If you’re a fan of Pulp Fiction from the 1920s and 1930s, you’re familiar with Spicy Detective Stories, Spicy Adventure Stories, Spicy Mystery Stories, and Spicy Western Stories.

But, what about Spicy Zeppelin Stories?

In his clever and informative INTRODUCTION, Will Murray traces the genesis of this fictitous pulp magazine back to the 1970s. Years went by and the myth of Spicy Zeppelin Stories grew. Finally, Murray admits there came a point when he had to create an issue Spicy Zeppelin Stories before someone else did.

And here it is! Spicy Zeppelin Stories, Volume 1, Number 1, October 1936 appears just as it would have…if it really existed back then.

The prolific Will Murray, known for his many Pulp Fiction inspired novels and author of 40 books in The Destroyer series, decided he would write all the stories in Spicy Zeppelin Stories using a number of pseudonyms. Murray took the approach that the stories would be written in Depression fiction style and feature a Doc Savage-like story–Gondola Girl”–a Western story, a Science Fiction story in the Captain Future and C.L. Moore’s Northwest Smith mode, a typical weird menace story, a G-man story, and an air-war yarn. The common element to Murray’s Spicy Zeppelin Stories is every story features an airship of some type.

My favorite story in Spicy Zeppelin Stories is “Zeps of the Void” by “Jason Rainbow.” Solar Smith’s vengeance on Space Pirates is focused and cunning. I also enjoyed “Catwalk Creeper” by “D. E. Need” where beautiful women are attacked by “Medusa the Destroyer”–turned to stone–and shattered into pieces aboard a Zeppelin. Neat mystery!

If you’re looking for something different and exciting, Spicy Zeppelin Stories might be exactly what you’re in the mood to read! GRADE: B+

TABLE OF CONTENTS:

INTRODUCTION By Will Murray — 1

Gondola girl By Wray Murill — 9

Gasbag buckaroo By Noah Count — 71

Hydrogen horror By Page Turner — 101

Zeps of the void By Jason Rainbow — 135

Rail lair By Philip Space –165

Catwalk creeper By D. E. Need — 191

The Celestial Airship By Anonymous — 219

Chane By Ray W. Murrill –221

The 1980s offered a wide range of musical styles. Blondie’s “The Tide is High” has a reggae vibe. Hall & Oates “Private Eye” has a catchy  pop-rock sound. Olivia New-John’s “Magic” was recorded  for the soundtrack to the 1980 musical fantasy film Xanadu, which starred Newton-John and Gene Kelly. The J. Geils Band’s “Centerfold” makes it on both #1 Hits of the ’80s and American Bandstand’s Greatest Hits of the Century: 80s along with “The Power of Love” by Huey Lewis and The News. #1 Hits of the the ’80s does a nice job including many of the 1980s most popular songs: Robert Palmer’s “Addicted to Love” (great music video, too!), Kenny Loggins’s “Footloose,” Kim Carnes’s enigmatic “Bette Davis Eyes,” and the Fine Young Cannibals’s “She Drives Me Crazy.”

American Bandstand’s Greatest Hits of the Century: 80s includes some disco with “Love Come Down” by Evelyn “Champagne” King and Taylor Dayne’s “Don’t Rush Me.” I still love “Jessie’s Girl” by Rick Springfield and “Girls Just Want to Have Fun” by Cyndi Lauper and “867-5309 / Jenny” by Tommy Tutone. Do you remember these hits from the 1980s? Any favorites here? GRADE: B+ (for both)

TRACK LIST:

