Last week, my selection of AM Gold 1977 (you can read my review here) ignited a “rosy glow of nostalgia” in Deb. I figured I might again light Deb’s fire with this AM Gold 1976 volume.

I’m a big fan of the Bay City Rollers’s “Saturday Night.” “Still the One” by Orleans still gets played at least once a week by Sirius/XM Radio when I’m listening in my car as I’m running errands. “Sara Smile” is one of my favorite Hall & Oates songs.

Here’s a breakdown of the top 10 best-selling singles of 1976, according to the Billboard Year-End Hot 100 singles chart: 

1. Silly Love Songs – Wings
2. Don’t Go Breaking My Heart – Elton John & Kiki Dee
3. Disco Lady – Johnnie Taylor
4. December 1963 (Oh, What a Night) – The Four Seasons
5. Afternoon Delight – Starland Vocal Band
6. Play That Funky Music – Wild Cherry
7. Kiss and Say Goodbye – The Manhattans
8. Love Machine – The Miracles
9. 50 Ways to Leave Your Lover – Paul Simon
10. A Fifth of Beethoven – Walter Murphy & The Big Apple Band

“December 1963 (Oh, What a Night)” by Frankie Valli and The Four Seasons, “Afternoon Delight” by Starling Vocal Band, and “Kiss and Say Goodbye” by The Manhattans made it onto this disc. Do you remember these songs? Any favorites here? GRADE: B

TRACK LIST:

1	Pratt And MacLain* With Brother Love*–	Happy Days Written-By – Charles Fox, Norman Gimbel	2:38
2	Bay City Rollers–	Saturday Night Written-By – Bill Martin And Philip Coulter*	2:57
3	Peter Frampton–	Show Me The Way Written-By – Peter Frampton	3:36
4	Orleans–	Still The One Written-By – Johanna Hall, John J. Hall	3:55
5	Frankie Valli And The Four Seasons*–	December, 1963 (Oh, What A Night) Written-By – Bob Gaudio, Judy Parker	3:35
6	Lou Rawls–	You’ll Never Find Another Love Like Mine Written-By – Kenny Gamble And Leon Huff	3:33
7	Elvin Bishop–	Fooled Around And Fell In Love Written-By – Elvin Bishop	2:59
8	Starbuck (2)–	Moonlight Feels Right Written-By – Michael Bruce Blackman	3:38
9	England Dan And John Ford Coley*–	I’d Really Love To See You Tonight Written-By – Parker McGee	2:39
10	Gary Wright–	Dream Weaver Written-By – Gary Wright	3:28
11	Eric Carmen–	All By Myself Written-By – Eric Carmen	4:30
12	KC And The Sunshine Band*–	(Shake, Shake, Shake) Shake Your Booty Written-By – Harry Casey And Richard Finch	3:08
13	Maxine Nightingale–	Right Back Where We Started From Written-By – Vincent Edwards*, Pierre Tubbs	3:17
14	Fleetwood Mac–	Say You Love Me Written-By – Christine McVie	3:46
15	Henry Gross–	Shannon Written-By – Henry Gross	3:53
16	Firefall–	You Are The Woman Written-By – Rick Roberts	2:45
17	Daryl Hall And John Oates*–	Sara Smile Written-By – Daryl Hall And John Oates	3:12
18	Starland Vocal Band–	Afternoon Delight Written-By – Bill Danoff	3:15
19	John Sebastian–	Welcome Back Written-By – John Sebastian	2:53
20	Captain And Tennille–	Muskrat Love Written-By – Willis Alan Ramsey	3:49
21	Seals And Crofts*–	Get Closer Written-By – Dash Crofts, James Seals	3:58
22	The Manhattans*–	Kiss And Say Goodbye Written-By – Winfred Lovett	3:32

I’m a fan of Garth Nix’s fantasy novels. To Hold the Bridge (2015) collects several of Nix’s short fiction. “To Hold the Bridge: An Old Kingdom Story” isn’t so short. It’s a novella 50 pages long and tells the story of a poor boy who commits a heroic act. I also enjoyed the vampire stories included in this collection: “Vampire Weather” and “Infestation.”

“The Curious Case of the Moondawn Daffodils Murder: As Experienced by Sir Magnus Holmes and Almost-Doctor Susan Shrike ” introduces Magnus Holmes, the second cousin of the famous Sherlock Holmes.

