The Buffalo News food critic, Andrew Z. Galarneau, reviewed Jay’s Artisan Pizza and made this provocative statement: “If you told me I would only get one more pizza, then lights out, this would be the one. Specifically, Jay’s red top spicy Detroit Style ($15).” You can read Galarneau’s full review here.

As you might know, I love pizza in all its infinite forms. So after reading Galarneau’s pizza review, I had to try this pizza that was to die for. Diane wanted to try Jay’s Margarita Pizza and I wanted Galarneau’s favorite: the red top spicy Detroit Pizza. At this time Jay’s Artisan Pizza is Take-Out only so I went online and put in my order for a 4:00 P.M pick up.

Jay’s Artisan Pizza, a 15-minute drive from our house, had plenty of parking in front of its restaurant. Diane called to say we arrived and a masked woman brought out our pizzas and placed them in the trunk of our Nissan Rogue. Easy peasy!

As soon as we arrived home, we looked at the pizzas. They sure passed the Eye Test! They looked yummy. My red top spicy Detroit Style pizza featured sweet crushed tomato, Parmiagiano and hot cherry peppers with chile honey on a field of mozzarella. Then there’s the sharp cheddar around the rim for a unique flavor. Diane’s Margarita Pizza’s pillowy crust (somewhat like the texture of a cressant) held tomato sauce, ricotta cheese, and bits of kale. Both pizzas were delicious!

However, the question is: would these be our choices for our Last Pizza? Alas, no. As good as these pizzas are, I prefer the generous toppings and thicker crust of Good Guys Pizza (formerly, Pizza Junction which was featured on Drive-ins, Diners, & Dives).

What’s your favorite pizza?

A couple days ago, 1.2 million Americans filed for unemployment. Bad economic news! But, what did the Stock Market do? It went up! The United States leads the world in positive coronavirus cases and deaths (over 1000 per day!) Yet, stocks continue to rise (and gold, too!). The Stock Market masks the true situation in our country.

The worlds of Main Street and Wall Street live very different realities. Millions of Americans are unemployed and the Unemployment Rate is 10.2%. Their Federal Stimulus benefits have expired. Many millions–including children–will find themselves homeless in the days ahead. Meanwhile, the NASDAQ has hit new highs. The popular FAANG (Facebook, Amazon, Apple, Netflix, and Google) group of stocks zoom upward. What’s going on here???

There’s a disconnect between the Economy for middle and lower class Americans, and the Economy for the 1%. The Rich can shift assets around and make money. Middle class and lower class Americans are stuck. While the Rich have options like “working” and living anywhere they want, everyone else doesn’t. The Coronavirus Pandemic is an inconvenience to the Rich. It’s devastating for the rest of us. And, it also helps that the Federal Reserve is spending trillions to keep the Stock Market propped up.

So, what to do? First, limit your spending. The Coronavirus Pandemic is already suppressing consumer spending. This is NOT the time to buy a Big Ticket Item. Prepare for the Worst: stockpile some bottled water, canned food, and your medications. Things could get Very Ugly when the Second Surge of the Coronavirus hits in October! Avoid taking risks. How are you doing during these dire times?

I first encountered Frank Frazetta’s artwork on the cover of some ACE editions of Edgar Rice Burroughs back in the 1960s. Later, the eye-popping Frazetta covers on the LANCER editions of Robert E. Howard’s Conan series created a sensation. Frazetta also illustrated albums covers for  Molly Hatchet‘s first three albums that feature “The Death Dealer“, “Dark Kingdom”, and “Berserker.” In 2009 Kirk Hammett, the lead guitarist for Metallica, bought Mr. Frazetta’s cover artwork for the paperback reissue of Robert E. Howard’s “Conan the Conqueror” for $1 million.

Fantastic Paintings of Frazetta was just published with more examples of Frazetta’s incredible artwork like this:

J. David Spurlock, the editor of this project, began this new Frazetta book by starting with the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. Then Spurlock expanded and revised the format to include twice as many images and presents them at a much larger coffee-table book size of 10.5 x 14.625”! The collection presents both classic Frazetta artwork and previously unpublished works. If you’re a Frazetta fan, this is a must buy! Do have a favorite Frazetta cover? GRADE: A

I’ll be very interested to see what Deb, Steve, and Jeff–our resident  musicologists–think of this compilation of “Hair Metal” bands from 1986-1992. Some of the bands are familiar: Quiet Riot, Dio, Poison, Black Sabbath, Foreigner, Twisted Sister, Ratt, and Motley Crue. But there were a few groups I didn’t recognize–Vixen (an all-girl group from Minneapolis) and Nelson (a couple of long-haired blond brothers)–that I would like to hear more from.

