1-1 | The Marvelettes– | Please Mr. Postman Producer – Brianbert Written-By – Brian Holland, Freddie Gorman, Georgia Dobbins, Robert Bateman, William Garrett | 2:27 |
1-2 | Smokey Robinson & The Miracles*– | Shop Around Producer – Berry Gordy Written-By – Berry Gordy, William “Smokey” Robinson | 2:46 |
1-3 | Martha Reeves & The Vandellas– | (Love Is Like A) Heat Wave Producer – Brian Holland & Lamont Dozier *Written-By – Brian Holland, Lamont Dozier & Edward Holland | 2:43 |
1-4 | Mary Wells– | My Guy Producer – Smokey Robinson Written-By – William “Smokey” Robinson | 2:53 |
1-5 | Marvin Gaye & Tammi Terrell– | Ain’t Nothing Like The Real Thing Producer – Ashford & Simpson Written-By – Nickolas Ashford & Valerie Simpson | 2:15 |
1-6 | Four Tops– | I Can’t Help Myself (Sugar Pie Honey Bunch) Producer – Brian Holland & Lamont Dozier *Written-By – Brian Holland, Lamont Dozier & Edward Holland, Jr. | 2:43 |
1-7 | The Originals– | Baby I’m For Real Arranged By – Paul Riser Producer – Marvin Gaye, Richard Morris (2) Written-By – Anna Gaye*, Marvin Gaye | 3:18 |
1-8 | Jimmy Ruffin– | What Becomes Of The Brokenhearted Producer – William “Mickey” Stevenson*, William Weatherspoon Written-By – William Weatherspoon, James Dean*, Paul Riser | 2:59 |
1-9 | Eddie Kendricks– | Keep On Truckin’ Producer – Frank Wilson, Leonard Caston Written-By – Anita Poree, Frank Wilson, Leonard Caston | 3:32 |
1-10 | Jackson 5*– | ABC Producer, Arranged By – Berry Gordy, Deke Richards, Alphonso Mizell*, Freddie Perren Written-By – Berry Gordy, Deke Richards, Alphonso Mizell*, Freddie Perren | 2:57 |
1-11 | Diana Ross & The Supremes*– | Stop! In The Name Of Love Producer – Brian Holland & Lamont Dozier *Written-By – Brian Holland, Lamont Dozier & Edward Holland, Jr.* | 2:53 |
1-12 | Stevie Wonder– | My Cherie Amour Producer – Henry Cosby Written-By – Henry Cosby, Stevie Wonder, Sylvia Moy | 2:53 |
1-13 | Gladys Knight & The Pips*– | Neither One Of Us (Wants To Be The First To Say Goodbye) Producer – Joe Porter Written-By – Jim Weatherly | 4:22 |
1-14 | The Temptations– | Just My Imagination (Running Away With Me) Directed By [Orchestration Direction] – Jerry Long Producer – Norman Whitfield Written-By – Barrett Strong, Norman Whitfield | 3:47 |
1-15 | Marvin Gaye– | What’s Going On Arranged By – David Van DePitte Producer – Marvin Gaye Written-By – Al Cleveland, Marvin Gaye, Renaldo Benson | 3:42 |
1-16 | Diana Ross & The Supremes*– | Someday We’ll Be Together Producer – Johnny Bristol Written-By – Harvey Fuqua, Jackey Beavers, Johnny Bristol | 3:27 |
1-17 | The Temptations– | Papa Was A Rollin’ Stone Arranged By, Conductor – Paul Riser Producer – Norman Whitfield Written-By – Barrett Strong, Norman Whitfield | 6:58 |
1-18 | Jackson 5*– | I’ll Be There Arranged By – Bob West Producer – Hal Davis Written-By – Berry Gordy, Bob West, Hal Davis, Willie Hutch | 3:58 |
1-19 | Smokey Robinson & The Miracles*– | Tears Of A Clown Producer – Henry Cosby, Smokey Robinson Written-By – Henry Cosby, Smokey Robinson, Stevie Wonder | 3:00 |
1-20 | Diana Ross– | When You Tell Me That You Love MeProducer – Peter AsherWritten-By – Albert Hammond, John BettisProducer – Peter AsherWritten-By – Albert Hammond, John Bettis | 4:12 |
1-21 | Martha Reeves & The Vandellas– | Dancing In The Street Producer – William “Mickey” Stevenson *Written-By – Ivy Hunter*, Marvin Gaye, William “Mickey” Stevenson | 2:39 |
