WON’T BACK DOWN: HEARTLAND ROCK AND THE FIGHT FOR AMERICA By Erin Osman and Tom Petty and the Heartbreakers Greatest Hits and Bob Seger and the Silver Bullet Band Greatest Hits

“The ‘core four’ figures of Springsteen, Seger, Petty, and Mellencamp are familiar and important, but this book also examines the lives and work of musicians who never truly broke through to mainstream audiences. As heartland rock has long been consider the domain of white men, I’ve also sought to hight the vital contributions of women and people of color.” (p. 3)

Erin Osmon’s Won’t Back Down (2026) explores the 1980s music scene and focuses on four key figures who dominated much of the music of that era: Bruce Springsteen, Bob Seger, Tom Petty, and John Mellencamp. “Working-Class Rock” (aka, Heartland Rock)–epitomized by songs like Mellencamp’s “Small Town” and Seger’s “Against the Wind”–“unlike American folk music, heartland rock was highly commercial, broadcast on nearly every radio station, and sold in every shopping mall, truck stop and local record store.” (p. 11)

MTV and VH1 helped fuel heartland rock by playing Springsteen, Seger, Petty, Mellencamp, and other music videos of that genre in heavy rotation.

“The best heartland rock songs make the listener sentimental for a youth they never had. John Mellencamp’s ‘Jack & Diane,’ Bob Seger’s ‘Night Moves,’ Bruce Springsteen’s ‘Glory Days,’ Bonnie Raitt’s ‘Can’t Help Myself,’ Tom Petty’s ‘Even the Losers,’ Lucinda Williams’s ‘The Night’s Too Long,’ Don Henley’s ‘The Boys of Summer,’ Bruce Hornsby’s ‘Mandolin Rain.’ Each evokes a specific time and place to the artist, but are rendered to such a tender and evocative way that they become personal, cozy even, to the listener. These songs imprint on the psyche like a handknitted scarf or a mother’s lasagna.” (p. 132)

I’m impressed by Erin Osmon’s Won’t Back Down and the ride it takes the reader down Memory Lane in the 1980s. Are you a fan of Heartland Rock? GRADE: A

TABLE OF CONTENTS:

Introduction — 1

1980 Running Against the Wind — 7

1981 Ugly Truths and Hard Promises — 30

1982 Machines of the Year — 56

1983 Hometown Heroes — 88

1984 New Patriotism — 111

1985 The Year of Aid — 139

1986 The Way It Is — 175

1987 Growing Pains — 206

1988 Turning the Tables — 240

1989 The Storm Ahead — 264

Afterword — 283

Acknowledgements –– 291

Appendix. 150 Essential Heartland Rock Songs — 293

Notes — 301

Index — 315

TRACK LIST:

1Tom Petty And The HeartbreakersAmerican Girl Producer – Denny CordellWritten-By – Tom Petty3:30
2Tom Petty And The HeartbreakersBreakdown Producer – Denny CordellWritten-By – Tom Petty2:42
3Tom Petty And The HeartbreakersListen To Her Heart Producer – Denny CordellNoah SharkTom PettyWritten-By – Tom Petty3:01
4Tom Petty And The HeartbreakersI Need To KnowProducer – Denny CordellNoah SharkTom PettyWritten-By – Tom Petty2:23
5Tom Petty And The HeartbreakersRefugee Producer – Jimmy IovineTom PettyWritten-By – Mike CampbellTom Petty3:21
6Tom Petty And The HeartbreakersDon’t Do Me Like That Producer – Jimmy IovineTom PettyWritten-By – Tom Petty2:40
7Tom Petty And The HeartbreakersEven The Losers Producer – Jimmy IovineTom PettyWritten-By – Tom Petty3:35
8Tom Petty And The HeartbreakersHere Comes My GirlProducer – Jimmy IovineTom PettyWritten-By – Mike CampbellTom Petty4:33
9Tom Petty And The HeartbreakersThe Waiting Producer – Jimmy IovineTom PettyWritten-By – Tom Petty3:54
10Tom Petty And The HeartbreakersYou Got Lucky Producer – Jimmy IovineTom PettyWritten-By – Mike CampbellTom Petty3:37
11Tom Petty And The HeartbreakersDon’t Come Around Here No More Musician – David A. StewartProducer – David A. StewartJimmy IovineTom PettyWritten-By – David A. StewartTom Petty5:06
12Tom PettyI Won’t Back DownMusician – George HarrisonJeff LynneProducer – Jeff LynneMike CampbellTom PettyWritten-By – Jeff LynneTom Petty2:56
13Tom PettyRunnin’ Down A Dream Musician – Jeff LynneProducer – Jeff LynneMike CampbellTom PettyWritten-By – Jeff LynneMike CampbellTom Petty4:23
14Tom PettyFree Fallin’ Musician – Jeff LynneProducer – Jeff LynneMike CampbellTom PettyWritten-By – Jeff LynneTom Petty4:14
15Tom Petty And The HeartbreakersLearning To Fly Musician – Jeff LynneProducer – Jeff LynneMike CampbellTom PettyWritten-By – Jeff LynneTom Petty3:57
16Tom Petty And The HeartbreakersInto The Great Wide Open Musician – Jeff LynneProducer – Jeff LynneMike CampbellTom PettyWritten-By – Jeff LynneTom Petty3:38
17Tom Petty And The HeartbreakersMary Jane’s Last Dance Producer – Mike CampbellRick RubinTom PettyWritten-By – Tom Petty4:32
18Stevie Nicks And Tom Petty & The Heartbreakers*–Stop Draggin’ My Heart Around Featuring [With] – Stevie NicksProducer – Jimmy IovineTom PettyWritten-By – Mike CampbellTom Petty

TRACK LIST:

1Roll Me Away Engineer – Shelly YakusGuitar – Waddy WachtelMixed By – Greg EdwardOrgan – Craig FrostPercussion – Bobbye HallProducer – Jimmy IovineSynthesizer – Michael Boddicker4:36
2Night Moves Backing Vocals – Laurel WardRhonda SilverSharon Dee Williams*Drums – Charlie Allen MartinEngineer – Brian ChristianGuitar – Joe MiquelonMixed By – Jim BruzzesePiano, Organ – Doug RileyProducer – Jack Richardson5:25
3Turn The Page Drums – Charlie Allen MartinElectric Piano – Bob SegerGuitar – Drew AbbottMellotron – Robyn Robbins*Mixed By – Jim BruzzeseJim Bruzzese5:01
4You’ll Accomp’ny Me Backing Vocals – Ginger BlakeLaura CreamerLinda DillardOrgan, Synthesizer – Bill PaynePercussion – Sam Clayton3:59
5Hollywood Nights Backing Vocals – Julie Waters*, Luther WatersMaxine WatersOren WatersGuitar – Bob SegerOrgan – Bill PaynePercussion – David Teegarden4:59
6Still The Same Backing Vocals – Clydie KingShirley Mathews*, Venetta FieldsOrgan – Robyn Robbins*Percussion – David TeegardenPiano – Bob Seger3:19
7Old Time Rock & Roll Backing Vocals – George Jackson (3)James Lavell EasleyStanley CarterEngineer – Greg Hamm*Piano – Randy McCormickWritten By – G. Jackson/T. Jones IIIWritten-By – G. Jackson*, T. Jones III*3:12
8We’ve Got Tonight Arranged By [Strings], Conductor [Strings] – Jim Ed NormanBacking Vocals – Clydie KingShirley Mathews*, Venetta FieldsEngineer – Steve MeltonKeyboards – Barry BeckettLead Guitar – Pete CarrRhythm Guitar – Jimmy Johnson (4)4:38
9Against The Wind Backing Vocals – Bob SegerGlenn FreyGuitar – Drew AbbottPiano, Organ – Paul Harris (2)Producer, Engineer, Mixed By – Bill Szymczyk5:32
10Mainstreet Engineer – Jerry MastersSteve MeltonKeyboards – Barry BeckettLead Guitar, Acoustic Guitar – Pete CarrMixed By – Jim BruzzeseRhythm Guitar – Jimmy Johnson (4)3:42
11The Fire Inside Acoustic Guitar – Steve LukatherBass – Bob GlaubEngineer – David Cole (4)Thom PanunzioOrgan – Jai Winding5:53
12Like A Rock Acoustic Guitar – Dawayne BaileyBacking Vocals – Douglas KibbleIzora ArmsteadMartha WashCo-producer, Mixed By – David Cole (4)Engineer – Shelly YakusOrgan – Craig FrostPiano – Bob SegerSlide Guitar – Rick Vito5:53
13C’est La Vie Engineer – Gerard SmerekGuitar – Bob SegerMixed By – Ed CherneySaxophone [Additional] – Crystal TalieferoJimmy RomeoTomo ThomasWritten-By – Chuck Berry2:58
14In Your Time Backing Vocals – Donny GerrardLaura CreamerRosemary ButlerShaun MurphyEngineer – David Cole (4)Guitar – Tim MitchellMixed By – Ed CherneySynthesizer – Bob Seger

