When Heidi Schreck was a teenager, she would travel from one American Legion post to another competing in debates about the Constitution. Students participated in these civic exercises and the winners were awarded money for College expenses. Heidi Schreck put herself through College on the winnings from these debates. But, it becomes very clear very early in What the Constitution Means to Me that the Constitution is just a vehicle for Heidi Schreck to talk about her troubled family and its tumultuous history.

It’s astonishing that this essentially one-woman show could deal with so many topics: civil rights, slavery, amendments to the Constitution, and feminism. Heidi Schreck talks about how the women in her own family have survived through physical abuse and rape. She also points out that the US Constitution, intended to protect all of us, never even once mentions the word “woman.”

What the Constitution Means to Me is nominated for two Tony Awards: Best Performance by an Actress in a Leading Role in a Play (Heidi Schreck) and Best Play.

I found What the Constitution Means to Me very moving. I can’t imagine how Heidi Schreck could perform this emotional play eight times a week! I was drained after sitting through one performance! Highly recommended! Do you have a favorite Amendment? GRADE: A-

It takes three “Chers” to tell the story of the real Cher. There’s a teenage Cher, a 20/30 year old Cher, and a “star” Cher. In chronological fashion, The Cher Show presents the story of how Cher met up with Sonny Bono and became a success, selling 50 million records. But, Sonny and Cher blew through all that money. When musical trends changed, Sonny and Cher were dropped by their record company and were broke. Sonny manages to sell the idea of The Sonny and Cher Show to CBS. The show ran from 1971 to 1974. Cher divorced Sonny and that pretty much cancelled the show. But, amazingly, Sonny and Cher reunited on TV in 1976 for a second iteration of The Sonny and Cher Show. But variety shows were going the way of the dinosaurs and the show was cancelled in 1977 because of low ratings. Cher then secures a recording contract and produces a series of hits during the 1980s and 1990s. Currently, Cher is touring the country with her Here We Go Again tour.

If you’re a Cher fan, you’ll enjoy this biographical musical. If you’re into female empowerment, The Cher Show is a perfect example of how determination and grit can produce success despite many setbacks. Do you have a favorite Cher song? GRADE: A
SONG LIST:
1. If I Could Turn Back Time
2. Half-Breed
3. The Shoop Shoop Song
4. I Got You Babe
5. When the Money’s Gone – All Or Nothing
6. Ain’t Nobody’s Business If I Do
7. Living in a House Divided
8. Bang Bang
9. Believe
10. Song For the Lonely
11. All I Ever Need is You
12. Heart of Stone
13. Gypsies, Tramps and Thieves
14. Midnight Rider – Ramblin’ Man
15. Just Like Jesse James
16. Dark Lady
17. Strong Enough
18. The Way Of Love
19. The Beat Goes On
20. I Found Someone
21. You Haven’t Seen The Last of Me
22. Finale

John Wick 3 is basically a chase movie. In John Wick 1 & 2, retired assassin John Wick (Keanu Reeves) pissed off an international crime organization called The High Table and now Wick is declared “excommunicado” (which means anyone who helps Wick is put under a Death Sentence, too). Wick has a $15 million bounty on his head and plenty of people want to collect it. The movie moves from one fight scene to another. There’s a lot of choreographed violence.

My favorite sequence occurs when Wick calls in a favor from Sofia (Halle Berry) and all hell breaks loose. There’s some creative use of dogs in the battle scene. Director Chad Stahelski doesn’t tamper with his formula of ultra violent action (I sort of wish he would!). The AMC theater where I saw John Wick 3 was sold out. The crowd was raucous! And the film sets up John Wick 4 nicely. GRADE: B+