2-1 | Rick James– | Superfreak Producer, Arranged By – Rick James Written-By – Alanzo Miller*, Rick James | 3:24 |
2-2 | Dazz Band– | Let It Whip Arranged By – Dazz*, Reggie Andrews Producer – Reggie Andrews Written-By – Ndugu Chancler*, Reggie Andrews | 4:06 |
2-3 | Johnny Gill– | Rub You The Right Way Producer – Jimmy Jam & Terry Lewis Written-By – James Harris III, Terry Lewis | 4:14 |
2-4 | Jermaine Jackson– | Let’s Get Serious Arranged By – Stevie Wonder Producer – Jermaine Jackson, Stevie Wonder Written-By – Lee Garrett, Stevie Wonder | 3:33 |
2-5 | Teena Marie & Rick James– | Fire & Desire Producer, Arranged By – Rick James Written-By – Rick James | 5:46 |
2-6 | Rockwell– | Somebody’s Watching Me Producer, Arranged By – Curtis Anthony Nolen, Rockwell Written-By – Rockwell | 3:55 |
2-7 | The Temptations– | My Girl Producer – Smokey Robinson Written-By – William “Smokey” Robinson | 2:43 |
2-8 | Edwin Starr– | War Producer – Norman Whitfield Written-By – Barrett Strong, Norman Whitfield | 3:22 |
2-9 | Diana Ross– | I’m Coming Out Producer – Bernard Edwards & Nile Rodgers Written-By – Bernard Edwards & Nile Rodgers | 3:54 |
2-10 | Lionel Richie– | All Night Long (All Night) Producer – James Anthony Carmichael, Lionel Richie Written-By – Lionel Richie | 4:15 |
2-11 | DeBarge– | All This Love Producer – Eldra DeBarge*, Iris Gordy Written-By – Eldra DeBarge | 4:09 |
2-12 | The Commodores*– | Three Times A Lady Producer – The Commodores*, James Anthony Carmichael Written-By – Lionel Richie | 3:38 |
2-13 | Shanice– | I Love Your Smile Producer, Arranged By – Narada Michael Walden Written-By – Jarvis Baker, Narada Michael Walden, Shanice Wilson, Sylvester Jackson | 4:23 |
2-14 | Boyz II Men– | I’ll Make Love To You Producer – Babyface Written-By – Babyface | 3:58 |
2-15 | Stevie Wonder– | Superstition Producer – Stevie Wonder Written-By – Stevie Wonder | 4:01 |
2-16 | Marvin Gaye– | Let’s Get It On Producer – Ed Townsend, Marvin Gaye Written-By – Ed Townsend, Marvin Gaye | 4:01 |
2-17 | Today– | Him Or Me Producer – Gene Griffin, Teddy Riley Remix – Timmy Regisford Written-By – Gene Griffin, Larry McCain, Larry Singletary, Lee Drakeford, Wesley Adams | 4:20 |
2-18 | Dennis Edwards Featuring Siedah Garrett– | Don’t Look Any Further Arranged By – Dennis Lambert, Paul M. Jackson *Co-producer [Associate Producer] – Paul M. Jackson, Jr.* Producer – Dennis Lambert Written-By – Dennis Lambert, Duane Hitchings, Franne Golde | 4:04 |
2-19 | Jackson 5* Featuring Black Rob– | I Want You Back ’98 | 4:20 |
I remember all of the songs on the first CD – and I like them.
Not sure about the second CD. The Temptations of course but even the Marvin Gaye song doesn’t bring back memories though he was a favourite of mine.
I’ve written about it before – I was so happy to have Radio Luxemburg (English program) and of course AFN.
Wolf, the second CD contains some of Motown’s less memorable “hits.”
No comment. I’m saving it for MOTOWN: THE FINAL COMPILATION.
Michael, I’m a far away from MOTOWN: THE FINAL COMPILATION: https://en.wikipedia.org/wiki/Category:Motown_compilation_albums
I like most of the songs here. There are a few exceptions. I have always disliked My Cherie Amour and Three Times a Lady. I could also do without Boys II Men, Shanice, Jermaine Jackson, Lionel Ritchie and Debarge. Never heard of Today. Could have used more early Motown.