WEDNESDAY’S SHORT STORIES #271: THE SPACE OPERA RENAISSANCE Edited by David G. Hartwell and Kathryn Cramer (Section IV)

David G. Hartwell and Kathryn Cramer’s The Space Opera Renaissance, a 941 page mammoth volume from 2006, is divided into six sections.  I’ve already reviewed Section 1 (you can read my review here) and you can read my review of Section 2 here and Section 3 here.

Dan Simmons, once a resident of Western New York, scored Success in Science Fiction with his Hyperion Cantos (winning a Hugo Award), and Success in the Fantasy/Horror fields with novels like A Winter’s Haunting (2002). “Orphans of the Helix” deals with a distress call that leads to a First Contact situation. GRADE: B

Colin Greenland, a British SF writer best known for his Plenty series, delivers a canny story of the Future of artistic endeavors with “The Well Wishers.” GRADE: B-

Peter Hamilton started his Science Fiction career in the early 1990s with three SF detective novels: Mindstar Rising (1993), A Quantum Murder (1994), and The Nano Flower (1995). Hamilton’s story, “Escape Route,” has the same flavor with a crew of a spaceship for hire contracting to take an “investment” team into a remote area to search for an asteroid full of gold. But appearances are deceptive… GRADE: B

David Weber is best known for his Honor Harrington series: 15 primary novels with the main storyline beginning with On Basilisk Station (1993) and concluding its current arc with Toll of Honor (2024). Weber has written that he has based his Honor Harrington series on C. S. Forester’s Hornblower series.

Honor Harrington is a young woman who rises through the space navy while confronted with many problems and crises. “Ms. Midshipwoman Harrington” tells the story of Harrington’s first assignment–on the starship, War Maiden, a heavy cruiser. Harrington has to contend with a bullying senior officer and a space battle to prove she belongs. GRADE: B+

Catherine Asaro’s “Aurora in Four Voices” blends space opera and romance into a suspenseful adventure. GRADE: B

R. Garcia y Robert’s “Ring Rats” presents an entertaining space pirate story. GRADE: B

Allen Steele’s “The Death of Captain Future” won the 1996 Hugo Award for Best Novella. Steele would go on and write Avengers of the Moon (2014)–you can read my review here–as a homage to Edmond Hamilton’s wonderful character. GRADE: A

TABLE OF CONTENTS:

IV. Volunteers: Revisionaries (early 90s)

“Orphans of the Helix” by Dan Simmons — 311

“The Well Wishers” by Colin Greenland — 344

“Escape Route” by Peter Hamilton — 379

“Ms Midshipwoman Harrington” by David Weber — 415

“Aurora in Four Voices” by Catherine Asaro — 493

“Ring Rats” by R. Garcia y Robertson — 524

“The Death of Captain Future” by Allen Steele — 557

THE SHEEP DETECTIVES

I have an aversion to mysteries where cats, dogs, and other creatures solve crimes. So you can imagine my reaction when Diane said, “Let’s go see The Sheep Detectives.”