I wasn’t really a Hair Metal fan, but these Glam Rock tunes dominated the radio air-waves for five or six years so I heard plenty of these songs. Were you into Big Hair and guitar riffs? Do you recognize these groups? Any favorites here? GRADE: B+ (well worth the $1 I paid for this 2–CD set)

Tracklist

Turn Coat is the 11th book in the Harry Dresden series. As a Wizard and Private Detective, Dresden’s life is never dull. This book opens with a surprise visitor to Dresden’s home. The events that flow from this incident lead Dresden into an investigation into a possible traitor in the White Council of Wizards.

As Dresden gets closer to the identity of the traitor, he’s attacked by a snakewalker (who also has the ability to be a shapeshifter). After one of Dresden’s allies is killed by the snakewalker, Dresden decides on setting a trap that will expose the traitor. But, the almost invincible snakewalker shows up in another ground-shaking battle at the book’s conclusion.

While the battle scenes are always impressive in the Harry Dresden books, Turn Coat focuses on Dresden’s investigatory skills in exposing the traitor and the Dark Forces manipulating the action. Great story-telling! GRADE: A

Palm Springs is being marketed as a romantic comedy. If your idea of a romantic comedy is serial suicides, then Palm Springs might appeal to you. Andy Sandberg plays Nyles, a lackadaisical member of a crowd at a wedding. Cristin Milioti plays Sarah, Maid of Honor, whose life involves drinking and sleeping around. Through a series of odd events (including dinosaurs!) Nyles and Sarah end up in a time-loop where they have to experience the wedding day over and over again, potentially to Infinity (think Groundhog Day). Nyles and Sarah attempt several strategies to escape from the time-loop.

I didn’t find Palm Springs funny or romantic. J. K. Simmons is wasted in a lame role. Director Max Barbakow and screenwriter Andy Siara spin their cinema wheels for about 90 minutes before they come up with an unlikely con conclusion. GRADE: C

Diane’s Book Club (now more of a virtual Book Club) chose Agatha Christie’s The ABC Murders for their September book. Diane had never read it although she has read several Christie mysteries. I read The ABC Murders back in the 1960s when I went on an Agatha Christie binge and read a couple dozen of her mysteries in a row. It blew my mind!

When Diane tried to take out the LARGE PRINT edition of The ABC Murders from the Library, she discovered it was out (probably to one of her Book Club members). So Diane decided to take out the audiobook version. After listening to 38 CDs of GRANT listening to five CDs of The ABC Murders was a snap.

This audiobook version of The ABC Murders is “performed” by Hugh Frazer (the actor who plays Captain Hastings in the PBS Hercule Poirot series). Diane and I both liked Frazer’s narration and his gift to create a unique “voice” for each character.

This 1936 mystery involves a serial killer who kills in alphabetical order: A is for Mrs. Ascher in Andover, B is for Betty Barnard in Bextill, C is for Sire Carmichael Clarke in Churston. An ABC Railway Guide is found near each dead body. And before each murder, the murderer sends Hercule Poirot a letter predicting (and gloating about) his crimes. If you haven’t read The ABC Murders you’re missing one of the more iconic mysteries in the Christie pantheon. Do you have a favorite Hercule Poirot mystery? GRADE: A

Diane was reading one of her favorite magazines, Real Simple, when she came across an article that recommended Turkey Hill Belgian Style Chocolate Ice Cream. The next time Diane was shopping at Wegmans, she checked out the ice cream section and found Turkey Hill Belgian Style Chocolate Ice Cream. She brought it home and we sampled it.

It you like smooth, creamy chocolate ice cream, you’ll love Turkey Hill Belgian Style Chocolate Ice Cream. Very yummy! Are you a fan of ice cream? What’s your favorite flavor? GRADE: A

An instant classic!

Although I’ve never been a fan of Algis Budrys’ Science Fiction, I do admire his critical acumen. Back in 2013 I bought and read Budrys’ Benchmarks and Benchmarks Continued (you can read my review here). Wonderful book reviews from Galaxy and The Magazine of Fantasy and Science Fiction. But Budrys wrote a lot more than just two books worth of SF criticism.

