One of the more unusual acquisitions here lately is this Pioneer CD 6 Pack that was issued in 1992 as a promotion. Apparently, if you bought a Pioneer CD player, the retailer gave you this FREE 6 CD set:
Volume 1: Rock Classics
Volume 2: Pop Greats
Volume 3: Rhythm & Blues
Volume 4: Country Gold
Volume 5: Jazz Tracks
Volume 6: Classical Notes
Right on the cover of this set–in BIG LETTERS–is the notification: COMPILED FROM THE CHARTS OF BILLBOARD MAGAZINE. There’s a lot here. Obviously, the people at Pioneer were trying to appeal to every musical taste with this set. What do you think? Do you see anything you’d listen to? GRADE: B+
TRACK LIST:
▼CD 2: Volume 2: Pop Greats | ||||
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# | Title | Artist | Rating | Length |
1 | Rosannarecording engineer:Al Schmittproducer:Toto (US rock group)mixer:Greg Ladanyibass guitar:David Hungatecongas and percussion:Lenny Castrodrums (drum set):Jeff Porcaroguitar:Steve LukatherHammond organ and synthesizer:David Paich and Steve Porcaropiano:David Paichsaxophone:Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)trombone:James Pankowtrumpet:Gary Grant (brass) and Jerry Heybackground vocals:Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paichlead vocals:Bobby Kimball and Steve Lukatherbrass [horns] arranger:Jerry Hey and David Paichphonographic copyright by:CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)recording of:Rosannalyricist and composer:David Paichpublisher:Hudmar Publishing Co. Inc., Sony Music Publishing (Japan), Inc., A Division and Spirit Two Music | Toto | 3.9 | 5:34 |
2 | American Pieengineer:Tom Flyeproducer:Ed Freemanelectric guitar:David Spinozapiano:Paul Griffin (American pianist, session musician)performer:Don McLeanrecorded at:The Record Plant (New York) in Manhattan, New York, New York, United States (from 1971-05 until 1971-06)recording of:American Pielyricist and composer:Don McLeanpublisher:Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal(plain logo: “Universal”; for use as release label only when no sub-label/imprint is specified), Universal Music Publishing Ltd. (Hong Kong/China subsidiary of Universal Music Publishing Group) and Universal Records (“RECORDS” must be a part of the logo; read annotation) | Don McLean | 4.25 | 8:35 |
3 | Manic Mondayproducer:David Kahnemixer:David Leonard (US producer and engineer)lead vocals:Susanna Hoffsrecording of:Manic Mondaylyricist and composer:Christopher (“The Artist Formerly Known as…”) | The Bangles | 4.1 | 3:05 |
4 | God Only Knowsengineer:Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)producer:Brian Wilson (Beach Boys co-founder)accordion:Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)bass clarinet:Leonard Hartman (on 1966-03-10)bell and drums (drum set):Hal Blaine (on 1966-03-10)cello:Jesse Erlich (on 1966-03-10)clarinet:Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)double bass:Lyle Ritz (on 1966-03-10)electric bass guitar:Ray Pohlman (on 1966-03-10)flute:Bill Green (flute, sax) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)French horn:Alan Robinson (on 1966-03-10)guitar:Carol Kaye (on 1966-03-10)harpsichord:Larry Knechtel (on 1966-03-10)percussion:Jim Gordon (Drummer (Derek and the Dominos)) (on 1966-03-10)tack piano:Don Randi (on 1966-03-10)tambourine:Terry Melcher (on 1966-03-10)viola:Darrel Terwilliger (on 1966-03-10)violin:Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)lead vocals:Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)vocals:Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co-founder) (from 1966-03 until 1966-04)arranger:Brian Wilson (Beach Boys co-founder)recorded at:Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10)and Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)part of:The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 11) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25)recording of:God Only Knows (from 1966-03 until 1966-04)lyricist:Tony Asher (US lyricist, worked on Pet Sounds)composer:Brian Wilson (Beach Boys co-founder)publisher:Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division and Yamaha Music EH(CM) | The Beach Boys | 4.3 | 2:51 |