1	Robert Palmer–	Addicted To Love	4:25
2	Huey Lewis & The News–	The Power Of Love	3:55
3	Kenny Loggins–	Footloose	3:47
4	Duran Duran–	The Reflex	4:24
5	Daryl Hall & John Oates–	Private Eye	3:28
6	The J. Geils Band–	Centerfold	3:37
7	The Human League–	Don’t You Want Me	3:59
8	Kim Carnes–	Bette Davis Eyes	3:46
9	Culture Club–	Karma Chameleon	4:13
10	Blondie–	The Tide Is High	4:41
11	Sheena Easton–	Morning Train (Nine To Five)	3:22
12	Olivia Newton-John–	Magic	4:30
13	John Waite–	Missing You	4:29
14	Terence Trent D’Arby–	Wishing Well	3:32
15	Paula Abdul–	Straight Up	3:51
16	Fine Young Cannibals–	She Drivers Me Crazy	3:32
17	Cutting Crew–	(I Just) Died In Your Arms	4:37

TRACK LIST:

1-1	Evelyn “Champagne” King*–	Love Come Down
1-2	Billy Ocean–	Caribbean Queen (No More Love On The Run)
1-3	Pointer Sisters–	Jump (For My Love)
1-4	Eurythmics–	Sweet Dreams (Are Made Of This)
1-5	Starship (2)–	We Built This City
1-6	The J. Geils Band–	Centerfold
1-7	Toni Basil–	Mickey
1-8	Rick Springfield–	Jessie’s Girl
1-9	The Romantics–	Talking In Your Sleep
1-10	Thomas Dolby–	She Blinded Me With Science
1-11	Mr. Mister–	Broken Wings
1-12	Kajagoogoo–	Too Shy
1-13	Ray Parker Jr.–	Ghostbusters
1-14	Taylor Dayne–	Don’t Rush Me
1-15	A Flock Of Seagulls–	I Ran (So Far Away)
2-1	Wham!–	Wake Me Up Before You Go-Go
2-3	REO Speedwagon–	Keep On Loving You
2-4	Cyndi Lauper–	Girls Just Want To Have Fun
2-5	Bonnie Tyler–	Total Eclipse Of The Heart
2-6	Bangles–	Walk Like An Egyptian
2-7	Huey Lewis & The News–	The Power Of Love
2-8	The Romantics–	What I Like About You
2-9	Toto–	Rosanna
2-10	Men At Work–	Who Can It Be Now?
2-11	Paul Young–	Everytime You Go Away
2-12	‘Til Tuesday–	Voices Carry
2-13	Tommy Tutone–	867-5309 / Jenny
2-14	Nena–	99 Red Balloons
2-15	Mike Reno & Ann Wilson–	Almost Paradise (Love Theme From “Footloose”)

David Greig’s novella starts with a savage Viking attack on a small island off the coast of England. The monks in the isolated monastery are butchered and their meager religious valuables ransacked. The Vikings capture the women who kept the chickens and farm animals who supported the monastery and put them aboard their dragon ship to sell as slaves.

After the Vikings sail away, we discover there are three survivors: a young boy who was in training to be a monk, the wife of the blacksmith, and a surprise survivor. Greig then spends most of the rest of The Book of I showing how the survivors repair the wreckage and learn to work together.

Of course, a year later, the Viking ship returns and all hell breaks loose again…but with a different result. If you’re in the mood for a clever story with an unusual cast, The Book of I delivers a quick and compelling reading experience. GRADE: B

Eight years ago I watchedThe Night Manager (you can read my review here), after I read John le Carre’s book of the same name. Le Carre liked the production and encouraged Tom Hiddleston, Hugh Laurie, Olivia Colman, Tom Hollander, David Harewood and Elizabeth Debicki to make a sequel. Then John le Carre (aka, David John Moore Cornwell) died in 2020 but the plans for more episodes of The Night Manager progressed.

“In April 2024, it was announced that BBC and Amazon Prime Video had ordered a second and third series, with Hiddleston and Colman returning in lead roles and Laurie as an executive producer.  Alistair Petrie, Noah Jupe, Douglas Hodge and Michael Nardone also reprise their roles from the first series, while Camila Morrone, Diego Calva, Indira Varma, Paul Chahidi and Hayley Squires joined the cast in lead roles. Georgi Banks-Davies serves as director for the second series.”

