, “It’s got a good beat, and I can dance to it.”
Bob, I wonder if you were ever a drummer…
When I was 17, I sat at a drum set and learned a 4-4 beat! That’s the limit of my drumming! I can play guitar, but I’ve never considered myself above the journeyman level!
Bob, I played the trumpet and most of my friends played guitars–and got the girls!
I have been a percussionist of necessity for a friend’s more or less demo…Max Roach continued to sleep easily. Charlie Watts earned points with me for being the jazz fan in the Stones. Max Weinberg would be the first rec I’d have for the editor/annotator of such a project. Roach and Joe Morello have been my mega-heroes among jazz geniuses I’ve had the pleasure to meet.
Todd, Max Weinberg’s CDs show up on my CD player with some frequency!