FRIDAY’S FORGOTTEN BOOKS #765: MURDER FOR HALLOWEEN Edited by Michele Slung & Roland Hartman

My favorite story in Murder for Halloween (1994) is Edward D. Hoch’s clever Nick Velvet heist, “The Theft of the Halloween Pumpkin.” Nick Velvet only steals worthless items so when a woman wants to hire him to steal a Halloween pumpkin, Velvet accepts. Only later does Velvet learn that sometimes a Halloween pumpkin can be more than a pumpkin.

I also enjoyed Ellery Queen’s “The Adventure of the Dead Cat” where a game at a Halloween Party turns deadly. Steven Saylor, who specializes in crime-solving in the Roman Empire, delivers “The Lemures,” a story about lemures (aka, the unquiet dead) and murderous deception.

It was fun to reread Robert Bloch’s “The Cloak,” a story he wrote back in 1939. Vampires are involved. Gahan Wilson, best known for his cartoons, made me laugh with “Yesterday’s Witch,” with a witch named Miss Marbles (a sly nod to Agatha Christie’s Miss Marple).

Murder for Halloween offers a variety of stories with various settings and characters. If you’re in the mood for Halloween stories with an edge, Murder for Halloween certainly provides some memorial tales! GRADE: B+

TABLE OF CONTENTS:

PREFACE — xiii

Monsters / Ed McBain — 1

The lemures / Steven Saylor — 9

The adventure of the dead cat / Ellery Queen — 43

The odstock curse / Peter Lovesey — 65

The theft of the Halloween pumpkin / Edward D. Hoch — 81

Hallowe’en for Mr. Faulkner / August Derleth — 99

Deceptions / Marcia Muller — 111

The black cat / Edgar Allan Poe — 135

Omjagod / James Grady — 147

The cloak / Robert Bloch — 173

What a woman wants / Michael Z. Lewin — 191

Yesterday’s witch / Gahan Wilson — 211

Walpurgis night / Bram Stoker — 221

Trick or treat / Judith Garner — 237

One night at a time / Dorothy Cannell — 243

Night of the goblin / Talmage Powell — 267

Trick-or-treat / Anthony Boucher — 279

Pork pie hat / Peter Straub — 297

ABOUT THE EDITORS — 363

10 thoughts on “FRIDAY’S FORGOTTEN BOOKS #765: MURDER FOR HALLOWEEN Edited by Michele Slung & Roland Hartman

  1. Todd Mason

    “The Cloak” is notable, as I remember it, as the earliest of the distinctive Bloch-approach (which was coming into it/his own by this time) handing of the vampire concept. Or, at very least, a notable early example of this. Not at all Lovecraftian, largely based in a reasonably well-fleshed out contemporary context, and Things Go Wrong.

    Reply
      1. Todd Mason

        He did start young. That he was all but intentionally throwing off his explicit Lovecraftian trappings is indicative of not only coming into adulthood full stop but also as an artist, as, say, Fritz Leiber did at the same time as a slightly older young writer, and unlike the more slavish Lovecraftians, the first-gen Lin Carters.

      2. george Post author

        Todd, it had to be heady stuff for Robert Bloch to have H. P. Lovecraft writing him letters and inviting Bloch to contribute to the Mythos!

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