Beyond the Outposts collects longer essays that Budrys wrote in a variety of magazines and journals. This is clearly a labor of love to gather these wonder works between two covers. Just glance at the Table of Contents to assess the range of these essays. If you’re a Science Fiction fan, you’ll love what you’ll find here. I highly recommend Beyond the Outposts! GRADE: A

TABLE OF CONTENTS:

Introduction: David Langford — 7

Introduction to Outposts: Algis Budrys — 9
Or Thwim –11
Two Novels of Science –17
About Something Truly Wonderful — 20
On Rogue Moon — 23
On Budrys’ Inferno — 27
“Most Scrutinized SF Writer” — 29
Comment on “Contact Between Equals” — 31
Foreword to “Twilight” (John W. Campbell) — 34
Foundation and Asimov — 36
On Writing: The Locus Columns — 41
On Being a Bit of a Legend –82
Science Fiction in the Marketplace — 87
Short Takes 1979-1981 — 94
Memoir – Galaxy Book Shelf — 105
Memoir – Spilled Milk — 109
Asimov’s Autobiography — 114
Two Sketches: Damon Knight and Robert Silverberg — 117
Paradise Charted — 121
Stephen King in the 1980s — 173
The Empire Talks Back — 179
Tom Reamy: A Rare & Masterful Fantasist — 188
Scanners Writhe in Pain — 195
Obstacles and Ironies in Science-Fiction Criticism — 199
The Ideas of Mary McCarthy — 209
What Did 1980 Mean? –212
Pulp! –223
1981 and Counting — 231
Gene Wolfe — 237
Introducing Lloyd Arthur Eshbach — 239
Non-Literary Influences on Science Fiction — 245
Bridges to Verity — 264
The Revenge of the Empire — 268
Clarifying Clarion — 284
Literatures of Milieux — 290
Reviewing Heinlein — 304
1984, Nineteen Eighty-Four, and Other SF Novels, Signs, and Portents — 308
Pop Lit: Reviews — 317
Memoir – “The Man Who Tasted Ashes” — 325
What Was 1985 That We Were Mindful of It? — 331
1986, Reduced from 2000 — 339
New World in the Morning — 344
Writing Science Fiction and Fantasy — 350
Introducing Theodore R. Cogswell and PITFCS — 359
Beyond Rayguns and Godzilla — 362

