On January 9, 2021, the Indianapolis Colts came to Buffalo to win a Wildcard Playoff game…and they nearly did. The final score was 27-24 and Philip Rivers almost pulled the game out with a last second Hail Mary throw. Fortunately, the Bills secondary learned from the Hail Murray throw a few week prior to this game and defended the pass.

Today, the Colts come to town with their season hanging in the balance. One analytics website calculates that if the Colts beat the Bills today, the Colts have a 50% chance of making the Playoffs. However, if the Colts lose to the Bills today, their Playoff chances plummet to 14%. The Bills are 7-point favorites. But rain is in the forecast and that will help the running game of the Colts. How will your favorite NFL fare today?

Ghostbusters Afterlife is Director and co-writer Jason Reitman’s homage to his father, Irvin Reitman–and his most famous movie, 1984’s Ghostbusters.

A struggling single mother named Callie (Carrie Coon) learns her estranged father had died and willed her a farmhouse outside Summerville, Oklahoma. Callie loads her few possessions and her two teenage kids–Trevor (Finn Wolfhard from Stranger Things) and brilliant Phoebe (McKenna Grace). As soon as the family arrives at the isolated house, strange things start to happen: chess pieces move by themselves, weird noises and flashing lights appear out of nowhere.

The 2021 Sexiest Man Alive, Paul Rudd, provides some humor and a love interest for Callie. Tracey Letts (Coon’s real-life playwright/actor husband) gets a cameo as does Annie Potts.

Gozer, the Gatekeeper and the Keymaster return to prepare for the conquest of the Earth. The kids learn their grandfather was famed Ghostbuster Egon Spengler (the late Harold Ramis) and he predicted an apocalyptic event for 2021. Only Trevor, Phoebe, and their friends can stop the cosmic destruction! Break out the ECTO-1 and proton packs! I loved the original Ghostbusters and this silly update captures a scintilla of the iconic film. Are you a fan of the Ghostbusters? GRADE: B-

I’ve been a big fan of Mike Ashley’s British Library series of Science Fiction Classics. Ashley’s newest volume, Future Crimes: Mysteries and Detection Through Time and Space, collects some intriguing SF mystery stories, some of them a bit obscure since Ashley likes to focus on UK SF writers for these anthologies.

I found this story analysis online by Anissa Annalise whose opinions of these stories coincides closely with mine. Are you familiar with any of these stories? GRADE: A-

TABLE OF CONTENTS:

Introduction by Mike Ashley — 7

“Elsewhen” by Anthony Boucher – Great story in which experimenter Mr. Partridge concocts a time machine and uses it for nefarious purposes. The clever bit here is in the investigator, one Fergus O’Breen who in trying to solve it & prove Partidge’s guilt happens into a unique pocket which Partridge created for his alibi and ultimately himself fell victim to. — 13

“Puzzle for a Spacemen” by John Brunner- Another clever story in which a psychologist needs to get to the bottom of a murder and enlists a reluctant station chief. For the chief’s part, he just wants the psychologist to reclaim the dead body and get off his station so that tensions ease and work can continue. — 53

“Legwork” by Eric Frank Russell- Not a fave and a bit overlong but did excellently show the investigative process and “legwork” of different agencies is tracking a bank robber who happens to be an alien who has arrived as reconnaissance and to destroy humans. — 85

“Mirror Image” by Isaac Asimov- Esteemed mathematicians both claim work and that the other has stolen it. To make matters more difficult, their robot attendant backs up each of their claims. The Three Laws of Robotics come into play. Lije Baley is backed to suss this out by his robot friend, Daneel Olivaw. Very tidy. — 147

“The Flying Eye” by Jacques Futrelle- No actual crime takes place in this story nor any real detective work but it was a reasonably good short story. Points for early stealth tech. — 169

“Nonentity” by E.C. Tubb- Great story. A sabotage on a ship leads to a lifeboat situation. with an ultimately grisly end. I can’t give this one away and it may be my favourite in the bunch. It was easy to suss out what was going on but I think at the time this was written, it may have been quite a surprise. — 187

“Death of Telepath” by George Chailey- Telepathy not being my thing, this wasn’t a fave but was a well done story. — 213