5 | Walk on Waterengineer:Phil Kaffelproducer:Eddie Money and Richie Zitomixer:Chris Lord‐Algearranger:Eddie Money and Richie Zitorecorded at:Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988-04 until 1988-08)recording of:Walk on Water (from 1988-04 until 1988-08)writer:Jesse Harms | Eddie Money | 5 | 4:38 |
6 | Don’t Worry, Be Happyengineer:Chris Tergesenproducer:Linda Goldsteinvocals:Bobby McFerrinphonographic copyright by:EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America; discontinued in Sep 1988) (in 1988)recording of:Don’t Worry, Be Happylyricist and composer:Bobby McFerrinpublisher:BMG Music Publishing Ltd. | Bobby McFerrin | 5 | 4:51 |
7 | Midnight Confessions | The Grass Roots | 3 | 2:47 |
8 | Endless Summer Nightsrecording of:Endless Summer Nightslyricist and composer:Richard Marx | Richard Marx | 4:32 | |
9 | Rock ‘n’ Roll Heaven | The Righteous Brothers | 3:34 | |
10 | What About Loveengineer:Bruce Lampcov, Mark McKenna and Rhett Daviesproducer:Rhett Daviesmixer:Bruce Lampcovbass guitar:Aimee Mannguitar:Robert Holmes (guitarist, member of ‘Til Tuesday)membranophone and percussion:Michael Hausmanpiano and synthesizer:Joey Pescebackground vocals:Joey Pesce and Robert Holmes (guitarist, member of ‘Til Tuesday)vocals:Aimee Mannphonographic copyright by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008; do not use if a specific sub-label is available) (in 1986)recording of:What About Lovelyricist:Aimee Manncomposer:Aimee Mann | ’Til Tuesday | 2.5 | 3:59 |
11 | Wordslive recording of:Words (Missing Persons)writer:Terry Bozzio and Warren Cuccurullorecording of:Words (Missing Persons)writer:Terry Bozzio and Warren Cuccurullo | Missing Persons | 5 | 4:27 |
13 | If Ever You’re in My Arms Againrecording of:If Ever You’re in My Arms Againwriter:Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil | Peabo Bryson | 4 | 4:17 |
14 | Here and Nowrecording of:Here and Nowwriter:David L. Elliott and Terry Steele | Luther Vandross | 4:54 |
▼CD 5: Volume 5: Jazz Tracks | ||||
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# | Title | Artist | Rating | Length |
1 | Autumn Leavesengineer:Rudy van Gelderproducer:Alfred Lionalto saxophone:Julian “Cannonball” Adderley (on 1958-03-09)double bass:Sam Jones (jazz bassist) (on 1958-03-09)drums (drum set):Art Blakey (on 1958-03-09)piano:Hank Jones (on 1958-03-09)trumpet:Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)performer:Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)phonographic copyright by:Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)recorded at:Van Gelder Studio (Hackensack – July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)instrumental recording of:Autumn Leaves (jazz standard) (on 1958-03-09)lyricist:Jacques Prévert (in 1945)composer:Joseph Kosma (composer) (in 1945)translator:Johnny Mercer (in 1947)publisher:Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney-related, NYC-based company)translated version of:Les Feuilles mortes | Cannonball Adderley with Miles Davis | 11:00 | |
2 | Stella by Starlightinstrumental recording of:Stella by Starlightlyricist:Ned Washington (in 1946)composer:Victor Young (American composer, arranger, violinist & conductor) (in 1944)publisher:BMG Music Publishing Ltd., Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) and Famous Music Corporation | Maynard Ferguson | 7:17 | |
