NEVER MIND THE HAPPY By Marc Shaiman

I’m fond of Marc Shaiman’s work so I decided to read his memoir: Never Mind the Happy: Showbiz Stories from a Sore Winner (2026).

Never Mind the Happy: Showbiz Stories from a Sore Winner tells the story of a kid who loved music and pursed his dream to be successful on Broadway.

And, Shaiman did.

Never Mind the Happy includes stories from Shaiman’s five-decade composing career. Shaiman’s biggest hits were musicals like Hairspray, Sister Act, and Smash

I especially enjoyed Shaiman’s stories about  his collaborations with stars like Bette Midler. If you’re a fan of musicals, you’ll find Shaiman’s stories of the creative process and the struggles to get Broadway shows up and running fascinating. GRADE: A

TABLE OF CONTENTS:

Prologue

1. Winding Brook Way

2. The Sound of Music

3. Manifesting Midler

4. God Save the City

5. It Takes an East Village

6. A Fur Chubby and a Miniskirt

7. Saturday Night Live

8. Suddenly, Nothing Is the Same

9. Barbra Is Upset

10. Skylark

11. Legends!

12. People Come and Go So Quickly Here!

13. Beaches

14. When Billy Met Marc

15. Talent Is Talent (Says Rob Reiner)

16. What Comes First? 

17. My Scott Rudin Era

18. One for My Baby

19. Sleepless With Nora

20. I’m the Schmuck

21. South Park: Bigger, Longer, & Uncut

22. The View From the Nosebleeds

23. I Killed Stephen Sondheim

24. Hairspray: Good Morning Baltimore

25. Hairspray: You Can’t Stop the Beat

26. Fame Dropping

27. Look What He Made

28. Martin Short: Fame Becomes Him

29. The Second Time Around

30. Catch Me If You Can

31. Charlie and the Chocolate Factory

32. Smash

33. Mary Poppins Returns

34. Some Like It Hot

Epilogue

Acknowledgments

5 thoughts on “NEVER MIND THE HAPPY By Marc Shaiman

  1. Todd Mason

    To my mild surprise (given involvement, apparently, with SNL if not also other projects). Shaiman’s name rings only a faint bell. But (“Shame, man!”) I’ve only fitfully been a musicals guy, even given how much I’m a music fan (and terrible musician) and keen audience for dramatic work. I’ll keep an eye out.

    Reply

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