“Murder, 1986” by P.D. James- A quiet story of a murder investigation during a pandemic. The glimpse into the society and also interesting ideas on what one may or may not do for the love of another. Also what constitutes a worthwhile life, what is done with the time had or how long a time one has. I really liked this one. — 221

“Apple” by Anne McCaffrey- A telepathy and pre-cog abilities story which was fine. — 249

“The Absolutely Perfect Murder” by Miriam Allen deFord- In which Mervin Alspaugh of the year 2146 has his perfect plan go awry because of his mistake in believing in a lie. A great story and a great one to end on. — 287

Story Sources — 301

Bob Dylan may have set the record for issuing “archive” albums of his songs. Dylan’s Bootleg Series is up to 14 volumes so far. Joni Mitchell’s Archives, Volume One: The Early Years (1963-1967) shows an artist trying to find her way in the singing profession. Mitchell starts with many traditional songs as well as some standards.

Things start to change with CD 2 when Joni Mitchell starts writing songs and singing them. “The Circle Game” became a hit for Tom Rush and opened doors for Joni Mitchell. CD 3 opens with one of Joni Mitchell’s biggest hits, a song that’s been covered by other singers for decades: “Both Sides Now.” My favorite song from CD 4 is “Chelsea Morning.” CD 5 offers variant arrangements and remixes.

I’m listening to Joni Mitchell Archives, Volume 2: The Reprise Years (1968-1971), another 5-CD collection. It was just released. I’ll post my reactions to it in a couple of weeks. Are you a Joni Mitchell fan? Do you like and buy Archive CDs? GRADE: A

Track listing:

All tracks are written by Joni Mitchell, except where noted.^[3][4]

Disc 1

No.	Title	Writer(s)	Length
1.	“House of the Rising Sun“	Traditional	2:54
2.	“John Hardy“	Traditional	2:25
3.	“Dark as a Dungeon“	Merle Travis	3:07
4.	“Tell Old Bill”	Traditional	3:00
5.	“Nancy Whiskey”	Traditional	3:23
6.	“Anathea“	Traditional	4:10
7.	“Copper Kettle“	Albert Frank Beddoe	2:18
8.	“Fare Thee Well (Dink’s Song)“	Traditional	2:48
9.	“Molly Malone“	Traditional	2:46

No.	Title	Writer(s)	Length
10.	“Introduction”		1:03
11.	“Nancy Whiskey”	Traditional	3:03
12.	“The Crow on the Cradle” (Intro)		0:21
13.	“The Crow on the Cradle”	Sydney Carter	4:07
14.	“Pastures of Plenty”	Woody Guthrie	3:00
15.	“Every Night When the Sun Goes In”	Traditional	4:28
16.	“Sail Away” (Intro)		0:27
17.	“Sail Away”	John Phillips, Dick Weissman[11]	3:09

No.	Title	Writer(s)	Length
18.	“John Hardy”	Traditional	3:04
19.	“Dark as a Dungeon”	Merle Travis	4:04
20.	“Maids When You’re Young Never Wed an Old Man” (Intro)		0:19
21.	“Maids When You’re Young Never Wed an Old Man“	Traditional	2:41
22.	“The Dowie Dens of Yarrow“	Traditional	3:22
23.	“Deportee (Plane Crash at Los Gatos)“	Woody Guthrie	5:21

No.	Title	Writer(s)	Length
24.	“The Long Black Rifle”	Lawrence Coleman, Norman Gimbel[12]	3:17
25.	“Ten Thousand Miles”	Traditional	2:51
26.	“Seven Daffodils”	Lee Hays, Fran Moseley[13]	2:59

Disc 2

No.	Title	Length
1.	“Urge for Going”	4:25
2.	“Born to Take the Highway”	3:35
3.	“Here Today and Gone Tomorrow”	2:51

No.	Title	Length
4.	“What Will You Give Me”	3:49
5.	“Let It Be Me”	3:33
6.	“The Student Song”	2:36
7.	“Day After Day”	2:10
8.	“Like The Lonely Swallow”	2:51

No.	Title	Writer(s)	Length
9.	“Favourite Colour”		2:37
10.	“Me and My Uncle“	John Phillips	2:39