Some Notes –371
Acknowledgements — 373
Original Appearances — 374
Index — 377

Original Appearances

• “1981 and Counting” – Nebula Award Stories Seventeen (New York: Holt, Rinehart and Winston, August 1983) edited by Joe Haldeman.
• “1984, Nineteen Eighty-Four, and Other SF Novels, Signs, and Portents” – The Science Fiction Yearbook (New York: Baen Books, September 1985) edited by Jim Baen, John F. Carr and Jerry Pournelle.
• “1986, Reduced from 2000” – Nebula Awards 22 (New York: Harcourt Brace Jovanovich, April 1988) edited by George Zebrowski.
• “About Something Truly Wonderful” – The Magazine of Fantasy and Science Fiction, November 1961, edited by Joseph W. Ferman.
• “Asimov’s Autobiography” – In Memory Yet Green from Des Moines IA Register, 25 March 1979*; In Joy Still Felt from Manhattan KS Mercury, 27 April 1980*.
• “Beyond Rayguns and Godzilla” – Outposts: Literatures of Milieux (San Bernardino, California: The Borgo Press; dated 1996, published 1997) by Algis Budrys.
• “Bridges to Verity” – Fantasy Review #64, January 1984, edited by Robert A. Collins.
• “Clarifying Clarion” – Asimov’s SF, June 1984, edited by Shawna McCarthy.
• “Comment on ‘Contact Between Equals’” – SF: Authors’ Choice 2 (New York: Berkley Medallion, 1970) edited by Harry Harrison.
• “The Empire Talks Back” – Asimov’s SF, November 1980, edited by George Scithers.
• “Foreword to ‘Twilight’ (John W. Campbell)” – The Mirror of Infinity: A Critic’s Anthology of Science Fiction (New York: Harper and Row, May 1970) edited by Robert Silverberg.
• “Foundation and Asimov” – as “The Reference Library: Foundation and Asimov” in Analog, July 1975, edited by Ben Bova.
• “Gene Wolfe” – World Fantasy 1983: Sixty Years of Weird Tales, October 1983, edited by Robert Weinberg (1983 World Fantasy Convention souvenir book).
• “The Ideas of Mary McCarthy” – as “Books” in Omni, October 1981, edited by Dick Teresi.
• “Introducing Lloyd Arthur Eshbach” – as “Introduction” in Over My Shoulder: Reflections on a Science Fiction Era by Lloyd Arthur Eshbach (Philadelphia, Pennsylvania: Oswald Train, October 1983).
• “Introducing Theodore R. Cogswell and PITFCS” – as “Introduction” in PITFCS: Proceedings of the Institute for Twenty-First Century Studies edited by Theodore R. Cogswell (Chicago, Illinois: Advent:Publishers, December 1992).
• “Introduction to Outposts” – as “Introduction” in Outposts: Literatures of Milieux (San Bernardino, California: The Borgo Press: dated 1996, published 1997) by Algis Budrys.
• “Literatures of Milieux” – Foundation: The Review of Science Fiction #31, July 1984, edited by David Pringle. A shorter version also appeared in The Missouri Review, Winter 1984, edited by Speer Morgan.
• “Memoir – Galaxy Book Shelf” – Galaxy: Thirty Years of Innovative Science Fiction (New York: Playboy Press, March 1980) edited by Frederik Pohl, Martin H. Greenberg and Joseph D. Olander; includes edited Galaxy Book Shelf from Galaxy, September 1969, edited by Ejler Jakobsson.
• “Memoir – Spilled Milk” – Galaxy: Thirty Years of Innovative Science Fiction (New York: Playboy Press, March 1980) edited by Frederik Pohl, Martin H. Greenberg and Joseph D. Olander.
• “Memoir – ‘The Man Who Tasted Ashes’” – Worlds of If: A Retrospective Anthology (New York: Bluejay Books, September 1986) edited by Frederik Pohl, Martin Harry Greenberg and Joseph D. Olander.
• “Most Scrutinized SF Writer” – contribution to “Heinlein: After 30 Years” symposium in Speculation #24, September/October 1969, edited by Peter Weston.
• “New World in the Morning” – Pulphouse: The Hardback Magazine, Winter (December) 1988, edited by Kristine Kathryn Rusch.
• “Non-Literary Influences on Science Fiction” – Polk City, Iowa: Chris Drumm chapbook, 1983. Original copyright notice: “This essay, appearing here for the first time in its complete form, is copyright © 1983 by Algis Budrys. All rights reserved. An earlier version, in edited form, appeared in Science Fiction Dialogues (Gary K. Wolfe, editor; Academy Chicago), copyright © 1982 by The Science Fiction Research Association.”
• “Obstacles and Ironies in Science-Fiction Criticism” – The Patchin Review #2, September 1981, edited by Charles Platt.
• “On Being a Bit of a Legend” – Science Fiction Review #24, February 1978, edited by Richard E. Geis.
• “On Budrys’ Inferno” – as “Introduction” to Budrys’ Inferno (New York: Berkley Medallion, July 1963) by Algis Budrys, reissued as The Furious Future (London: Panther Books, 1966). Bonus “Comment on ‘Walk to the World’” from First Flight: Maiden Voyages in Space and Time (New York: Lancer Books, August 1963) edited by Damon Knight.