Once again, stories from John W. Campbell, Jr.’s Astounding Science Fiction dominated another volume of The Great SF Stories. T. L. Sherred’s classic “E for Effort” stands out. Poul Anderson’s “Tomorrow’s Children” presents themes Anderson would explore in future stories. William Tenn’s “Child’s Play” is a personal favorite. Once again I applaud Asimov and Greenberg for including multiple stories by an author. In this case, it’s Theodore Sturgeon’s “Tiny and the Monster” and “Thunder and Roses.” The Brits are represented by Arthur C. Clarke’s “The Fires Within” and Eric Frank Russell’s “Hobbyist.” The overall quality of these volumes from the 1940s continue to improve with each year. GRADE: A
TABLE OF CONTENTS:
INTRODUCTION by Isaac Asimov & Martin H. Greenberg 11
“Little Lost Robot” by Isaac Asimov (Astounding Science Fiction, March 1947) 15
“Tomorrow’s Children” by Poul Anderson (Astounding Science Fiction, March 1947). 42
“Child’s Play” by William Tenn (Philip Klass) (Astounding Science Fiction, March 1947) 71
“Time and Time Again” by H. Beam Piper (Astounding Science Fiction, April 1947) 100
“Tiny and the Monster” by Theodore Sturgeon (Astounding Science Fiction, May 1947) 119
“E for Effort” by T. L. Sherred (Astounding Science Fiction, May 1947) 155
“Letter to Ellen” by Chan Davis (Astounding Science Fiction, June 1947) 207
“The Figure” by Edward Grendon (Lawrence L. LeShan) (Astounding Science Fiction, July 1947) 220
“With Folded Hands…” by Jack Williamson (Astounding Science Fiction, July 1947) 226
“The Fires Within” by Arthur C. Clarke (Fantasy Great Britain, August 1947). 272
“Zero Hour” by Ray Bradbury (Thrilling Wonder Stories, Fall 1947). 282
“Hobbyist” by Eric Frank Russell (Astounding Science Fiction, September 1947). 293
“Exit the Professor” by Lewis Padgett (Henry Kuttner & C. L. Moore) (Thrilling Wonder Stories, October 1947). 327
“Thunder and Roses” by Theodore Sturgeon (Astounding Science Fiction, November 1947) 343

Network has 5 Tony Award Nominations including Best Actor for Bryan Cranston and Best Director for Ivo van Hove. The Broadway version of Network is based on a 1976 movie written by Paddy Chayefsky and directed by Sidney Lumet. The movie features Faye Dunaway, William Holden, Peter Finch, and Robert Duvall. The movie won four Academy Awards, in the categories of Best Actor (Finch), Best Actress (Dunaway), Best Supporting Actress (Straight), and Best Original Screenplay (Chayefsky). Network feels very 1970s with its obsession with ratings and “winning” time slots.

Bryan Cranston pretty much carries this Broadway version of Network. Cranston plays a quirky newsreader (think Walter Cronkite on steroids) named Howard Beale who is fired because his newscast has low ratings. Cranston snaps on camera and his mantra, “We’re as mad as hell, and we’re not going to take this anymore,” produces a ratings surge. So Cranston’s character is put back on the air. There’s some internal politics and a love affair between Director of Programming Diana Christensen (played by Tatiana Gabriele Maslany–remember her in Orphan Black?) and the head of the News Divison, Max Schumacher (Tony Goldwyn). There’s a gratuitous sex scene on stage.

My quibble about Network is that this nearly 2-hour media extravaganza has NO INTERMISSION! Quite a challenge for those with weak bladders! GRADE: B

Nominated for 12 Tony Awards, Ain’t Too Proud: The Life and Times of The Temptations, mixes music and a messy history of success with personal failures. Under the canny direction of Des McAnuff, along with sensational choreography by Sergio Trujillo, this musical captures the rise and fall of a Motown supergroup. There have been 24 Temptations over the life of the group. As the group’s leader and show’s narrator, Otis Williams–played with gravitas by Derrick Baskin–says, “Sometimes Temp stood for “temporary.”

As The Temptations find success, members start to fall away because of alcohol, drug, physical and mental problems. The core lineup of original The Temptations slowly get whittled down to its founder: Otis Williams–still alive. But to me, Ephraim Sykes (as David Ruffin) steals every scene he’s in. David Ruffin, talented but volatile, sings some of The Temptation’s greatest hits–“My Girl” (1964), “It’s Growing” (1965), “Since I Lost My Baby” (1965), “My Baby” (1965), “Ain’t Too Proud to Beg” (1966), “Beauty Is Only Skin Deep” (1966), “(I Know) I’m Losing You” (1966), “All I Need” (1967), “(Loneliness Made Me Realize) It’s You That I Need” (1967), “I Wish It Would Rain” (1967), and “I Could Never Love Another (After Loving You)” (1968). But Ruffin’s abusive relationship with the singer Tammi Terrell (Nasia Thomas) accelerates his departure from the group.

I also loved the presence of The Supremes, led by the amazing Candice Marie Woods in a pitch-perfect version of Diana Ross. Rashidra Scott impressed me as Otis’s long-suffering and neglected wife, Josephine. If you’re looking for an entertaining and moving musical, Ain’t Too Proud hits all the right notes. Are you a fan of The Temptations? Do you have a favorite song? GRADE: A
SONG LIST:
“Ain’t Too Proud to Beg”
“All I Need”
“Baby Love”
“Ball of Confusion (That’s What the World is Today)”
“Cloud Nine”
“Come See About Me”
“Don’t Look Back”
“For Once in My Life”
“Get Ready”
“Gloria”
“I Can’t Get Next to You”
“I Could Never Love Another (After Loving You)”
“(I Know) I’m Losing You”
“I Want a Love I Can See”
“I Wish It Would Rain”
“If You Don’t Know Me by Now”
“I’m Gonna Make You Love Me”
“In the Still of the Night”
“Just My Imagination (Running Away with Me)”
“My Girl”
“Papa Was a Rollin’ Stone”
“Runaway Child, Running Wild”
“Shout”
“Since I Lost My Baby”
“Speedo”
“Superstar (Remember How You Got Where You Are)”
“The Way You Do the Things You Do”
“War”
“What Becomes of the Brokenhearted”
“You Can’t Hurry Love”
“You’re My Everything”