3 | Black Byrdassistant engineer:Chuck Davis (production/engineer) and Steve Waldman (sound engineer)engineer and mixer:David Hassingerexecutive producer:George Butlerproducer:Larry Mizellassistant mixer:Chuck Davis (production/engineer)congas and tambourine:Stephanie Spruill (on 1972-11-24)drums (drum set):Harvey Mason (jazz drummer) (on 1972-11-24)electric bass guitar:Chuck Rainey (American bassist) (on 1972-11-24)electric piano, piano and synthesizer:Freddie Perren (on 1972-11-24)electric piano and piano:Joe Sample (on 1972-11-24)flugelhorn, trumpet [electric trumpet] and lead vocals:Donald Byrd (American jazz trumpeter) (on 1972-11-24)flute and saxophone:Roger Glenn (on 1972-11-24)guitar:David T. Walker (on 1972-11-24)trumpet:Donald Byrd (American jazz trumpeter) (on 1972-11-24) and Fonce Mizell (on 1972-11-24)vocals:Fonce Mizell (on 1972-11-24), Larry Mizell (on 1972-11-24) and Freddie Perren (on 1972-11-24)arranger:Larry Mizellrecorded at:Sound Factory Studio (Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1972-11-24)recording of:Black Byrd (on 1972-11-24)lyricist and composer:Laurence C. Mizellpublisher:Alruby Music Inc. | Donald Byrd | 7:21 | |
4 | Birdlandengineer:Ron Maloassistant producer:Wayne Shorter (US jazz saxophonist and composer)co-producer:Jaco Pastoriusproducer:Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)bass and mandolin:Jaco Pastorius (from 1976 until 1977)drums (drum set):Alex Acuña (from 1976 until 1977)grand piano, melodica and synthesizer:Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)saxophone and sopranino saxophone:Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)tambourine:Manolo Badrena (from 1976 until 1977)vocals:Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)orchestrator:Joe Zawinul (jazz and fusion keyboard player)recorded at:Devonshire Sound Studios in Burbank, California, United States (from 1976 until 1977)recording of:Birdland (instrumental) (from 1976 until 1977)composer:Joe Zawinul (jazz and fusion keyboard player)publisher:Mulatto Music, Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部 | Weather Report | 6:00 | |
5 | Always Thererecording of:Always There (with lyrics)lyricist:Paul Allen (US songwriter)composer:William Jeffrey and Ronnie Lawsversion of:Always There (instrumental) | Ronnie Laws & Pressure | 4:50 | |
6 | I Heard It Through the Grapevinecover recording of:I Heard It Through the Grapevinewriter:Barrett Strong and Norman Whitfieldpublisher:EMI Music Publishing Ltd. and Jobete Music (UK) Ltd. | Earl Klugh | 7:29 | |
7 | Eleanor Rigby | Stanley Jordan | 7:03 | |
8 | Herbal Scentproducer:Dave Grusin and Larry Rosenbass:Marcus Miller (jazz musician)clavinet and Minimoog:Dave Grusincongas and percussion:Sue Evanselectric piano:Bernard Wrightguitar:Ronald Millermembranophone:Buddy Williams (drummer)trumpet:Tom Browne (US jazz trumpeter)conductor:Dave Grusinarranger:Dave Grusinrecording of:Herbal Scentcomposer:Marcus Miller (jazz musician) | Tom Browne | 5:24 | |
9 | Captain Cariberecording of:Captain Caribewriter:Dave Grusin | Earl Klugh | 5:20 |
▼CD 6: Volume 6: Classical Notes | ||||
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# | Title | Artist | Rating | Length |
1 | Brandenburg Concerto no. 2orchestra:Taverner Playersconductor:Andrew Parrott (conductor)compilation of:Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] by Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott, Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante by Paul Goodwin, John |
2 | String Quartet no. 19 in Cstring quartet:Budapest String Quartet (before 1967; do not use for Budapest Strings)recording of:Quartet for Strings no. 19 in C major, K. 465 “Haydn Quartetti”, “Dissonance”composer:Wolfgang Amadeus Mozart (classical composer)dedicated to:Joseph Haydn (composer)part of:Köchelverzeichnis (original numbering) (number: 465) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 465) | Wolfgang Amadeus Mozart | 24:09 | |
