Author Archives: george

FORD V FERRARI


Ford V Ferrari begins with a dramatic sequence where Carroll Shelby (Matt Damon) wins the 1959 24 Hours of Le Mans race in France. The story then fast-forwards to the mid-1960s when Henry Ford II (Tracy Letts) attempted to buy Ferrari. Lee Iacocca (Jon Bernthal) travels to Italy to make the offer, but Enzo Ferrari (Remo Girone)–whose cars and race team have dominated the race at Le Mans for years–insults Ford and his “crappy cars.” When Ford realizes Ferrari has played him, Ford writes a “blank check” to build a race car and team to beat Ferrari at Le Mans.

Lee Iacocca recruits Carroll Shelby, the best American car designer, to build the race car. But Shelby insists the key factor is the driver. Shelby’s talented but prickly friend, Ken Miles (Christian Bale), reluctantly agrees to drive Shelby’s car. Miles is an English-born World War II veteran who struggles financially because he keeps telling customers the truth. His loyal and long-suffering wife, Mollie (Caitriona Balfe), and his son (Noah Jupe), moderate Miles’s rants. Miles is his own worst enemy as he riles Ford’s Marketing director, Leo Beebe (Josh Lucas), who undermines both Miles and Shelby. I loved the race sequences, the suspense of the machinations of corporate politics, and the marriage of Ken Miles and Mollie. Caitriona Balfe is marvelous! Ford V Ferrari features terrific acting and a compelling true story. Don’t miss it! GRADE: A

FRIDAY’S FORGOTTEN BOOKS #567: THE GREAT SF STORIES #16 (1954) Edited by Isaac Asimov & Martin H. Greenberg


The Great SF Stories #16 (1954) includes two of the truly classic Science Fiction stories: Tom Godwin’s chilling “The Cold Equations” and Alfred Bester’s iconic “Fondly Fahrenheit.” In addition to the growing quality of stories published in THE MAGAZINE OF FANTASY AND SCIENCE FICTION and GALAXY, a new trend began: original story anthologies. STAR SCIENCE FICTION and NINE TALES OF SPACE & TIME opened new markets for SF stories in the mid-1950s in addition to the traditional Science Fiction magazines. The genre was changing and The Great SF Stories #16 (1954) charts the new trends. GRADE: A
TABLE OF CONTENTS:
INTRODUCTION by Martin H. Greenberg 9
“The Test” by Richard Matheson (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, January 1954) 13
“Anachron” by Damon Knight (WORLDS OF IF, January 1954) 34
“Black Charlie” by Gordon R. Dickson (GALAXY, April 1954) 54
“Down Among the Dead Men” by William Tenn (GALAXY, June 1954) 72
“The Hunting Lodge” by Randall Garrett (ASTOUNDING SCIENCE FICTION, July 1954) 100
“The Lysenko Maze” by “David Grinnell” (aka, Donald A. Wollheim) (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, July 1954) 138
“Fondly Fahrenheit” by Alfred Bester (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, August 1954) 151
“The Cold Equations” by Tom Godwin (ASTOUNDING SCIENCE FICTION, August 1954) 174
“Letters from Laura” by Mildred Clingerman (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, October 1954) 203
“Transformer” by Chad Oliver (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, November 1954) 211
“The Music Master of Babylon” by Edgar Pangborn (GALAXY, November 1954) 227
“The End of Summer” by Algis Budrys (ASTOUNDING SCIENCE FICTION, November 1954) 258
“The Father-thing” by Philip K. Dick (THE MAGAZINE OF FANTASY AND SCIENCE FICTION, December 1954) 289
“The Deep Range” by Arthur C. Clarke (STAR SCIENCE FICTION 4) 304
“Balaam” by Anthony Boucher (NINE TALES OF SPACE & TIME) 315
“Man of Parts” by H. L. Gold (NINE TALES OF SPACE & TIME) 332
“Answer” by Fredric Brown (ANGELS AND SPACESHIPS) 349

SLOW HORSES By Mick Herron


Mick Herron’s Slow Horses presents a Fun House version of John Le Carre’s world of spies. When spies screw up in Herron’s London, they’re sent to Slough House, a run-down building run by Jackson Lamb–a burned out secret agent. The disgraced spies spend their time at the intelligence dumping ground performing routine tasks and transcribing cell phone conversations.