If you’re a fan of John le Carre’s books and enjoy spy stories, you might want to check out this new 6-episode series on AMAZON Prime Video. GRADE: Incomplete but treading towards a B+

Judith Viorst–well known children’s book author and poet–could have titled Making the Best of What’s Left…A Guide to Widowhood instead. Viorst is 94 years old and a realist.

“Milton, my husband of almost sixty-three years, died in December 2022. He wasn’t supposed to die before me–I told him this was something he COULD NOT DO– but when did he listen? I write, in this book, about widowhood, but I also want to explore the challenges that I and the people I’ve talked with…dealing with these years beyond age eighty, in what I’m calling the Final Fifth of Life” (years 80 to 100). (p. 1)

Viorst explores options in housing–depending on health. She deals with loneliness. Health issues get a comprehensive analysis. Is there romance after 80? Viorst thinks so.

Viorst counsels not to wait too long to say the things that you need to. And to show how you feel about the people in your life before it’s too late. This short book addresses all the important Aging Issues with humor and sincerity. How is aging going for you? GRADE: A

TABLE OF CONTENTS:

ABOUT THIS BOOK — 1

A valentine for the extremely married — 3

Home — 5

Our sensible safe retirement community — 17

Old — 19

Losing it — 32

What’s left — 35

Grow old along with me and my home health aide — 49

A little while — 51

Stop being dead — 65

Counting the dead — 67

What else I remember — 83

Afterward — 85

An afterlife — 99

Happiness — 103

Getting out the vote — 119

Loneliness — 121

A Jewish widow’s country-western love song — 138

Community — 139

Princess Margaret, Pearl Harbor, “daffodils,” etc. — 149

Wisdom — 151

Prescription — 161

Epilogue — 163

A FEW ENDNOTES — 167

Acknowledgments — 173

According to Vegas, the Buffalo Bills should win this Playoff game. The Bills are favored by 1 1/2 points. But Jacksonville has won 8 games in a row and their Quarterback, Trevor Lawrence, is on fire. I’m expecting a close game and hoping the Bills will find a way to win!

No. 6 San Francisco 49ers at No. 3 Philadelphia Eagles, 4:30 p.m. ET, FOX

I’m rooting for Art Scott’s 49ers even though the Eagles are 6 point favorites.

No. 7 Los Angeles Chargers at No. 2 New England Patriots, 8:00 p.m. ET, NBC

All Bills fans are hoping the Chargers can upset the 3 point favorite Patriots. Who do you think will win these games?

No. 5 Los Angeles Rams at No. 4 Carolina Panthers, 4:30 p.m. ET, FOX

No. 7 Green Bay Packers at No. 2 Chicago Bears, 8:00 p.m. ET, Amazon Prime Video

The LA Rams are favored by 10 points over the Carolina Panthers–even though the Panthers beat the Rams earlier in the season.

The Packers and the Bears both won a game against each other so the Bears being 1 1/2 point favorites over the Packers makes some sense since the Bears are home for this game.

I’m picking the Rams and Packers to win. How about you? Who do you think will win these Playoff games?

I’ve been reading George Steiner (April 23, 1929 – February 3, 2020) for decades. Steiner has been called Polymath for the range of his essays and reviews. Take WHAT IS COMPARATIVE LITERATURE? (1994) for an example. “At best, the major writer adds graffiti to the walls of the already extant house of language.” (p. 3).

Steiner dabbles in Popular Culture, too. “The episode of avenging execution in Mickey Spillane’s I, The Jury may derive its undeniable power from that ritual slaying of the priest-king…” (p. 13)

Some may argue that Steiner’s topics like Marxism, Levi-Strauss, and Freud are obsolete today. But Steiner’s criticisms are still valid: “The Marxist analysis of history has shown itself to be one-sided and often grossly in violation of evidence.” (p. 10) “Freud sought to banish the archaic shadows of irrationalism, of faith in the supernatural. His promise, like that of Marx, was a promise of light. It has not been fulfilled.” (p. 23).