3 | Symphony no. 6 in F, (“Pastorale”): First Movementproducer:Lawrance Collingwoodorchestra:Wiener Philharmoniker (from 1952-11-24 until 1952-12-01)conductor:Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-12-01)balance engineer:Robert Beckett (classical recording engineer, EMI mainly)phonographic copyright by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 1953 to present)recorded at:Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria (from 1952-11-24 until 1952-11-25, from 1952-11-24 until 1952-12-01)recording of:Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (from 1952-11-24 until 1952-12-01)composer:Ludwig van Beethoven (German composer) (in 1808)part of:Symphony no. 6 in F major, op. 68 “Pastorale” | Ludwig van Beethoven | 11:53 | |
4 | Funéraillespiano:Vladimir Horowitz (American pianist and composer) (on 1932-11-15)recording of:Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles (on 1932-11-15)composer:Franz Lisztpart of:Harmonies poétiques et religieuses, S. 173 | Franz Liszt | 9:14 | |
5 | “On the Beautiful, Blue Danube”producer:Walter Legge (British classical record producer, 1906-1979)orchestra:Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1955-05 until 1955-07)conductor:Herbert von Karajan (conductor) (from 1955-05 until 1955-07)balance engineer:Douglas Larter (from 1955-05 until 1955-07)recorded at:Kingsway Hall in London, England, United Kingdom (from 1955-05 until 1955-07)recording of:An der schönen blauen Donau, op. 314 (from 1955-05 until 1955-07)premiered in:Wien, Austria (on 1867-02-15)composer:Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)part of:Works of Johann Strauss Jr. by opus number (number: op. 314) | Johann Strauss II | 9:31 |
On the first 2 cd’s I Could do without Grand Funk Railroad, Eddie Money, Richard Marx, Bobby McFerrin and Toto. Especially Bobby McFerrin. And I like The Righteous Brothers but find this an odd choice. as is the one by Til Tuesday. Can’t complain about the 3rd cd ( except I have never liked Tina and Ike’s version of Proud Mary) and don’t feel qualified to comment on the rest.
My favorite tracks The Weight by The Band, Walk On the Wild Side by Lou Reed, Maggie May by Rod Stewart , the two Patsy Cline songs and God Only Knows by the Beach Boys.
Is it really necessary to transcribe all that info on each song?
Steve, some commentators like to know who wrote the songs and who produced the songs. If the information is available, I tend to include it.
There are so many songs here that I remember, wonderful!
Crazy coincidence:
The first song Gimme some Lovin’ is my all time favourite – and Steve Winwood (who was just 18 years old when he wrote and performed this) is my favourite artist.
I’ve beeen to many of his concerts in London, Germany and Orlando (House of Blues).
And after my first wife had died from cancer I followed him on a tour through Texas – Houston, Austin and Dallas. Fond mem
ories.
Tina Turner is of course also one of my favourites – to really enjoy Proud Mary you have to watch her dancing to it live …
And Steve’s favourites are among my favourites too.
I’m just an old 60s/70s man, I know.
Wolf, you would love this. We had tickets for several outdoor concerts this summer that were postponed until next year because of Covid. One that is now scheduled for next June 29:
Steely Dan with special guest Steve Winwood. Should be a great show.
Jeff, if Steely Dan comes to Buffalo with Steve Winwood, we’re going! Maybe even if they tour to Toronto.
Just thought the Beach Boys info was a bit too much. Not a big fan of Winwood but I did like Traffic. So of course the one time I saw him he only did songs from his solo albums. No Traffic. No Blind Faith. No Spencer Davis Group. Boring.
Steve, I think the combination of Steely Dan and Steve Winwood would be worth seeing.
Stop!
You’re me making me so envious!