Life is all about compromise–and Diane is coming with me to see The Mandalorian and Grogu later this week–so away we went to our local AMC Theater. Diane will watch anything with Hugh Jackman in it and I feel the same way about Emma Thompson.

Hugh Jackman plays a Shepard named George who loves his sheep and names all of them. His favorite is Lily. George reads mystery novels to his sheep and Lily (voiced by Julia Louis-Dreyfus) can solve the mystery before George gets to the Big Reveal every time!

(Mild Spoiler Alert!) George gets murdered and the sole policeman–Officer Tim Derry (Nicholas Braun)–in the small English town of Denbrook…is baffled. So Lily and her sheep pals of the flock– Sebastian (Bryan Cranston) and Mopple (Chris O’Dowd)–to help him find the murderer.

The suspects include an innkeeper (Hong Chau) with a crush on George, a minister (Kobna Holdbrook-Smith) who was accepting large cash payments from George for an unknown reason, a neighboring shepherd (Tosin Cole) who George considered a “Bad Shepherd”, a butcher aptly named Ham (Conleth Hill), and George’s not-seen-in-many-years daughter from America, Rebecca (Molly Gordon).

Based on Leonie Swann’s Three Bags Full, The Sheep Detectives follows a the similar pattern as Babe. Director Kyle Balda (an animation specialist who has co-directed three features in the “Despicable Me” universe), went with a throwback feel to the movie with the exception of the digital sheep. Diane and I both enjoyed the verbal interplay between the sheep as they worked on their investigation. If you’re looking for something different, give The Sheep Detectives a try. GRADE: A

HOW TO START: DISCOVERING YOUR LIFE’S WORK By Jodi Cantor

It’s Graduation Season and Jodi Kantor’s slim 100-page book, How to Start: Discovering Your Life’s Work (2026), shows up at exactly the Right Time. Jodi Kantor, a New York Times investigative reporter, won a Pulitzer Prize for Public Service by revealing the Dark Side of Harvey Weinstein’s abuse of women. When Columbia University, her alma mater, asked Kantor to deliver the Graduation Address, she agreed. When Kantor reached out to Columbia students about to graduate, she found them in a panic.

Cuts to internships, programs, and scholarships reduced options for students. The impact of Artificial Intelligence on the job market–effectively eliminating many entry level professional positions–caused many students to wonder if the years spent at Columbia University–and the money–were wasted.

Jodi Kantor uses her own career experience to deliver some sensible advice to these Columbia Graduates. Kantor originally went to Harvard Law School after graduating from Columbia University. But Kantor soon realized she wasn’t interested in becoming a lawyer. Her true passion was to become an investigative journalist…so she dropped out of Harvard to the dismay of her friends and parents. Instead, Kantor launched her successful career.

If you know some student who is graduating from college, I can’t think of a better gift than How to Start. It’s a book filled with practical suggestions, success examples, and…hope. GRADE: A

TABLE OF CONTENTS:

Introduction –1

Craft — 17

Need — 31

Money — 41

How to Start — 53

Why to Start — 85

Acknowledgements — 93

CONGRATS YOU HAVE GRADUATED FROM COLONOSCOPIES!

Yes, that “CONGRATS YOU HAVE GRADUATED FROM COLONOSCOPIES!” was the highlight of my PROCEDURE SUMMARY after my colonoscopy.

Last November 2025, at my annual physical, my doctor noted, “You’re due for a colonoscopy.” So I called my gastro guy (who had done the previous three colonoscopies) and talked to his scheduling nurse. “I’d like to book a colonoscopy appointment, but not during the Christmas and New Year’s season.” She laughed and said, “Our earliest date is May 10, 2026.”

So I took it. But in February 2026, I got a letter saying: “We have to reschedule your colonoscopy appointment. The doctor will be out of town.” So I called again and was told, “Our earliest opening is May 14, 2026.” So I took it.

