
Three weeks ago I started watching The Sandman on Netflix. I got through the first couple episodes (of 10 episodes) where The Sandman (aka, Dream) finally frees himself from over a century of confinement in the Waking World. Dream (Thomas Sturridge) returns to The Dreaming World and finds it in shambles because of his 106 year absence. With the help of Lucienne the Librarian (Vivienne Acheampong) and a raven (voiced by Patton Oswalt), Dream first seeks to recover his instruments of Power: his bag of Sand, his helm, and his ruby.
This seems like the beginning of a Quest, but the plot changes as new characters show up. The most menacing is The Corinthian (Boyd Holbrook), a Nightmare who has escaped the Dream World to spread death in the Waking World.
Then there’s Dream’s descent into Lucifer’s (Gwendoline Christie) realm of Hell. We learn about the other powerful entities: Desire, Death, Despair, and Delirium.
Several other plot lines pop up. The most compelling is the vortex that can destroy the Waking World and the Dream World. A young woman named Rose Walker seeks to find her brother, Jed, who is being abused by a foster family. But, The Corinthian seeks Rose Walker, too, to use her vortex power to free himself.
Like a dream, sometimes The Sandman doesn’t make sense, is confusing, and lacks coherence. Although the production values are very good, the rambling plots and shifty characters make this series a chore to watch. I wish Neil Gaiman wrote the script . GRADE: C