But I have to accept that at 78 years I’m too old for such a long flight from Europe.
But I count myself lucky that there’s so much available on youtube eg.
Wolf, I remember “Gimme Some Lovin'” being a big hit on U.S. and Canadian radio stations in the Sixties. And, local bands made “Gimme Some Lovin'” a standard song in their sets each night.
TMI. I can’t bring myself to read through all that this early in the morning, but Steve seems to have gotten all my favorites except “Wichita Lineman”.
Michael, I vacillated on whether to present each Volume in this set on six Thursdays in a row or to just present all of them. I realize it’s a lot to take in, but I felt that it made more sense to just post the whole set today.
I agree with most of Steve’s remarks. Lose the McFerrin. The Righteous Brothers song, meh. Not one of their best. I would take any of the first 4 CDs, don’t know enough about the others. Favorites: the Patsy Cline, Marvin Gaye, Spencer Davis Group, The Band, Santana, Beach Boys, Rod Stewart, Dionne Warwick, Four Tops, Al Green.
Jeff, I agree with you: there are some odd choices on these discs. The Righteous Brothers song is a good example. With all of their hits, why this minor work?
This is actually one of those sets that is exactly as advertised on the tin: too hits in various genres as reflected on the Billboard charts. We could argue about why something was included or excluded, but at least I’ve heard of everything here. And George, I love that you always include background information on each song whenever it’s available—in the “you learn something new every day” category: I have always thought Willie Nelson wrote “You Were Always on My Mind,” but he didn’t. Interestingly, one of the co-writers was the guy who wrote “Suspicious Minds”—which might be the reason Elvis did a version of “You Were Always on My Mind.”
Deb, several commenters on this blog have told me they find the additional information fun and useful. I did not know the writer of “You Were Always on My Mind” also wrote “Suspicious Minds,” both great songs.
Speaking if Willie Nelson… I was listening this morning to The Mavericks’ version of “Blue Eyes Crying in the Rain” – Willie’s breakthrough as a performer and his first #1 country hit. But it was actually written by Fred Rose for Roy Acuff in 1947, and covered by Hank Williams, Ferlin Husky, Slim WHitman (yes!) and Conway Twitty, among others, before Willie did it in 1975.
There are a lot of good songs here, Pioneer did a pretty good job. On t he jazz CD, the first 4 are quite good, the others have been done better by other artists. The same is true with the classical CD, solid music, but not the top performers, with the exception of Horowitz. Still, I’d find both the disks listenable if I didn’t already have all of the music on other disks.
Now, the rock & pop. First, remove all Rod Stewart, who I can’t stand. For the rest, I like most of what’s there, but I’d skip the Patsy Cline,.
Rick, I’m assuming that Pioneer focused on the sound of the songs and not the artist. And, they were trying to find songs that would appeal to a variety of musical tastes.
Lots of good stuff and some chaff! Did I ever thank you for the book and CDs you sent? I apologie if I didn’t! I’m a shell of my former self!
Bob, you’re welcome! I hope you enjoy that John Lennon book and the Beatle CDs.
For me, this is a great set. Even the pieces I don’t like I can at least listen to. And there are things like the Grand Funk — don’t own anything by them, don’t want to own anything by them, but I like that cut.
Jeff, I feel the same way you do about this set. Some strange choices, but very listenable! It might be hard to find since it wasn’t sold in record stores, but given away as a promotion.
Everything pleasant enough, at least, with some exceptions, most notably “American Woman” by the Guess Who, which I’ve hated since first hearing it as as child. Two Earl Klugh tracks among the jazz cuts seems odd.
I suspect this was as much meant for playing on the shop floors as a demonstration album/s, as anything else…slightly unlike, say, the Maxell sampler albums from ca. 1980, which were sold, albeit very cheaply.
Todd, I suspect Earl Klugh’s inclusion was the result of the increasing popularity of Smooth Jazz at that time.