Before I knew it, it was May 13 and I was taking 2 Dulcolax tablets and drinking a mixture of 64 ounces of Gatorade and 238 grams of MiraLAX. Self-induced Diarrhea is No Fun!

Diane and I got up at 5:45 AM the next morning and I drove to Sisters Hospital. We checked in at 7:00 AM and by 7:15 I was ushered into the Colonoscopy Suite. After my nurse, Megan, checked my vitals, I was gowned up and taken to the Operating Room. A nurse hooked me up to an IV and as soon as the Versed hit, I was unconscious. I woke up in the Recovery Area and before I knew it, I was dressed and wheel-chaired out to Diane’s waiting vehicle. I came home, had some toast and coffee and went back to sleep.

I have recovered and I’m happy that I have a No Colonoscopy Future! What’s your colonoscopy situation?

 The Punisher: One Last Kill and DAREDEVIL: BORN AGAIN (Disney+)

As I recovered from my colonoscopy, the anesthesia (Versed) fogged my brain so I decided, since reading was impossible, to watch some series on Disney+. The Punisher: One Last Kill starts with Frank Castle (Jon Bernthal) about to end his troubled life, but a hallucination stops him. Then, Castle is confronted by crime lord Ma Gnucci, the matriarch of the Gnucci Crime Family, who seeks revenge for Castle’s murder of her husband and three sons. Gnucci reveals that she has placed a bounty on Castle’s head, attracting every common criminal in the area.

That triggers a massive attack where Castle has to fight for his life against dozens of thugs out to kill him for the Gnucci bounty. Nothing subtle, nothing fake: just out and out violence. GRADE: B

Daredevil: Born Again is a revival and continuation of Daredevil (2015–2018), an earlier series produced by the previous Marvel Television production company and originally released on Netflix.

Charlie Cox reprises his role as Matt Murdock / Daredevil. Both The Punisher and Daredevil are vigilante crime fighters with special skills sets–but no Super Powers.

Blind lawyer Matt Murdock retires his Daredevil identity, but circumstances cause him to bring Daredevil back to fight a new menace. If you’re looking for more Marvel Cinematic Universe series, here are two that might entertain you. GRADE: B

CLINK THE LINK BELOW:

https://www.google.com/search?q=THE+PUNISHER%3A+ONE+LAST+KILL+disney+trailer&sca_esv=0d82fdce82ae5c26&biw=1589&bih=1199&sxsrf=ANbL-n7gwDKlDBYVOINXVQqTUc-rXyJQdQ%3A1778871269930&ei=5WsHauW8OK-i5NoP5KDXyAg&ved=0ahUKEwilw5Tx-7uUAxUvEVkFHWTQFYkQ4dUDCBI&uact=5&oq=THE+PUNISHER%3A+ONE+LAST+KILL+disney+trailer&gs_lp=Egxnd3Mtd2l6LXNlcnAiKlRIRSBQVU5JU0hFUjogT05FIExBU1QgS0lMTCBkaXNuZXkgdHJhaWxlcjIFEAAY7wUyBRAAGO8FMgUQABjvBTIFEAAY7wVI5tABUPAGWIbOAXACeAGQAQCYAXSgAdcdqgEENDUuM7gBA8gBAPgBAZgCKaACqRjCAgoQABhHGNYEGLADwgIHECMYsAIYJ8ICCBAAGAgYBxgewgILEAAYgAQYigUYhgPCAggQABiABBiiBMICBhAAGAcYHsICBhAAGAgYHsICBRAAGIAEwgIKEAAYCBgHGB4YCsICCBAAGAgYHhgNwgIEEAAYHsICChAhGAoYoAEYwwTCAggQIRigARjDBJgDAIgGAZAGCJIHBDM5LjKgB7OBArIHBDM3LjK4B6IYwgcGNS4yNy45yAdegAgB&sclient=gws-wiz-serp#fpstate=ive&vld=cid:f78c1aa0,vid:oSeqs_xeqv4,st:0

FRIDAY’S FORGOTTEN BOOKS #907: ZEN IN THE ART OF WRITING: ESSAYS ON CREATIVITY By Ray Bradbury

I started reading Ray Bradbury in the early 1960s. Dan Chaon–no slouch as a writer today–wrote Bradbury in the 1980s, sending him some of his stories. Bradbury offered practical advice and boosted Chaon’s hopes of becoming a writer.