Steve, I agree with you. The early Motown music was way better than the later stuff that shows up on the second CD.
Although I like many of the songs on this set, some of the choices seem odd—if you’re going to choose a Diana Ross (without the Supremes, who aren’t here at all), why choose something written by Albert Hammond and produced by Peter Asher when Motown had all those great songs created by their in-house writers & producers? Overall, this set has the feel of those “themed” CDs that are based less on theme and more on what songs were legally available. So, in the spirit of Jean-Luc Godard, who once observed that the best way to criticize a bad film was to make a better one, may I suggest a much better Motown collection: the 4-CD set, HITSVILLE USA, which includes ALL the great Motown records and artists from the late-1950s through the mid-1970s. Strongly recommended and worth every penny!
Deb, HITSVILLE USA is great. HITSVILLE USA 2 is not: https://www.amazon.com/Hitsville-USA-Vol-Collection-1972-1992/dp/B00004U04R/ref=sr_1_4?crid=224VRQJJ3YRW7&dchild=1&keywords=hitsville+usa+the+motown+singles+collection+1959-1971&qid=1631796583&s=music&sprefix=hitsvill%2Caps%2C177&sr=1-4
Yep—the sad decline of Motown.
Like you said, a lot of great stuff there…and a sharp drop-off to the more modern stuff. One song (‘ve always disliked (thought not as much as I dislike her version of “Ain’t No Mountain High Enough”) is Diana Ross’s “I’m Coming Out.”
Highlights and favorites:
“Please Mr. Postman” was the first Motown #1 song.
“My Guy” and “My Girl” (one of my all-time favorites) were both #1 and written by Smokey Robinson
“What Becomes of the Brokenhearted” is one of Jackie’s favorite songs ever.
With all of Diana Ross’s hit songs, where did they come up with “When You Tell Me That You Love Me”? I never heard of it.
“Heat Wave” is my favorite Martha & the Vandellas song.
I still have a soft spot for “Superfreak” by Rick James..
I can’t think of “War” (What is it good for?) without thinking of Seinfeld.
But where is “I Heard It Through the Grapevine” (either version) or “Reach Out I’ll Be There”?
And obviously, we agree on HITSVILLE, U.S.A., which I play frequently.
Jeff, I have a Motown compilation with both versions of “I Heard It Through the Grapevine”–Gladys Knight and Marvin Gaye’s hits. I have a soft spot for Rick James, too. He was from Buffalo and managed to screw up a promising career with drugs.
Also as the theme song of FAMILY LAW, currently in nightly repeats on the StartTV network.
“War”, that is. Good God, y’all.
Maybe the decline of Motown is connected to the crazy antics and business practices of its founder and owner Berry Gordy?
Btw he’s still alive at 91 years!
Wolf, Berry Gordy committed many business mistakes (and personal ones like having affairs with his artists), but I suspect the “Motown Sound” fell out of fashion and despite attempts to rekindle his early success, Gordy finally gave up and sold Motown to MCA in 1988.
It’s notable the best work on disc 2 is from the mature artists (Stevie Wonder, Marvin Gaye) whom Gordy had the good sense to let them do what they wanted, not that he had much choice if he wanted to keep them on the label. While I’m surprised there’s so much commentary on how little on disc 2 is recognizable, so much as probably forgotten–as catchy as Gordy’s son’s “Somebody’s Watching Me” is, it’s dispensable, too…as were all the Commodores songs involving and solo work of Lionel Richie was (and Richie work isn’t even catchy so much as annoying…the Commodores’ post-Richie hit “The Night Shift” is notable for being better than any Richie song they did). Investing so much in Diana Ross to the expense of Martha and the Vandellas, the other Supremes, and all was always a mistake. Success spoiled Gordy.
Todd, you’ve got that right! Berry Gordy made plenty of Bad Decisions in the 1970s that led him to sell Motown in the 1980s. Like many people, Gordy thought his success would continue despite all the signs that musical tastes were changing.
Some excellent songs here but I’d be just as happy hearing Jackie Wilson and Sam Cooke!
Bob, I have some Sam Cooke in my Listening Queue!
I like a lot of Motown, but the Hitsville CDs are better than this, I think.
Rick, the first HITSVILLE 4-CD set is the Gold Standard.