No.	Title	Length
11.	“Sad Winds Blowin'”	2:39

No.	Title	Length
12.	“Just Like Me”	2:40
13.	“Night in the City”	2:34

No.	Title	Length
14.	“Brandy Eyes”	2:27
15.	“Urge for Going” (Intro)	1:04
16.	“Urge for Going”	4:55
17.	“What’s the Story Mr. Blue” (Intro)	1:01
18.	“What’s the Story Mr. Blue”	3:03
19.	“Eastern Rain”	3:53
20.	“The Circle Game” (Intro)	3:52
21.	“The Circle Game”	5:13
22.	“Night in the City” (Intro)	1:32
23.	“Night in the City”	3:33

Disc 3

No.	Title	Length
1.	“Both Sides Now” (Intro)	2:05
2.	“Both Sides Now“	3:46
3.	“The Circle Game” (Intro)	1:00
4.	“The Circle Game”	5:18

No.	Title	Length
5.	“Morning Morgantown”	3:31
6.	“Born to Take the Highway”	4:53
7.	“Song to a Seagull” (Intro)	1:31
8.	“Song to a Seagull”	3:55

No.	Title	Length
9.	“Winter Lady”	3:08
10.	“Both Sides Now” (Intro)	1:06
11.	“Both Sides Now”	3:48

No.	Title	Length
12.	“Eastern Rain” (Intro)	1:01
13.	“Eastern Rain”	3:56
14.	“Blue on Blue” (Intro)	0:18
15.	“Blue on Blue”	2:33

No.	Title	Length
16.	“Gemini Twin”	2:53
17.	“Strawflower Me”	1:50
18.	“A Melody in Your Name”	3:59
19.	“Tin Angel”	4:18
20.	“I Don’t Know Where I Stand”	3:00
21.	“Joni Improvising”	1:32

No.	Title	Writer(s)	Length
22.	“Sugar Mountain” (Intro)
23.	“Sugar Mountain”	Neil Young

Disc 4

No.	Title	Length
1.	“I Had a King”	3:29
2.	“Free Darling”	2:45
3.	“Conversation”	5:11
4.	“Morning Morgantown”	3:07
5.	“Dr. Junk”	2:19
6.	“Gift of the Magi”	4:01
7.	“Chelsea Morning“	2:34
8.	“Michael from Mountains”	4:02
9.	“Cara’s Castle”	3:03
10.	“Jeremy” (Incomplete)	2:08

No.	Title	Length
11.	“Conversation”	5:07
12.	“Come to the Sunshine” (Intro)	0:35
13.	“Come to the Sunshine”	3:01
14.	“Chelsea Morning” (Intro)	0:54
15.	“Chelsea Morning”	2:50
16.	“Gift of the Magi” (Intro)	1:15
17.	“Gift of the Magi”	4:27
18.	“Play Little David”	2:53
19.	“The Dowie Dens of Yarrow” (Intro)	1:11
20.	“The Dowie Dens of Yarrow”	3:22
21.	“I Had a King”	4:10
22.	“Free Darling” (Intro)	0:24
23.	“Free Darling”	2:33
24.	“Cactus Tree” (Intro)	1:51
25.	“Cactus Tree”	4:56

Disc 5

No.	Title	Length
1.	“Little Green“	4:04
2.	“Marcie” (Intro)	2:27
3.	“Marcie”	4:48
4.	“Ballerina Valerie” (Intro)	1:32
5.	“Ballerina Valerie”	1:56
6.	“The Circle Game”	4:50
7.	“Michael from Mountains” (Intro)	0:29
8.	“Michael from Mountains”	4:01
9.	“Go Tell the Drummer Man”	3:23
10.	“I Don’t Know Where I Stand” (Intro)	2:31
11.	“I Don’t Know Where I Stand”	3:46

No.	Title	Length
12.	“A Melody in Your Name”	4:21
13.	“Carnival in Kenora” (Intro)	2:09
14.	“Carnival in Kenora”	3:52
15.	“Songs to Aging Children Come”	4:01
16.	“Dr. Junk” (Intro)	1:58
17.	“Dr. Junk”	2:36
18.	“Morning Morgantown”	3:40
19.	“Night in the City” (Intro)	0:51
20.	“Night in the City”	3:30
21.	“Both Sides Now”	4:58
22.	“Urge for Going”

S. J. Perelman, popular raconteur of the 20th Century, doesn’t fare too well in the 21st Century. Perelman loves to include French phases in his stories. Latin phrases, too. Annoying!