Here’s another bargain ($1.00!) from that Library Book Sale I attended over the weekend: a Double Feature of social collapse (perhaps anticipating what will happen if Trump wins a Second Term). The Road Warrior is an Australian film directed by George Miller that is set in a Post-Apocalypse world where everyone is fighting for scarce resources like gasoline…and food. A small community of survivors is attacked by a thuggish gang. Mad Max (aka, Mel Gibson) uses his fighting skills and strategy to help them defend their outpost. I liked this movie back in 1981 and I like it today. GRADE: A

I’m less enthusiastic about Mad Max Beyond Thunderdome which showed up in the U.S. in 1985. Despite the astonishing performance of Tina Turner in this film, I thought the gladiatorial battle sequences became tiresome. GRADE: B

Are you a fan of the Mad Max movies? Do you have a favorite?

Buffy Summers (Sarah Michelle Gellar), who looks a high-school student, is actually a young woman with superhuman strength. Buffy is the “Chosen One,” and her mission is to rid the world of Evil, mostly by killing demons and vampires. Pretty heady stuff for a teenager!

I bought this DVD set for a dollar at a recent Library Book Sale. Obviously they were selling more than books (I picked up a bag of CDs, too!).

The First Season of Buffy the Vampire Slayer, set mostly in Sunnydale High School. Buffy and her mother moved to Sunnydale after Buffy unfortunately torched her previous High School’s gym. We’re introduced to the other characters that assist Buffy in her fight against the Undead. The “Watcher” Giles (Anthony Stewart Head) provides essential information for Buffy’s battles. There’s a friendly geek called Xander (Nicholas Brendon), a computer nerd called Willow (Alyson Hannigan) who would blossom in upcoming Seasons, and snarky socialite called Cordelia (Charisma Carpenter). They all aid Buffy in her quest in various unusual ways.

Did you watch Buffy the Vampire Slayer on The WB back in 1997? Were you a fan? GRADE: A

EPISODES:
S01 E12 · Prophecy Girl
Jun 2, 1997
S01 E11 · Out of Mind, Out of Sight
May 19, 1997
S01 E10 · Nightmares
May 12, 1997
S01 E09 · The Puppet Show
May 5, 1997
S01 E08 · I, Robot… You, Jane
Apr 28, 1997
S01 E07 · Angel
Apr 14, 1997
S01 E06 · The Pack
Apr 7, 1997
S01 E05 · Never Kill a Boy on the First Date
Mar 31, 1997
S01 E04 · Teacher’s Pet
Mar 25, 1997
S01 E03 · The Witch
Mar 17, 1997
S01 E02 · The Harvest (2)
Mar 10, 1997
S01 E01 · Welcome to the Hellmouth (1)
Mar 10, 1997

Radicalized is a new collection of four Cory Doctorow stories. Doctorow has been compared to Frederik Pohl because of the social commentary in many of his works. The first story, “Unauthorized Bread,” projects a near future when appliances are all “smart” which in this case mean that users are charged each time they make a slice of toast, or open their fridge, or run their dishwasher. In a “mixed” facility–rich people live on the first 30 floors, poor people live on the upper floors–a refugee named Salima learns how to “jailbreak” her appliances so she doesn’t have to pay the onerous costs. But, that freedom leads to more problems. GRADE: A-

“Model Minority” features a superhero named America Eagle who bears a strong resemblance to Superman. America Eagle finds that police beat up innocent people, hide evidence, and prevaricate. His good intentions make matters worse. GRADE: C+

“Radicalized” explores situations where politicians and medical insurance companies deny services to sick citizens…and the citizens die. An online group of radicalized people decide to assassinate the politicians and attack the companies who essentially killed their loved ones for profit by withholding live-saving therapies. GRADE: B

“The Masque of the Red Death” telegraphs its message. Based on the famous Edgar Allen Poe story, Doctorow poses a near future where a wealthy investor named Martin projects a complete collapse of the United States. Martin builds a hidden desert retreat he calls The Fort and stocks it with guns, ammo, food, and antibiotics. He invites thirty friends to join him when the catastrophe hits. And just as Martin predicted, the riots begin and the Government falls. Martin and his friends think they’re safe inside The Fort, but even smart people make mistakes…and each mistake means death. GRADE: B