But when a young man is kidnapped and his captors threaten to televise his beheading in real time online, MI5 decides to include the “slow horses” of Slough House in the manhunt. The band of misfits track the victim and reveal a plot with national repercussions. If you’re in the mood for a twisty spy novel that blends The Spy Who Came In From the Cold and The Dirty Dozen, Slow Horses delivers. I’ll be reading the rest of the series in the months ahead. Do you enjoy spy novels? GRADE: B+
SLOUGH HOUSE SERIES:
Slow Horses (2010)
Dead Lions (2013)
The List (2015 novella)
Real Tigers (2016)
Spook Street (2017)
London Rules (2018)
The Drop (US title: “The Marylebone Drop”) (2018 novella)
Joe Country (2019)

WHY DO SO MANY INCOMPETENT MEN BECOME LEADERS? By Tomas Chamorro-Premuzic


Basically, Tomas Chamorro-Premuzic credits the “Glass Ceiling” preventing women from getting top jobs…which benefit incompetent men who get the top jobs and screw up. Chamorro-Premuzic presents plenty of examples of difficult leaders–Steve Jobs, Elon Musk, Donald Trump–and contrasts them with female leaders like Angela Merkel and Mother Teresa. The subtitle of Why Do So Many Incompetent Men Become Leaders is (and how to fix it). The fix Chamorro-Premuzic suggests–based on reams of research–is to promote more women into strategic and operational leadership positions. This book will provoke plenty of debate, but the facts clearly point to the difference in genders and performance. Why Do So Many Incompetent Men Become Leaders explores a timely alternative to organizational dysfunction. GRADE: B+
TABLE OF CONTENTS:
1 Why Most Leaders Are Inept 1
2 Confidence Disguised as Competence 17
3 Why Bad Guys Win 39
4 The Charisma Myth 67
5 The Female Advantage 85
6 What Good Leaders Look Like 103
7 Learning to Distrust Our Instincts 125
8 How Leaders Get Better 145
9 Measuring a Leader’s Impact 163
Notes 181
Index 203
Acknowledgments 215
About the Author 217

HOLIDAY INN [DVD]


By the time you’re reading this, Diane and I will be in Niagara-on-the-Lake, Canada, home of the internationally famous Shaw Festival. The Shaw Festival season ended in October, but the folks who run the operation decided to experiment with a slight extension of their offerings.

Last year, the Shaw Festival offered a clever version of A Christmas Carol and this year they’re bringing a play version of Holiday Inn. Holiday Inn (1942) is famous for the first time “White Christmas” was sung. Bing Crosby and Fred Astaire compete for the affections of Marjorie Reynolds’ character in a screwball comedy where Crosby buys a farm, turns it into an inn and will only provide entertainment on Holidays! I can’t wait to see what the Shaw Festival folks do with this one! Are you fan of Holiday Inn? Do you have a favorite Holiday song?

SOUNDTRACK SONG LIST:
Main Title: Overture
I’ll Capture Your Heart Singing (with Fred Astaire & Virginia Dale)
Lazy
You’re Easy to Dance With (Fred Astaire)
White Christmas (with Marjorie Reynolds)
Happy Holiday (with Marjorie Reynolds)
Let’s Start the New Year Right
Abraham (with Marjorie Reynolds & Louise Beavers)
Be Careful, It’s My Heart
I Can’t Tell a Lie (Fred Astaire)
Easter Parade
Song of Freedom
Let’s Say It with Firecrackers (sung by chorus as Fred Astaire dances)
I’ve Got Plenty to Be Thankful For
Hollywood Medley
White Christmas (second version) [with Marjorie Reynolds]
Ending Medley (with Fred Astaire, Marjorie Reynolds & Virginia Dale)
Holiday Inn movie trailer (audio only – bonus track)

ALL I WANT FOR CHRISTMAS…


ISABELLA ROSSELLINI BY RAPHAAL BERGER
This sensuous oil on canvas captures the enigmatic figure of Isabella Rossellini. The famed Italian actress is the daughter of Ingrid Bergman and Roberto Rossellini. Her legendary career includes innumerable modeling campaigns and award-winning films. This oil captures her in the 1980s at the height of her modeling career. You can check out the official web page here.

M.S. Rau of New Orleans is offering this painting for a mere $44,500. A bargain! It will be worth 10 times that amount in five years. What gift are you hoping for over the Holidays?

BUFFALO BILLS VS. MIAMI DOLPHINS


The 6-3 Buffalo Bills visit the 2-7 Miami Dolphins in sunny (72 degrees) Florida (while it’s 30 degrees here in Western NY). The Bills are 5 1/2 point favorites. The Bills looked inept against the Cleveland Browns last week, but none of the Bills bashed an opposing player with a football helmet. How will your favorite NFL team perform today?

THREE CHORDS AND THE TRUTH By Van Morrison


I haven’t been too keen on Van Morrison’s last few albums. They were too jazzy or too bluesy. But Three Chords and the Truth is a “goldilocks” CD: just right! I enjoyed the songs on this new CD. From “Dark Night of the Soul” to “Up on Broadway” the music fills your ears with great music. Check out the sample below. It’s hard to believe that Van Morrison is 74 years old and still singing wonderful songs! Do you have a favorite Van Morrison song? GRADE: A
TRACK LIST:
1. March Winds in February 4:36
2. Fame Will Eat the Soul 4:53
3. Dark Night of the Soul 5:58
4. In Search of Grace 3:43
5. Nobody in Charge 4:13
6. You Don’t Understand 6:18
7. Read Between the Lines 3:42
8. Does Love Conquer All? 4:43
9. Early Days 3:42
10. If We Wait for Mountains 2:43
11. Up on Broadway 6:24
12. Three Chords and the Truth 5:01
13. Bags Under My Eyes 4:07
14. Days Gone By 7:43