FAHRENHEIT 451 had a big impact on me. So did The Martian Chronicles and DANDELION WINE. In Zen in the Art of Writing, Bradbury takes the reader through his writing process and points out key elements in being creative.

There’s plenty here to ponder and reflect upon. Reading a great writer sharing his writing wisdom is spectacular! GRADE: A

TABLE OF CONTENTS:

INTRODUCTION by Dan Chan — xi

PREFACE –1
THE JOY OF WRITING — 7
RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS — 13
HOW TO KEEP AND FEED A MUSE — 27
DRUNK, AND IN CHARGE OF A BICYCLE — 41
INVESTING DIMES: FAHRENHEIT 451 — 57
JUST THIS SIDE OF BYZANTIUM: DANDELION WINE — 65
THE LONG ROAD TO MARS — 73
ON THE SHOULDERS OF GIANTS– 79
THE SECRET MIND — 89
SHOOTING HAIKU IN A BARREL — 99
ZEN IN THE ART OF WRITING — 109
… ON CREATIVITY — 123

Acknowledgements — 137

The Essential Bob Dylan and AFTER THE FLOOD: INSIDE BOB DYLAN’S MEMORY PALACE By Robert Polito

“Eight years between Tempest (2012) and Rough and Rowdy Ways (2020). This Bob Dylan is a man in his early fifties through this early eighties who revitalized himself and his art with a fresh, brilliant, intensified collage-style of crafting songs, vast, staggering concert tours–over three thousand shows from 1991 through 2024, writing books–Chronicles, Volume One (2004) and The Philosophy of Modern Song (2022); creating a movie, Masked and Anonymous (2003) and inspiring other other movies, I’m Not There (2007), No Direction Home (2005), and A Complete Unknown; hosting a weekly radio program, Theme Time Radio Hour (2005-2009); and exhibiting his paintings and welded sculptures in galleries and museums across America, Europe, and Asia.” (p. xvi)

“Everything was smashed, I had no connection to any kind of inspiration. …My own songs had become strangers to me, I didn’t have the skill to touch their raw nerves, couldn’t penetrate the surfaces. It wasn’t my moment of history anymore… The mirror had swung around and I couldn’t see the future–an old actor fumbling in garbage cans outside the theater of past triumphs. I had written and recorded so many songs, but it wasn’t like I was playing many of them. I think I was only up to the task of about twenty or so. The rest were too cryptic, too darkly driven, and I was no longer capable of doing anything radically creative with them. It was like carrying a package of heavy rotting meat…” (p. 16)

Robert Polito’s AFTER THE FLOOD: INSIDE BOB DYLAN’S MEMORY PALACE (2026) focuses on Bob Dylan’s career and the “higher mysteries” of Dylan’s output, spanning from Good as I Been to You (1992) to Shadow Kingdom (2023). Of course, in order to do an effective analysis, Polito refers frequently to the Bob Dylan of the 1960s and 1970s.

If you’re a Dylan fan, you’ll learn a lot from Robert Polito’s deep dive into Dylan’s career. Where many musicians retired from the music scene, Bob Dylan continued to tour and record new albums for decades.

Bob Dylan sold his songwriting catalog to Universal Music Publishing Group in December 2020 for an estimated $300-$400 million. Later, in January 2022, he sold his entire recorded music catalog (master rights) to Sony Music Entertainment for an estimated $150-$200 million, covering his work from 1962 onward. 

