
Jeffrey Seller writes about his troubled childhood. He’s adopted by a dysfunctional couple. Seller loves acting and theater but finds little support at home. Fortunately a teacher helps Seller and his persistence leads to success.
But the struggle to advance in the Broadway world nearly breaks Seller. He works for years in an agency that books touring companies all across the country. While Seller chafes at this low-level job, he’s learning how the Broadway business works and he makes plenty of contacts that will pay off later.
My favorite chapters tell the story of our Rent came about. The iconic musical almost didn’t happen. Seller’s role in helping Jonathan Larson, the show’s creator, overcome all the problems with bringing a musical to Broadway showed how hard creative projects like this really are to bring about.
“The new American play is an endangered species… Five new plays opened on Broadway last year. Five. Forty years ago, thirty new plays opened. Sixty years ago, over sixty new plays opened. We are losing Broadway as a home for plays. And without New American plays, there is no American theater.” Those words by playwright Terrence McNally in the early 1990s described the dire state of theater in America. As bleak as this picture was, Jeffrey Seller and a group of Broadway insiders managed to produce Rent, Avenue Q, In the Heights, and Hamilton.
This tale of an unlikely rise to the top of Broadway is both inspiring and compelling. GRADE: A
TABLE OF CONTENTS:
Act One
The Accident — 3
Adventureland — 17
Camping — 21
Mom and Dad — 35
Miss Shively — 41
Speaking of Murder — 47
A Baby and a Bar Mitzvah — 55
Plays, Musicals, and a Talk With Dad — 63
“Gower Champion Died Today” — 78
Old Men and Clowns — 84
Go Blue! — 91
“And I Am Telling You I’m Not Going” — 95
Freshman Fables — 101
Scenes From a Sophomore Year — 115
628 Packard Street — 131
People Express: One-way Ticket to NYC! — 142
Act Two
“The One Place on Earth I Want to Be.” — 153
Fran and Barry and Susan — 166
Our First New Musical — 174
Three Meetings That Change My Life — 186
The Booking Office — 201
Booking Wars — 212
The Real Live Brady Bunch — 226
Rent Part I: the Reading and Workshop — 233
Rent Part II: Rehearsals — 251
Rent Part III: Performances — 262
Rent Part IV: Broadway — 270
Act Three
Unlikely — 299
“Avenue Q Tony Coup” — 301
Can We Do Better? — 315
Who Is Mark Belanger? — 326
The Hamilton Mixtape — 335
ACKNOWLEDGEMENTS — 353
Always enjoy a good book about show business.
Patti, Jeffrey Seller’s insights into the behind-the-scenes activities on Broadway are very enlightening!
I have to admit that I am out of sync with critics here, as those are not shows that I particularly care for, other than AVENUE Q, which I enjoyed. But it does sound intense.
Jeff, Broadway productions are high pressure businesses! Big Bucks are at stake!
They did it to me again. I typed “interesting “and they changed it to “intense”!
Jeff, welcome to my world with WORDPRESS changing words on almost every post and comment! Aggravating!
I love live theater but have a severe problem getting into most hit “block-buster” shows. RENT left me cold, and while could appreciate IN THE HEIGHTS and HAMILTON for what they were, my basic response was meh. Never saw AVENUE Q. Also meh were CATS, MISS SAIGON, SUNDAY IN THE PARK WITH GEORGE, and PHANTOM; I did like LES MIZ though, so all hope for me is not lost.
Jerry, I’m a fan of musicals so &JULIET, MAMMA MIA, and OPERATION MINCEMEAT are all favorites I’d recommend. And SPAMALOT!