• “On Rogue Moon” – as “Algis Budrys Replies” [to Gordon Dickson] in Proceedings of the Institute for Twenty-First Century Studies Special Series #141, November 1961, edited by Theodore R. Cogswell.
• “On Writing” columns – Locus #201, May 1977 [1]; #202, July 1977 [2]; #203, August 1977 [3]; #205, October 1977 [4]; #206, November 1977 [5]; #207, December 1977 [6]; #208, January/February 1978 [7]; #209, March 1978 [8]; #210, April 1978 [9]; #212, July 1978 [10]; #213, August 1978 [11]; #214, September 1978 [12]; #215, October 1978 [13]; #216, November 1978 [14]; #218, January 1979 [15]; #222, June 1979 [16]; and #223, July/August 1979 [17]. All edited by Charles N. Brown.
• “Or Thwim” – Inside #10, July 1955, edited by Ron Smith.
• “Paradise Charted” – TriQuarterly #49, Fall 1980, guest-edited by David G. Hartwell.
• “Pop Lit” – Chicago Sun-Times reviews, usually for the Pop Lit department: Angels of September, 15 January 1986; The Bourne Supremacy, 2 March 1986; Koko and The Silence of the Lambs, 21 August 1988; Wyvern, 9 October 1988; Red Army and The Negotiator, 30 April 1989; The Bourne Ultimatum, 4 March 1990.
• “Pulp!” – Science Fiction Review #45, Winter (November) 1982, edited by Richard E. Geis.
• “The Revenge of the Empire” – Amazing Stories, March 1984, edited by George Scithers.
• “Reviewing Heinlein” – from “Interview: Algis Budrys” by Mark Berry in Science Fiction Review #53, Winter (November) 1984, edited by Richard E. Geis.
• “Scanners Writhe in Pain” – Asimov’s SF, August 1981, edited by George Scithers.
• “Science Fiction in the Marketplace” – Nebula Winners Twelve (New York: Harper and Row, February 1978) edited by Gordon Dickson.
• “Short Takes 1979-1981” – “Stardance” as “Sci fi writers get out of closet” in Madison WI Capital Times, 3 May 1979*; “The Pleasure Tube” from “Science Fiction: A Way To Say Something New” in Cincinnati Enquirer, 27 May 1979*; “Soviet SF” as “SCIENCE FICTION: American ‘screenplays’ and Soviet ‘stage plays’” in San Francisco Examiner(California), 16 July 1979*; “James Blish” as “Late science-fiction writer now seen as top author” in Binghamton NY Press and Sun-Bulletin, 16 September 1979*; “Genre and Mainstream” from “Lessing bombs in sci-fi genre” in The Medicine Hat News (Alberta, Canada), 22 October 1979*; “Working with Students” from Focus on Writing, undated ?1979, edited by David A. Sohn for District 65 Evanston, IL, Elementary Schools; “SF in the 1970s” as “SF was changed by ’70s” in Colorado Springs Gazette, 19 January 1980*; “SF Detective Stories” from “Science Fiction Detective Stories” in Lincoln NE Journal and Star, 3 August 1980*; “The Number of the Beast” from “Science Fiction Offerings” in Huntsville AL Times, 7 September 1980*; “Dream Makers” from “It’s Great Time of Year To Buy Mystery Thrillers” in Huntsville AL Times, 14 December 1980*; “Expanded Universe” from “Some sci-fi to make you angry” in Butte MT Montana Standard, 5 May 1981*; “The Mind Reels” from the differently edited versions “Sci-fi novels make mind reel” in Colorado Springs Gazette, 26 September 1981*, and “New science fiction offerings filled with intrigue, adventure” in Madison WI Capital Times, 15 October 1981*; “The Human Zero” as “Sci fi by E.S. Gardner” in Lincoln NE Journal and Star, 10 October 1981*.
• “Stephen King in the 1980s” – reviews of Firestarter from Mobile AL Press-Register, 28 September 1980*; Different Seasons from Odessa TX American, 12 August 1982*; Christine from Vancouver BC (Canada) Sun, 15 April 1983; It from Chicago Sun-Times, 24 August 1986; Misery from Chicago Sun-Times, 21 June 1987.
• “Tom Reamy: A Rare & Masterful Fantasist” – Trumpet #12, Summer 1981, edited by Ken Keller.
• “Two Novels of Science” – Science-Fiction Five-Yearly #3, November/December 1961, edited by Lee Hoffman.
• “Two Sketches: Damon Knight and Robert Silverberg” – from “Damon Knight: Two Sketches” (the other being by Robert A.W. Lowndes) and “Robert Silverberg: Two Sketches” (the other being by Terry Carr) in the Noreascon Two Souvenir Book (Cambridge, Massachusetts, August 1980).
• “What Did 1980 Mean?” – Nebula Award Stories Sixteen (New York: Holt, Rinehart and Winston, August 1982) edited by Jerry Pournelle and John F. Carr.
• “What Was 1985 That We Were Mindful of It?” – Nebula Awards 21 (New York: Harcourt Brace Jovanovich, December 1986) edited by George Zebrowski.
• “Writing Science Fiction and Fantasy” – New Destinies #7, Spring 1989, edited by Jim Baen (with a 1988 copyright date given for this essay only); Eugene, Oregon: Pulphouse Publishing chapbook reissue, 1990.

* The starred items from various US and Canadian newspapers are all syndicated articles with original publication credits to the Chicago Sun-Times.