TABLE OF CONTENTS:

To Hold the Bridge: An Old Kingdom Story — 1

Creatures of Darkness and Light

Vampire Weather — 53

Strange Fishing in the Western Highlands — 69

Old Friends — 88

Standing Up: Coming-of-Age Stories

The Quiet Knight — 101

The Highest Justice — 113

A Handful of Ashes — 127

The Big Question — 163

Check Your Faint Heart at the Door: Combat and Struggle

Stop! — 172

Infestation — 191

The Heart of the City — 212

Ambrose and the Ancient Spirits of East and West — 235

Holly and Iron — 264

A Wink and a Nod: Lighthearted Tales

The Curious Case of the Moondawn Daffodils Murder: As Experienced by Sir Magnus Holmes and Almost-Doctor Susan Shrike — 307

An Unwelcome Guest — 324

A Sidekick of Mars — 336

Under Other Skies: Science Fiction

You Won’t Feel a Thing — 357

Peace in Our Time — 371

Master Haddad’s Holiday –381

“Previously slated to continue through August 17, the production’s final performance was May 18. At the time of closing, Redwood will have played 17 previews and 127 regular performances. The show was one of 13 productions left empty handed when nominations for this year’s Tony Awards were announced and becomes Broadway’s first casualty of bad luck with the honors.

Redwood explores themes of loss, grief, addiction, and finding strength and resilience. Jesse, a successful businesswoman, leaves her life behind and travels to the redwood forest after her son’s death, seeking solace and a new purpose. The score is by Kate Diaz, with lyrics by Diaz and Tina Landau. The music is a blend of cinematic orchestral scores and pop/rock songs.”

Diane, Katie, and I liked Redwood with Idina Menzel belting out songs while climbing a giant redwood tree while swinging around on ropes wrapped in climbing equipment.  While the special effects are impressive, the mawkish plot gets a little syrupy for my tastes. The performance we saw was a sell-out, but the rumors were already swirling that they were going to pull the plug if they didn’t get any Tony nominations. And…they didn’t.

Despite that decision, Irina Menzel says that Redwood was one of the highlights of her career. “Creating [Redwood] with Tina Landau and Kate Diaz has been my proudest professional accomplishment,” writes Menzel. “It is an all-female-led team, who are fearless risk-takers and gorgeous human beings. I will be eternally grateful to our stunning cast whom I love so friggin’ much. I’ll be singing Kate’s music for years and years to come. You are all my family. Making music and telling this beautiful story with you has been the highlight of my career. In fact, being back in NYC with the entire Broadway community at the Nederlander, of all places, is my ‘little Idina’s’ dream come true over and over again.”

Sometimes risky musicals just don’t succeed. GRADE: C

With Trump’s Tariffs driving up prices, I decided to buy this Panasonic Boombox with Portable Stereo AM/FM Radio, Bluetooth, CD, with USB 110-240 instead of waiting. Flare-shaped bass reflex ports help ensure smoother airflow, reducing air turbulence, to provide full-bodied warm bass tones. It sounds great!

I work in my basement frequently and listen to CDs while I’m sorting books and lugging boxes. But…I have a big basement. Sure, I could move my SONY Boombox (you can read my review here) across the basement. Or, I could have TWO great sounding Boomboxes to listen to on opposite sides of my basement full of books. I opted for TWO! GRADE: A

Mission Impossible: The Final Reckoning Part 2 (aka, M:I 8) picks up where Mission Impossible: Dead Reckoning Part 1 left off in 2023 (you can read my review here). An Artificial Intelligence called The Entity is taking over the world and nation-states are powerless to stop it. President of the United States Erika Sloane (Angela Bassett) offers Ethan Hunt (aka, Tom Cruise) an Impossible Mission: Stop the AI from taking over all the nuclear installations in the world and firing those nuclear missiles to wipe out humanity.

Of course, in true Mission Impossible fashion, Hunt builds a team to help him stop the deadly AI. My favorite is Grace (Hayley Atwell, aka “Agent Carter”) whose impressive skills at picking pockets plays a key role in this impossible mission. Simon Pegg is back playing tech-guy Benji Dunn and Ving Rhames returns as Luther Stickell, resident genius. I’m fond of Pom Klementieff as Paris–“I kill people.”

And to spice things up, Hannah Waddingham (aka, Rebecca Welton of Ted Lasso) plays Admiral Neely who commands an air-craft carrier. But with a running time of 2 hours and 50 minutes, be prepared for some scenes to drag.