Will Bob Dylan and his music stay relevant? I think so. What do you think? Do you have a favorite Bob Dylan song? GRADE: A (for both the book and the CD)

TRACK LIST:

Blowin’ In The Wind2:46
Don’t Think Twice, It’s All Right3:37
The Times They Are A-Changin’3:11
It Ain’t Me, Babe3:32
Maggie’s Farm3:51
It’s All Over Now, Baby Blue4:14
Mr. Tambourine Man5:26
Subterranean Homesick Blues2:17
Like A Rolling Stone6:07
Positively 4th Street3:53
Just Like A Woman4:50
Rainy Day Women # 12 & 354:34
All Along The Watchtower2:31
Quinn The Eskimo (The Mighty Quinn)2:18
I’ll Be Your Baby Tonight2:39
Lay, Lady, Lay3:17
If Not For You2:40
I Shall Be Released3:02
You Ain’t Goin’ Nowhere2:44
Knockin’ On Heaven’s Door2:30
Forever Young4:56
Tangled Up In Blue5:41
Shelter From The Storm5:02
Hurricane8:33
Gotta Serve Somebody5:24
Jokerman6:15
Silvio3:06
Everything Is Broken3:13
Not Dark Yet6:28
Things Have Changed5:08

TABLE OF CONTENTS:

Preface: Shadows are falling — xv

A (“Admittedly, lies, fear, muddle, fury, the dead and their ghosts…”) Rough and Ready Ways — 1

B (“Backdrop: One version of my boo’s story goes…”) Overview — 14

C (“Chronology and facts aside…”) By HIs Own Account — 26

D (“Dylan live–or as some of his tour posters….”) Live #1 –40

E (“Everything Dylan put into practice…”) Time Out of Mind –53

F (“False impressions, Figmens, Fragments, Phantoms…”) Bootlegs/His Ghost World — 66

G (“Gatsby…? First take note of the obvious…”) Love and Theft — 77

H (“Hell…first with a small ‘h’…”) Masked and Anonymous — 93

I (“I wish someone had mentioned that to me earlier…”) Chronicles — 111

J (“Just when you thought…”) Live #2 — 130

K (“‘Kiss you, or kill you…'”) Art Noir — 140

L (“Latin at Boston College High School…”) Modern Times — 152

M (“Momento Mori…”) Tributes/Obits — 177

N (“Night…it is always at night…”) Theme Time Radio — 183

O (” ‘Oh! I have suffered/With those I saw suffer…’ “) — 196

P (“Piano. Who’s playing...?”) Live #3 — 220

Q (“Quotations– a too partial…”) Backdrops and Parallels — 230

R (“Rewrite O. It was to be the section…”) Otherworldly Inclinations — 238

S (“Sinatra, and not just once, but three distinct spins…”) Dylan and the Great American Songbook — 250

T (“Trial runs, false starts…”) Early Road Tests — 260

U (“‘Unless, of course, he dies first…'”) The Nobel Prize in Literature — 265

V (“Venice. The Grand Canal. The Palazzo. Chandeliers. Mirrors on mirrors…”) The Body — 275

W (“Where were we? After a nearly two-year suspension…”) Live #4 — 282

X (“X the unknown variable, but X rays, too…”) Hidden in Plain Sight — 292

Y (“You walk into the room…”) His Tulsa Archive — 303

Z (“Zero hours? Zero hour– Bob Dylan’s late albums tend…”) But not where it ends — 312

Acknowledgements — 325

Bibliography/Works Cited — 329

Index — 339

WEDNESDAY’S SHORT STORIES #270: THE SPACE OPERA RENAISSANCE Edited by David G. Hartwell & Kathryn Cramer (Section 3)

David G. Hartwell and Kathryn Cramer’s The Space Opera Renaissance, a 941 page mammoth volume from 2006, is divided into six sections.  I’ve already reviewed Section 1 (you can read my review here) and you can read my review of Section 2 here.

