
This CD from 2004 (hard to believe it’s 20 years ago!) collects most of the John Mellencamp (aka, “John Cougar”) hits from his career. Discovermusic lists what they think are Mellencamp’s 20 best songs (you can read the entire article by Brett Milano here) but here’s the top eleven songs according to Milano:
“The American Dream” (from Chestnut Street Incident, 1976)
Then known as “Johnny Cougar,” John Mellencamp’s debut album is full of unlikely 60s cover songs and slick, glitter-styled production. At the time, he looked and sounded like he really loved Elvis Presley. The opening track is still a solid rocker, introducing the heartland storytelling that would later make his name. Even the chorus, “Ain’t that the American dream,” would later be adapted in a more famous tune of his.
“Ain’t Even Done With the Night” (from Nothin’ Matters and What If It Did, 1981)
Donning the more serious “John Cougar” name, John Mellencamp set his sights on chart success: This tune was part of a string of singles (including “Hurt So Good” and the Pat Benatar-covered “I Need a Lover”) that established him as a radio presence. “Ain’t Even Done…” was the sweetest of the batch, a song that captures the feel of being young and sexed-up. The lyrics evince both insecurity (“Don’t even know if I’m doing this right”) and endless possibility. Sure, there’s a bit of Springsteen here, but the lead mandolin points at his future direction.
“Jack & Diane” (from American Fool, 1982)
An 80s anthem and a No. 1 hit, “Jack & Diane” puts some ambiguity in John Mellencamp’s storytelling: We don’t know where Jack and Diane will end up, this is just a snapshot that feels gritty and real. Sonically, it was state of the art, with that heavy acoustic guitar, the big chord crashes, and the rousing “Oh let it rock” chorus.
“Pink Houses” (from Uh-Huh, 1983)
Enter “John Cougar Mellencamp,” and the most emblematic song of his career (if not quite the biggest hit). The chorus of “ain’t that America” has been adopted by politicians on both sides of the spectrum, but like “Born in the USA,” this is an easy song to misinterpret. Mellencamp’s song is patriotic but not a flag-waver: It calls out inequality and lost dreams, and says that the peoples’ ability to roll with it is what makes this country great.
“Small Town” (from Scarecrow, 1985)
Another year, another anthem: When you hear the words “heartland rock,” “Small Town” is likely the first song that comes to mind. No double edge on this one, it’s a pure celebration of his roots, and the video includes some of the most rural scenes ever to appear on peak-era MTV.
“Rain On the Scarecrow” (from Scarecrow, 1985)
“Scarecrow” made a forceful case for the economically threatened American farmer. Anticipating Farm Aid and a few stacks of similarly-themed songs, this one went a long way toward putting the plight of farmers on the national radar.
“Paper in Fire,” (from The Lonesome Jubilee, 1987)
Now hitting the peak of his 80s fame, John Mellencamp was blending rock and roots into his own kind of American music. The pairing of accordion and fiddle with Kenny Aronoff’s power drumming made this an especially potent band. Though it still works as a fist-waver, “Paper in Fire” found him writing on a more metaphorical level about how the grandest dreams can turn to ashes.
“Shama Lama Ding Dong” (single, 1987)
For all the deep thoughts in his songs, John Mellencamp could do pure fun with the best. This rarity is a prime example: Originally played by Otis Day & the Knights in the movie Animal House, “Shama Lama Ding Dong” was a nod to the soulful sound of North Carolina beach music. It was a popular live tune in the Lonesome Jubilee era, and a studio version appeared on the B-side of the “Cherry Bomb” single. Still non-LP after all these years, so happy hunting.
“Big Daddy of Them All” (from Big Daddy, 1989)
Big Daddy was a surprise. It was a darker album that largely avoided the usual rockers and anthems and had more of a world-weary tone. The hit single “Pop Singer” is one of John Mellencamp’s crankiest. This sort-of title track opened the album and set its tone, telling of a character who gains power but loses his soul. The sound is likewise stripped-down, with an aggressive lead guitar that appears only in the middle and end.