As usual, Tom Cruise performs some incredible stunts–and takes a lot of punishment. There’s a long underwater sequence. There’s an eye-popping bi-plane gymnastics free-for-all. If you’re in the mood for a long, rambling action movie, Mission Impossible: The Final Reckoning Part 2 fits the bill. Just set the bar low. The first Tom Cruise Mission Impossible came out in 1996. Now 29 years later, this franchise just might be over. GRADE: B

J. B. Priestley is best known for his many successful plays. But Priestley also wrote essays, autobiographies, criticism, and novels. Angel Pavement was published in 1930 and presents characters on the cusp of the Great Depression.

Priestley, who displayed his fascination with the world of work in his plays and novels, centers the action of Angel Pavement with the staff of Twigg and Dersingham, a struggling firm located in the lonely, aging, decrepitude of The Roaring Twenties London.

One of most vivid characters in this novel are James Golspie, who arrives in London by ship from Europe, determined to make a fortune.  Golspie is an entrepreneur with business skills, but the time and the economical situation works against him.

“She stood in the entrance a minute or two after he had gone, fumbling for her key, and suddenly from that great ocean of deep depression which she always felt was not far away, rose in the dark a great breaker and swept her away. She could have cried. It was not Norman Bartley–he was feeble fool who was rapidly getting worse–but the endless cheating of life itself that frightened her and stifled her. She was Lilian Matfield, Lilian Matfield, the same that had going playing and laughing and singing and looking forward to everything only a few years ago, no different now except a little older and more sensible, and yet she felt, obscurely, darkly, that somehow she was being conjured into somebody miserably different, somebody stiff and faded and dull.” (p. 252-253)

Lilian Matfield is my favorite character in Angel Pavement. She’s a brilliant secretary at Twigg and Dersingham, superior to all the other staff–mostly men–who shuffle papers day after day. And, given the time, being a woman stifles her advancement and hope in the business world. She lives in an apartment building with other young, single working women .

Here’s Miss Matfield on Christmas: “It was, on the whole, she decided, revolting. You gave people a lot of silly things, diaries and calendars and rot, or useful things that were not right, gloves the wrong size and stockings of the wrong shade…and they in their turn gave you silly things and useful things that were not right. You ate masses of food you didn’t want…then you sat about, pretending to be jolly, but really stodged, sleepy, headachy, and in urgent need of bicarbonate of soda.” (p. 385)

Miss Matfield is drawn to James Golspie simply because he knows his business and stands out among the mediocrity of the Twigg and Dersingham staff. Miss Matfield yearns for excitement to liven up her dull life. Here’s what Miss Matfield reads during her lonely evenings: “There were two travel books and three novels of romance, and all three stories had for their setting such places as Borneo and the South Seas. This was not mere coincidence. Miss Matfield like her fiction to be full of jungles, coral reefs, plantations, lagoons, hibiscus flowers, the scent of vanilla, schooners on the wide Pacific, tropical nights. So long as the young man was first shown to her dressed in white and lounging on a verandah, while a noiseless brown figure brought him something long and cool to drink, she was ready to follow his love story to the end.” (p. 406)

Angel Pavement is almost 100 years old. At 608 pages, it is too long for most contemporary readers. When Miss Matfield and Golspie disappear from a chapter, things get tedious in a hurry. If you’re in the mood for a clever though dated novel about the eve of the Great Depression, Angel Pavement is the perfect novel. GRADE: B

The year 1977 was on the cusp of the Disco Era (the week of July 21, 1979, is often cited as a peak period, with the top six songs in the US and seven in the Billboard Top Ten being disco tunes).  It was a year that featured hits by Fleetwood Mac, Linda Ronstadt, Hall & Oates, Al Stewart, and Dave Mason. It also featured some unlikely hits by David Soul, Andrew Gold, Meco, Alan O’Day, Kenny Nolan, and Shaun Cassidy.