Perelman spends plenty of time on Hollywood movies and Broadway plays, now long forgotten. Yes, I love Perelman’s snarky humor, but these stories from 1957 didn’t age well. Dated humor isn’t very humorous at all. Are you a S. J. Perelman fan? GRADE: C

TABLE OF CONTENTS:

And thou beside me, yacketing in the wilderness — 1 Short easterly squall, with low visibility and rising gorge — 10 Cloudland revisited: When to the sessions of sweet silent films — 17 No starch in the dhoti, s’il vous plaît — 27 De gustibus ain’t what dey used to be — 37 I am not now, nor have I ever been, a matrix of lean meat — 44 Cloudland revisited: Roll on, thou deep and dark scenario, roll — 51 The saucier’s apprentice — 59 Whereas, the former premises being kaput — 66 My heart’s in the highlands, and my neckband, too — 74 Cloudland revisited: Vintage swine — 82 Long time no sheepskin — 89 The swirling cape and the low bow — 96 Genuflection in the sun — 107 Cloudland revisited: The wickedest woman in Larchmont — 116 Swindle sheet with blueblood engrailed, arrant fibs rampant — 124 Come on in, the liability’s fine — 131 This little piggy went to market — 138 Cloudland revisited: I’m sorry I made me cry — 146 Danger: molting plumage — 154 Sorry, no phone or mail orders — 162 Don’t tell me, pretty gypsy — 169 Cloudland revisited: By the waters of razz-ma-tazz — 177 Next week at the Prado: Frankie Goya plus monster cast — 184 I’ll always call you Schnorrer, my African explorer — 191 One comely babe, piping hot — 202 Cloudland revisited: “M” is for the migraine that she gave me — 210 You’re my everything, plus city sales tax — 218 Is there a doctor in the cast? — 226 Cloudland revisited: Hungarian goulash, with battered noodles – – 236 Who stole my golden metaphor? — 244 Cloudland revisited: It takes two to tango, but only one to squirm — 251 Calling all addlepates — 259 Cloudland revisited: Shades of young girls among the flummery — 266

And so it begins! Is Winter showing up in your neighborhood?

My first rock concert was Bob Dylan’s Buffalo Concert at the acoustically perfect Kleinhan’s Musical Hall November 20, 1965.  Dylan was backed up by a group of musicians who would become The Band. Here’s the concert setlist:

1. Solo Acoustic
2. She Belongs to Me
3. It’s All Over Now, Baby Blue
4. Desolation Row
5. Don’t Think Twice, It’s Alright
6. Mr. Tambourine Man
7. Electric with the band
8. Tombstone Blues
9. Just Like Tom Thumb’s Blues
10. Like a Rolling Stone
11. Ballad of a Thin Man
12. I Don’t Believe You (She Acts Like We Never Have Met)
13. It Ain’t Me, Babe

Dylan had the local chapter of Hell’s Angels provide security and when some disgruntled fans rang a cow bell during the start of Dylan’s electric set, the Angels put an end to that disruption.

Marc Meyers discusses Bob Dylan’s impact on rock concerts in Chapter 8. He talks about the growing popularity of venues like Fillmore East and Fillmore West. And, of course, the ultimate concert of the Sixties: Woodstock.

The Seventies launched concerts in sporting venues and playing to much larger crowds. And, of course, costumes and lighting and special effects enhanced the viewing experience.

MTV changed the music industry in the Eighties. Music videos fueled concert tours. But, it also sowed the seeds of disruption to rock concerts in the future. Pink Floyd caused a sensation with THE WALL tour. Live Aid may have been the ultimate rock concert.