I’m a fan of David Brin’s Uplift Series and “Temptation” returns to an early episode in the series where intelligent dolphins are left on a planet full of water so they can reacclimatize after their years in space. Two of the dolphins kidnap a female as they begin to lose the Uplift aspects and revert to their more primitive sensibilities. But the Uplift female has other ideas… GRADE: B+

David Drake is one of the best military SF writers in the genre. “Ranks of Bronze” tells the story of a Roman Legion that has been “collected” by aliens to fight other aliens (on the same technological level as the Romans) on various planets. If you crave action, here it is! GRADE: B

Lois McMaster Bujold made a big splash in the 1980s with a series of books about Miles Vorkosigan, a physically handicapped young man who is the son of a Space Admiral. His diminutive size causes many of the military staff who work with Miles to underestimate him.

In “Weatherman,” Miles is sent to an arctic base on a frosty planet because his commanding officer feels Miles needs a 6-month stint to learn “how to get along with others.” Miles’ brilliance causes him to rub the other soldiers the Wrong Way. Almost immediately, Miles is almost killed by the hostile environment. He later finds a dead body and gets involved in a political incident. Miles is always up to something! Fun and exciting! GRADE: A

Iain M. Banks died too soon. But he left us a marvelous series of novels and short stories about The Culture, a post-scarcity future full of Artificial Intelligences and danger. In “A Gift from the Culture,” a man who has gambling debts is offered a deal: use a Culture weapon to shoot down a starship and the gambling debts will go away. GRADE: B

I enjoyed the diversity and variety of these four stories. You would, too!

Section 3: Transitions/Redfiners (Late 1970s to Late 1980s)

* 207 • Temptation • [The Uplift Series] • (1999) • novella by David Brin
* 243 • Ranks of Bronze • [Ranks of Bronze] • (1975) • short story by David Drake
* 251 • Weatherman • [Miles Vorkosigan] • (1990) • novella by Lois McMaster Bujold
* 297 • A Gift from the Culture • [Culture] • (1987) • short story by Iain M. Banks

THE COUNT OF MONTE CRISTO (PBS)

About 20 years ago, I read Robin Buss’s brilliant, unabridged translation of Alexandre Duma’s The Count of Monte Cristo. (The Count of Monte Cristo was originally published as a newspaper serial in Le Journal des Débats in 18 parts, running from August 28, 1844, to January 15, 1846. Following its success as a serial, it was published in book form starting in 1846.)

As a kid, I read The Count of Monte Cristo in abridgments and Classics Illustrated. Reading Robin Buss’s translation of The Count of Monte Cristo was a revelation! Yes, it’s 1,243 pages but it is full of Edmond Dantes on a quest to punish the men who falsely sent him to the sinister Castle d’If prison for 15 years.

Here’s what Robin Buss says in his Introduction to he Count of Monte Cristo: “There are not many children’s books, even in our own time, that involve a female serial poisoner, two cases of infanticide, a stabbing and three suicides, an extended scene of torture and execution, drug-induced sexual fantasies, illegitimacy, transvestism and lesbianism, a display of the author’s classical learning and his knowledge of modern European history, the customs and diets of Italians, the effects of hashish, and so on.”

Although Dumas established his reputation as a playwright, once he started writing novels in the 1830s, Dumas became a writing machine. His collected works fill 300 volumes! And, for those who aren’t familiar with Tom Reiss’s Pulitzer Prize winning biography, The Black Count (2012), it might come as surprise to learn Duma’s father, Thomas-Alexandre Dumas, was the child of an enslaved Haitian and a French aristocrat. Thomas-Alexandre rose through the ranks of the French army and became a general. A falling out with Napoleon led to Dumas’ father being arrested and incarcerated for nearly two years in prison–perhaps inspiring The Count of Monte Cristo

The 8-hour series of The Count of Monte Cristo on PBS tries (and understandably fails) to convey all that happens in Dumas’ 1,243 pages. But this is the most detailed version of The Count of Monte Cristo that I’ve seen. In his much longer and more detailed review of The Count of Monte Cristo–both the novel and the PBS series–Michael Dirda points out differences between the two. Dirda also notes out the PBS final episode has an ending different from Dumas’ novel (you can check out “Dantes’s Inferno” in The New York Review of Books, April 9, 2026). If you’re a fan of The Count of Monte Cristo, don’t miss this series! GRADE: B+