The top 10 best-selling singles of 1977, based on the Billboard Year-End Hot 100 singles chart, are: 

“Tonight’s the Night (Gonna Be Alright)” – Rod Stewart

“I Just Want to Be Your Everything” – Andy Gibb

“Best of My Love” – The Emotions

“Evergreen (Love Theme from A Star Is Born)” – Barbra Streisand

“Angel in Your Arms” – Hot

“I Like Dreamin'” – Kenny Nolan

“Mull of Kintyre” – Wings

“Don’t Cry for Me Argentina” – Julie Covington

“When I Need You” – Leo Sayer

“Don’t Give Up on Us” – David Soul

So “Don’t Give Up on Us” by David Soul and “I Like Dreamin'” by Kenny Nolan ended up on AM Gold 1977. Not bad. Do you remember these songs? Any favorites here? GRADE: B

TRACK LIST:

1	Fleetwood Mac–	Don’t Stop Music By, Lyrics By – Christine McVie	3:13
2	Linda Ronstadt–	It’s So Easy Music By, Lyrics By – Buddy Holly, Norman Petty	2:30
3	Daryl Hall And John Oates*–	Rich Girl Music By, Lyrics By – Daryl Hall	2:28
4	Climax Blues Band–	Couldn’t Get It Right Music By, Lyrics By – Colin Cooper, Derek Holt, John Cuffley, Peter Haycock*, Frederick Jones	3:20
5	Al Stewart–	Year Of The Cat Music By, Lyrics By – Al Stewart, Peter Wood	4:39
6	Commodores–	Easy Music By, Lyrics By – Lionel Richie	4:24
7	Andrew Gold–	Lonely Boy Music By, Lyrics By – Andrew Gold	4:0au2
8	10cc–	The Things We Do For Love Music By, Lyrics By – Eric Stewart, Graham Gouldman	3:33
9	Dave Mason–	We Just Disagree Music By, Lyrics By – Jim Krueger	3:03
10	David Soul–	Don’t Give Up On Us Music By, Lyrics By – Tony Macaulay	3:39
11	Meco*–	Star Wars Theme/Cantina Band Music By, Lyrics By – John Williams	3:38
12	Rose Royce–	Car Wash Music By, Lyrics By – Norman Whitfield	3:18
13	KC And The Sunshine Band*–	I’m Your Boogie Man Music By, Lyrics By – Harry Casey	4:05
14	Marilyn McCoo And Billy Davis Jr.*–	You Don’t Have To Be A Star (To Be In My Show) Music By, Lyrics By – James Dean (3), John Henry Glover	3:55
15	Atlanta Rhythm Section–	So In To You Music By, Lyrics By – Buddy Buie, Dean Daughtry, Robert Nix	3:20
16	Alan O’Day–	Undercover Angel Music By, Lyrics By – Alan O’Day	3:34
17	Shaun Cassidy–	That’s Rock ‘N’ Roll Music By, Lyrics By – Eric Carmen	2:56
18	Kenny Nolan–	I Like Dreamin’ Music By, Lyrics By – Kenny Nolan	3:32
19	Glen Campbell–	Southern Nights Music By, Lyrics By – Allen Toussaint	3:02
20	Firefall–	Just Remember I Love You Music By, Lyrics By – Rick Roberts	3:14

The Many Worlds of Poul Anderson (also known as The Book of Poul Anderson) (1974) was originally edited by Roger Elwood. This DAW Books edition leaves out Elwood’s introduction, but leaves everything else just the same.

Poul Anderson had a long and successful writing career. This anthology incudes a nice range of his stories. My favorite is “The Queen of Air and Darkness,” a SF mystery story where a distraught mother hires the only private investigator available, Eric Sherrinford, to find her missing son who vanished during an expedition in the wilds of a frontier colony world.

 Another Poul Anderson favorite story is “The Longest Voyage,” where a party of daring explorers attempts to circumnavigate their world. While on their dangerous journey they encounter an island civilization which claims to have a prophet who fell from the stars. ” The Longest Journey” won the Hugo Award for Best Short Story in 1961.

I’m a fan of DAW Books’ “The Book of” series that features the works of a single author. Check out another book in the series, The Book of Fritz Leiber here. GRADE: A

TABLE OF CONTENTS:

• “Tomorrow’s Children” (novelette) (Poul Anderson and F. N. Waldrop (uncredited)) — 9
• “The Queen of Air and Darkness” (novella) (Poul Anderson) — 36
• “Her Strong Enchantments Failing” (essay) (Patrick L. McGuire) — 81
• “Epilogue” (novella) (Poul Anderson) — 106
• “The Longest Voyage” (novelette) (Poul Anderson) — 153
• “Challenge and Response” (essay) (Sandra Miesel) — 184
• “Journeys End” (short story) (Poul Anderson) — 204
• “A World Named Cleopatra” (essay) (Poul Anderson) — 213
• “The Sheriff of Canyon Gulch” (novelette) (Poul Anderson and Gordon R. Dickson) — 225
• “Day of Burning” (novelette) (Poul Anderson) — 245