“Here are three great mythologies devised to explain the history of man, the nature of man, and our future. That of Marx ends in a promise of redemption, that of Freud in a vision of homecoming to death; that of Levi-Strauss in an apocalypse brought on by human evil and human waste.” (p. 37)

Steiner’s critique of the current attitude towards Truth speaks volumes: “Truth…is in fact a complex variable dependent on political social aims. Different classes have different truths.” (p. 54) Or, as the saying goes: “Truth isn’t a solid, it’s a liquid.”

George Steiner: A Reader was published in 1984. Steiner went on to write much more in the following decades but this volume does collect the best of Steiner’s early writings. You’ll find essays where Steiner takes a Deep Dive into Literature, Politics, and Culture. If you’re looking for a brilliant writer with sharp insights into difficult subjects with eloquent writing and unique perceptions, Steiner’s work tackles literary texts and cultural issues with dazzling skill. GRADE: A (for all three books)

TABLE OF CONTENTS:

Introduction	p. 7
The Critical Act
To Civilize our Gentlemen (1965; from Language and Silence)	p. 25
Marxism and the Literary Critic (1958; from Language and Silence)	p. 37
Georg Lukacs and His Devil’s Pact (1960; from Language and Silence)	p. 54
‘Critic’/’Reader’ (1979; from New Literary History)	p. 67
Readings
Nineteenth-Century America and Russia (1959; from Tolstoy or Dostoevsky)	p. 101
Homer and Tolstoy (1959; from Tolstoy or Dostoevsky)	p. 109
Tolstoy’s Immanence in the World (1959; from Tolstoy or Dostoevsky)	p. 118
The Final Comparison (1959; from Tolstoy or Dostoevsky)	p. 132
Racine (1961; from The Death of Tragedy)	p. 136
Verse in Tragedy (1961; from The Death of Tragedy)	p. 154
Tragedy and Myth (1961; from The Death of Tragedy)	p. 159
Epilogue (1961; from The Death of Tragedy)	p. 165
Obsessions
A Death of Kings (1968; from Extraterritorial)	p. 171
The Cleric of Treason (1980; from the New Yorker, 8 December)	p. 178
Matters German
The Hollow Miracle (1959; from Language and Silence)	p. 207
A Kind of Survivor (1965; from Language and Silence)	p. 220
Schoenberg’s ‘Moses und Aron’ (1965; from Language and Silence)	p. 234
Postscript (1966; from Language and Silence)	p. 246
Heidegger’s Silence (1980; from Martin Heidegger)	p. 258
Lieber’s Lament (1979; from The Portage to San Cristobal of A.H.)	p. 266
The Defence of A.H. (1979; from The Portage to San Cristobal of A.H.)	p. 272
Language and Culture
The Retreat from the Word (1961; from Language and Silence)	p. 283
Night Words (1965; from Language and Silence)	p. 305
Eros and Idiom (1975; from On Difficulty)	p. 314
The Distribution of Discourse (1978; from On Difficulty)	p. 345
Speech as Translation (1975; from After Babel)	p. 369
Privacies of Speech (1975; from After Babel)	p. 385
Creative Falsehood (1975; from After Babel)	p. 398
Theme and Variations (1975; from After Babel)	p. 410
English Tomorrow (1975; from After Babel)	p. 420
Future Literacies (1971; from In Bluebeard’s Castle)	p. 423
Table of Contents provided by Syndetics. All Rights Reserved.

NOSTALGIA FOR THE ABSOLUTE (1997) TABLE OF CONTENTS:

The Secular Messiahs — 1

Voyages into the Interior — 12

The Lost Garden — 24

The Little Green Men — 38

Does the Truth Have a Future? — 50

John Lingan provides a guided tour to the best drummers in Rock ‘n Roll. Hal Blaine played drums for the legendary Phil Spector. “Spector loved ear-bleeding volume, but he also wanted his songs to sound perfect on a tinny transistor speaker… The “Be My Baby” beat became instantly recognizable and endless borrowed… His collaborations with Spector made Hal Blaine a new kind of studio-bound celebrity.” (p. 26-27)