FRIDAY’S FORGOTTEN BOOKS #567: THE BEST OF MANHUNT Edited by Jeff Vorzimmer


Stark House’s anthology The Best of Manhunt celebrates the crime fiction magazine that replaced Black Mask and dominated the 1950s. Lawrence Block’s “Foreword” relates the circumstances that made Block a writer and how he got his first story published in Manhunt. Jeff Vorzimmer provides a detailed history of Manhunt with all its quirky aspects. Lawrence Block mentions that he consider’s Evan Hunter’s “The Last Spin” to be “a master class in the short story.” And, Block’s right!

Bill Crider’s favorite writer was Harry Whittington whose “Night of Crisis”–a story about a man who witnesses a murder and is then hunted by the killer–will have you on the edge of your seat. The Best of Manhunt collects 39 stories by the top genre writers of that era: Mickey Spillane, Fletcher Flora, David Goodis, Fredric Brown, John D. MacDonald, Gil Brewer, Donald E. Westlake, Richard S. Prather, Harlan Ellison, and Helen Nielsen.

For 14 years, 1952 to 1967, Manhunt published the best crime fiction in the United States. This excellent volume collects several of those classic Manhunter stories with their suspense, thrills, and menace. This wonderful anthology is the best anthology of the year! GRADE: A
TABLE OF CONTENTS:
Foreword / Lawrence Block — 3
The story selection / Jeff Vorzimmer — 6
An introduction to the tortured history of Manhunt / Jeff Vorzimmer — 7
Introduction from The best from Manhunt / Scott & Sidney Meredith — 16
On the sidewalk, bleeding / Evan Hunter — 19
Mugger murder / Richard Deming — 25
Decision / Helen Nielsen — 32
The collector comes after payday / Fletcher Flora — 42
Try it my way / Jack Ritchie — 55
Movie night / Robert Turner — 61
In memory of Judith Courtright / Erskine Caldwell — 68
Day’s work / Jonathan Lord — 75
The scrapbook / Jonathan Craig — 78
Quiet day in the county jail / Craig Rice — 85
The set-up / Sam Cobb — 95
The double take / Richard S. Prather — 98
The man who found the money / James E. Cronin — 122
Self-defense / Harold Q. Masur — 128
Bad word / David Alexander — 140
Return engagement / Frank Kane — 149
Graveyard shift / Steve Frazee — 166
The little lamb / Fredric Brown — 176
The girl behind the hedge / Mickey Spillane — 185
Professional man / David Goodis — 193
The quiet room / Jonathan Craig — 212
Pistol / Hal Ellson — 219
Hit and run / Richard Deming — 229
The killer / John D. MacDonald — 265
The day it began again / Fletcher Flora — 276
Moonshine / Gil Brewer — 282
Rat hater / Harlan Ellison — 290
The last spin / Evan Hunter — 299
Night of crisis / Harry Whittington — 306
Pigeon in an iron lung / Talmage Powell — 320
Cop for a day / Henry Slesar — 327
Somebody’s going to die / Talmage Powell — 332
Stranger in the house / Theodore Pratt — 341
Enough rope for two / Clark Howard — 345
Body on a white carpet / Al James — 355
A piece of ground / Helen Nielsen — 361
Say a prayer for the guy / Nelson Algren — 369
An empty threat / Donald E. Westlake — 373
Frozen stiff / Lawrence Block — 377
Afterword: The graveyard rats / Barry N. Malzberg — 383

THE DUTCH HOUSE By Ann Patchett (Narrated by Tom Hanks)


The Dutch House provides a compelling tale of the strong bond between two troubled siblings, the house they grew up in, and the events that haunt them. The Dutch House tells a harrowing story of a dysfunctional family and the son and daughter who survive the wreckage.

At the end of World War II, Cyril Conroy begins to build an enormous real estate empire outside Philadelphia. Conroy buys the Dutch House, a lavish estate in the suburbs of Philadelphia, to impress his first wife. She ends up hating the Dutch House and leaves Conroy and her children.

Cyril’s son Danny narrates the story (and Tom Hanks captures the young boy’s personality perfectly). Danny’s older sister, the snarky and brilliant Maeve, tries to protect her brother. But the kids are exiled from the Dutch House up by their evil stepmother. The two siblings scramble to survive this shock and to rebuild their lives.

Over five decades, The Dutch House presents a story of survival. Danny and Maeve struggle to make their way in the world and to discover the secrets that their parents kept from them. I enjoyed the drama and the humor of The Dutch House. Tom Hanks’s narration kept the story moving. If you’re in the mood for an involving tale with mystery and humor and sudden sadness, give The Dutch House a try. GRADE: A-