Marc Meyers includes his picks of the Fifty Best Live Albums, Concert Films, and Rock Documentaries. What was your first rock concert? What was your favorite concert? GRADE: A

Table of Contents:

Introduction 1

Part 1 The 1950s

Chapter 1 Los Angeles Auditoriums 11

Chapter 2 Cleveland Theaters 22

Chapter 3 Chicago Clubs 31

Chapter 4 Memphis Fairs 37

Chapter 5 Northeast Fests 50

Part 2 The 1960s

Cnapter 6 Folk at the Mall 65

Chapter 7 Pop’s Endless Summer 76

Chapter 8 Dylan Invents Rock 97

Chapter 9 Ballrooms and Be-Ins 104

Chapter 10 Festival Mania 119

Part 3 The 1970s

Chapter 11 Image, Media, and Branding 161

Chapter 12 Arenas, Stadiums, and Tours 177

Chapter 13 Sight and Sound 201

Chapter 14 Concert Maximus 220

Chapter 15 Rise of Exurbia 240

Part 4 The 1980s

Chapter 16 Not Just Another Brick 251

Chapter 17 Killing the Radio Star 264

Chapter 18 Computerized Ticketing 274

Chapter 19 And in the End, Live Aid 285

Epilogue 295

Fifty Best Live Albums, Concert Films, and Rock Docs 299

Source List 305

Acknowledgments 311

Despite last week’s debacle in Jacksonville, the Buffalo Bills travel to the Meadowlands to play the NY Jets in MetLife Stadium. Inexplicably, the 5-3 Bills are 11 1/2 point favorites over the 2-6 Jets. Last Sunday in the NFL saw a number of upsets. Will it happen again this week? How will your favorite NFL perform today?

If you like caper movies, you’ll enjoy Red Notice, a Netflix original film. Ryan Reynolds plays a master art thief who is trying to steal all three of Cleopatra’s golden eggs. Dwayne Johnson plays an FBI profiler who can anticipate the movements of criminals. And Gal Gadot plays The Bishop, a mysterious character who is also trying to steal all of Cleopatra’s priceless golden eggs.

Red Notice hopscotches around the world like a global scavenger hunt. Ryan Reynolds, Dwayne Johnson, and Gal Gadot take turns double-crossing the each other while cracking the most sophisticated security systems.

Plenty of action in this heist adventure! If you’re looking for an action movie with humor and plenty of trickery, give Red Notice a try. GRADE: B

The most famous story in The Best From Fantasy and Science Fiction, Eleventh Series is  “Alpha Ralpha Boulevard” by Cordwainer Smith (aka, Paul Linebarger) with the first appearance of C’mell who will play a much bigger role in a future Instrumentality story. Nearly as famous is Kurt Vonnegut’s “Harrison Bergeron” where equality is strictly enforced across society.

I’m a fan of Clifford D. Simak’s work and “Shotgun Cure” includes a doctor named Jason Kelly who encounters aliens who offer to cure humanity of all its diseases. Ah, but about what about side-effects…

The Best From Fantasy and Science Fiction, Eleventh Series presents a nice mix of “Name” SF writers like Poul Anderson, Isaac Asimov, and Gordon R. Dickson with writers on the rise like Evelyn E. Smith and Avram Davidson. All in all, an enjoyable anthology. GRADE: B+

TABLE OF CONTENTS:

• 2 • When I Heard the Learn’d Astronomer • (1865) • poem by Walt Whitman
• 2 • Introduction (The Best from Fantasy and Science Fiction: Eleventh Series) • (1962) • essay by Robert P. Mills
• 7 • The Sources of the Nile • (1961) • novelette by Avram Davidson
• 40 • Somebody to Play With • (1961) • short story by Jay Williams
• 53 • Softly While You’re Sleeping • (1961) • short fiction by Evelyn E. Smith
• 71 • The Machine That Won the War • [Multivac] • (1961) • short story by Isaac Asimov
• 78 • Go for Baroque • (1961) • short story by Jody Scott
• 95 • Time Lag • (1961) • novelette by Poul Anderson
• 134 • George • (1961) • short story by John Anthony West
• 153 • Shotgun Cure • (1961) • short story by Clifford D. Simak
• 172 • The One Who Returns • (1961) • short story by John Berry
• 179 • The Captivity • (1961) • short story by Charles G. Finney
• 189 • Alpha Ralpha Boulevard • [The Instrumentality of Mankind] • (1961) • novelette by Cordwainer Smith
• 222 • Effigy • (1961) • poem by Rosser Reeves
• 224 • E=MC² • (1961) • poem by Rosser Reeves
• 225 • Harrison Bergeron • (1961) • short story by Kurt Vonnegut, Jr.
• 233 • The Haunted Village • (1961) • novelette by Gordon R. Dickson