“As the go-to drummer for Stax in its glory era, Al Jackson, Jr. similarly played on one soul triumph after another– “Soul Man,” “In the Midnight Hour,” “Walking’ the Dog,” “Born Under a Bad Sign”–and his approach helped distinguish Memphis’s sonic identity from Detroit’s. (p. 41)

I was surprised to learn Ringo Starr was a left-handed drummer, which explains some of the unique drumming that helped The Beatles to craft their sound. “Tumbling Dice,” for example, begins with a quick guitar lick, then Charlie Watts nails two rifle-shot snare hits and the full band slams into a soft, strutting groove.” (p. 72). Charlie Watts is my favorite rock drummer and you only have to hear his impact on “Tumbling Dice”–my favorite Rolling Stones song–to appreciate his talent.

“Bernard “Pretty” Purdie nearly played the entirety of 1976’s The Royal Scam, was was also Steely Dan’s most stylistically diverse record, encompassing disco (“The Fez”), reggae (“Haitian Divorce”), and long multipart ballads like the title track.” (p.169)

John Lingan’s tour through the works of the greatest drummers, made me want to re-listen to many of the great songs I grew up with and focus on the drumming. I suspect this might also be your reaction to this wonderful book! And if you want to listen to those great songs of the 1950s, 1960s, and 1970s, take a listen to the Max Weinberg (the drummer of The E-Street Band) set of CDs that capture the great drumming of three decades! Do you have a favorite drummer? GRADE: A (for everything!)

TABLE OF CONTENTS:

Glossary — xi

Introduction: We are a part of the Rhythm Nation — xv

Sam Lay: integrating the blues — 1

Hal Blaine: the sound of California — 19

Al Jackson Jr.: from Memphis to the Love Crowd — 35

Ringo Starr: the biggest fool that ever hit the big time — 53

Charlie Watts: let it loose — 71

Kenny Buttrey: beyond the Nashville sound — 83

Moe Tucker: louder than anything — 97

Clyde Stubblefield: don’t turn it loose — 113

John Bonham: power and presence — 131

Bernard “Pretty” Purdie: the sweetener — 149

Earl Hudson: this is hardcore — 165

Tony Thompson: the biggest beat — 179

Dave Lombardo: going to extremes — 193

Dave Grohl: one big rip-off! — 209

Questlove: man vs. machine — 225

Acknowledgements –– 241

Notes — 243

Sources — 251

Index — 259

Max Weinberg Presents: Let There Be Drums! Vol. 1: The ’50s

TRACK LIST:

Sandy Nelson–	Let There Be Drums	2:23
	Bill Haley And His Comets–	(We’re Gonna) Rock Around The Clock	2:11
	Bo Diddley–	Bo Diddley	2:29
	Little Richard–	Long Tall Sally	2:09
	Preston Epps–	Bongo Rock	2:07
	Gene Vincent & His Blue Caps–	Be-Bop-A-Lula	2:36
	Fats Domino–	I’m Walkin’	2:10
	Buddy Holly–	Peggy Sue	2:30
	Chuck Berry–	Rock & Roll Music	2:32
	Cozy Cole–	Topsy II	3:36
	Jerry Lee Lewis–	High School Confidential	2:29
	Johnny And The Hurricanes–	Red River Rock	2:10
	The Coasters–	Yakety Yak	1:52
	Johnny Horton–	The Battle Of New Orleans	2:32
	Dion (3)–	The Wanderer	2:48
	Fats Domino–	The Fat Man	2:37
	Ray Charles–	What’d I Say (Part I)	3:11
	Sandy Nelson–	Teen Beat	2:23

Max Weinberg Presents: Let There Be Drums! Vol. 2: The ’60s

TRACK LIST:

1	The Ventures–	Walk—Don’t Run Drums – Howie JohnsonProducer – Bob ReisdorffWritten-By – John Smith*	2:06
2	Roy Orbison–	Running ScaredDrums – Murray “Buddy” Harman, Jr.*Producer – Fred FosterWritten-By – Joe Melson, Roy Orbison	2:13
3	Percy Sledge–	When A Man Loves A Woman Drums – Roger HawkinsProducer – Marlin Greene, Quin IvyWritten-By – Andrew Wright (4), Calvin Lewis	2:58
4	The Surfaris–	Wipe OutProducer – Paul BuffWritten-By – Robert Berryhill*, James Fuller*, Patrick ConnollyWritten-By, Drums – Ron Wilson (5)	2:38
5	Creedence Clearwater Revival–	Born On The Bayou Drums – Doug CliffordWritten-By, Producer – John Fogerty	5:13
6	Aretha Franklin–	(Sweet Sweet Baby) Since You’ve Been GoneDrums – Roger HawkinsProducer – Jerry WexlerWritten-By – Aretha Franklin, Ted White	2:25
7	Moby Grape–	Omaha Drums – Don StevensonProducer – David RubinsonWritten-By – Skip Spence*	2:22
8	The Rascals–	People Got To Be Free Drums – Dino DanelliProducer – Arif Mardin, The RascalsWritten-By – Eddie Brigati, Felix Cavaliere	3:01
9	The Isley Brothers–	Twist And ShoutDrums – Gary Chester (2)Producer – Ilene BernsWritten-By – Burt Russell*, Phil Medley	2:30
10	Steppenwolf–	Born To Be Wild Drums – Jerry EdmontonProducer – Gabriel MeklerWritten-By – Mars Bonfire	3:30
11	Booker T & The MG’s–	Green OnionsProducer – Jim StewartWritten-By – Booker T. Jones, Lewis Steinberg, Steve CropperWritten-By, Drums – Al Jackson Jr.	2:55
12	Mitch Ryder & The Detroit Wheels–	Jenny Take A Ride! Drums – John “Bee” Badanjek*Written-By – Enotris Johnson, Richard PennimanWritten-By, Producer – Bob Crewe	3:23
13	The Band–	Up On Cripple Creek Drums – Levon HelmProducer – John Simon, Robbie RobertsonWritten-By – Jaime Robert Robertson*	3:34
14	Sam & Dave–	Soul Man Drums – Al Jackson, Jr.*Producer – Isaac Hayes & David Porter*Written-By – Isaac Hayes/David Porter*	2:39
15	The Hollies–	Look Through Any Window Drums – Bobby ElliottProducer – Ron RichardsWritten-By – Charles Silverman, Graham Gouldman	2:17
16	Jan & Dean–	Surf City Drums – Hal BlaineWritten-By – Brian WilsonWritten-By, Producer – Jan Berry	2:28
17	Wilson Pickett–	In The Midnight Hour Drums – Al Jackson, Jr.*Producer – Jim StewartWritten-By – Jerry Wexler, Steve Cropper, Wilson Pickett	2:34
18	The Strangeloves–	I Want Candy Written-By – Bert Berns Written-By, Drums, Producer – Jerry Goldstein, Richard GottehrerWritten-By, Producer – Bob Feldman	2:34

Max Weinberg Presents: Let There Be Drums! Vol. 3: The ’70s

TRACK LIST:

The Rolling Stones–	Rocks Off
	Aretha Franklin–	Rock Steady
	Raspberries–	Overnight Sensation (Hit Record)
	Rufus–	Tell Me Something Good
	Gary Wright–	Dream Weaver
	The Edgar Winter Group–	Franksenstein
	The Staple Singers–	I’ll Take You There
	Ringo Starr–	Drumming Is My Madness
	George McCrae–	Rock Your Baby
	Yes–	The Fish (Schindleria Praematurus)
	Sly & The Family Stone–	In Time
	Meat Loaf–	Paradise By The Bashboard Light
	MFSB–	TSOP (The Sound Of Philadelphia)
	James Taylor (2)–	Fire And Rain
	Herbie Mann–	Hijack
	The Grateful Dead–	Terrapin Flyer (Excerpt)
	Daryl Hall & John Oates–	She’s Gone
	Bruce Springsteen–	Candy’s Room