Diane, Katie, and I went to see this musical revue to Sondheim over the Mother’s Day Weekend in New York City. Bernadette Peters and Lea Salonga are the Big Names that have strong Sondheim connections who headline this show. They have plenty of talented singers to back them up. Sondheim’s Old Friends features songs from his iconic musicals like Sweeney Todd, Into the Woods, and A Little Night Music.

The two-hour show includes 40 Sondheim songs. Katie was moved by Bernadette Peters’s rendition of “Send in the Clowns.” If you’re a Stephen Sondheim fan, this revue is a Must-See event! GRADE: A

MUSICAL NUMBERS:

Act I Opening: “Sunday in the Park with George” – Daniel Evans / “Side by Side” – Ashley Campbell, Rosalie Craig, Josefina Gabrielle, Amy Griffiths, Bradley Jaden, Julia McKenzie and Jenna Russell “Introduction” – Cameron Mackintosh “Comedy Tonight”– Rob Brydon, Clive Rowe, Gary Wilmot and West End All Stars”Company” – West End All Stars “The Little Things You Do Together” – Rob Brydon and Haydn Gwynne “You Could Drive a Person Crazy” – Anna-Jane Casey, Janie Dee, Josefina Gabrielle “Live Alone and Like It” – Clive Rowe “Loving You” – Michael Ball“Getting Married Today” – Anna-Jane Casey, Holly-Anne Hull and Jon Robyns “Into the Woods” – West End All Stars”Agony” – Julian Ovenden and Michael Xavier “I Know Things Now” – Bernadette Peters “Hello Little Girl” – Damian Lewis and Bernadette Peters “Children Will Listen” – Bernadette Peters “A Weekend in the Country” – Desmonda Cathabel, Janie Dee, Rob Houchen, Holly-Anne Hull, Julian Ovenden, Michael Xavier and West End All Stars “Send in the Clowns” – Judi Dench “The Ballad of Sweeney Todd” – Michael Ball and West End All Stars “The Worst Pies in London” – Michael Ball and Maria Friedman “My Friends” – Michael Ball “Pretty Women” – Michael Ball and Jeremy Secomb “A Little Priest” – Michael Ball and Maria Friedman“The Ladies Who Lunch” – Haydn Gwynne “Sunday” – Daniel Evans, Bernadette Peters and West End All Stars

Act II “Entr’acte” – Overture from Merrily We Roll Along – The Orchestra “Tonight Quintet” – Shan Ako, Christine Allado, Louis Gaunt, Rob Houchen and Students from the Royal Academy Musical Theatre Company and Mountview “Broadway Baby” – Helena Bonham Carter, Rosalie Craig, Maria Friedman, Josefina Gabrielle, Amy Griffiths, Haydn Gwynne, Bonnie Langford, Julia McKenzie, Bernadette Peters, Jenna Russell and Gary Wilmot “Everybody Ought to Have a Maid” – Rob Brydon, Damian Lewis, Julian Ovenden and Siân Phillips“You Gotta Get A Gimmick” – Anna-Jane Casey, Bonnie Langford and Bernadette Peters “Waiting For The Girls Upstairs” – Ashley Campbell, Rob Houchen, Bradley Jaden and Charlie Stemp“I’m Still Here” – Petula Clark“Could I Leave You?” – Michael Ball “Buddy’s Blues” – Gary Wilmot“The Boy From…” – Janie Dee“Losing My Mind” – Bernadette Peters“Everything’s Coming Up Roses” – Imelda Staunton “Duelling Composers” – Stephen Sondheim and Andrew Lloyd Webber (video segment) “Not A Day Goes By” – Michael Ball, Rosalie Craig, Maria Friedman, Julia McKenzie, Bernadette Peters, Jenna Russell and West End All Stars “Being Alive” – Michael Ball, Rob Brydon, Rosalie Craig, Haydn Gwynne, Bradley Jaden, Bonnie Langford, Julian Ovenden, Jon Robyns, Jenna Russell, Jeremy Secomb, Michael Xavier and West End All Stars “Old Friends” – Full Company “Our Time” – Full Company