“I Ain’t Never Satisfied” (from Whenever We Wanted, 1991)
Just when it seemed John Mellencamp had grown away from straight-ahead rock, he picked it back up with a vengeance on this oft-overlooked 1991 album – the first to be credited to “John Mellencamp.” He was confident enough to release half of its ten tracks as singles – but oddly, this standout track wasn’t one of those. With a killer guitar riff and clever lyrics (“I try anything once, but then I do it to death”), this is as stripped-down and punkish as Mellencamp gets. Cheers to the terrific guitarist David Grissom, pinched from Texas rocker Joe Ely’s band.
“Wild Night” (from Dance Naked, 1994)
Cover tunes are an enduring part of John Mellencamp’s catalogue, he even devoted a full compilation album to Other Peoples’ Stuff in 2018. “Wild Night” makes our list, partly because it was a big hit and because it gives one of Van Morrison’s most beloved tunes a run for its money. Mellencamp doesn’t change the feel of the song much, though he does replace Morrison’s horns with a wall of guitars. But the vocal tradeoffs with Me’Shell Ndegeocello are the real kicker.
How many of these 35 John Mellencamp songs do you remember? Any favorites here? GRADE: B+
TRACK LIST:
| 1-1 | Walk Tall | 3:45 | |
| 1-2 | Pink Houses | 4:46 | |
| 1-3 | Lonely Ol’ Night | 3:46 | |
| 1-4 | Jackie Brown | 4:04 | |
| 1-5 | Rain On The Scarecrow | 3:46 | |
| 1-6 | Love And Happiness | 3:55 | |
| 1-7 | Check It Out | 4:21 | |
| 1-8 | Peaceful World | 4:07 | |
| 1-9 | Paper In Fire Written-By – Don Gehman, John Mellencamp* | 3:52 | |
| 1-10 | Your Life Is Now Written-By – George Green (4), John Mellencamp* | 4:00 | |
| 1-11 | Human WheelsWritten-By – George Green (4), John Mellencamp* | 5:37 | |
| 1-12 | When Jesus Left Birmingham | 5:17 | |
| 1-13 | Authority Song | 3:50 | |
| 1-14 | What If I Came Knocking | 5:06 | |
| 1-15 | Crumblin’ Down Written-By – George Green (4), John Mellencamp* | 3:36 | |
| 1-16 | Small Town | 3:43 | |
| 1-17 | R.O.C.K. In The U.S.A. | 2:56 | |
| 1-18 | Cherry Bomb | 4:50 | |
| 1-19 | Pop Singer | 2:46 | |
| 2-1 | Thank You | 3:38 | |
| 2-2 | Martha Say | 3:43 | |
| 2-3 | Key West Intermezzo (I Saw You First) Written-By – George Green (4), John Mellencamp | 4:54 | |
| 2-4 | Hand To Hold On To | 3:25 | |
| 2-5 | I Need A Lover | 5:36 | |
| 2-6 | Hurts So Good Written-By – George Green (4), John Mellencamp*Written-By – George Green (4), John Mellencamp* | 3:41 | |
| 2-7 | Get A Leg Up | 3:47 | |
| 2-8 | Wild Night Written-By – Van Morrison | 3:28 | |
| 2-9 | Dance Naked | 3:01 | |
| 2-10 | Teardrops Will Fall Written-By – Dicky Doo, Marion Smith | 4:20 | |
| 2-11 | Ain’t Even Done With The Night | 4:38 | |
| 2-12 | Just Another Day | 3:31 | |
| 2-13 | Jack & Diane | 4:17 | |
| 2-14 | Rumble Seat | 2:59 | |
| 2-15 | I’m Not Running Anymore | 3:27 | |
| 2-16 | Again Tonight | 3:18 | |
| 2-17 | This Time | 4:20 | |
| 2-18 | Now More Than Ever |










